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| 3.651 Ft
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| 1. | Fish Story
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| 2. | For Django
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| 3. | Walk On
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| 4. | Saturday Nite What Th'
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| 5. | The Call
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| 6. | Son of Alfalfa
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Jazz
Recorded by Richard L. Alderson on December 28, 1965
Henry Grimes: Bass
Perry Robinson: Clarinet
Tom Price: Drums
As one of the most recorded in the ESP-Disk' catalog (including 1020,1023,1029,1044.), Henry Grimes made his debut on ESP with Perry Robinson on clarinet, lending his unique Klezmer approach to the New Music. This adventurous album is motivating and inviting to the listener, and falls into the diversity of the ESP-Disk' catalog.
* Ray Gibson - Photography
* Richard Alderson - Engineer
The mysterious bassist Henry Grimes, who disappeared altogether in 1967, only led this one recording session; it has been reissued on CD. Although Grimes played in a wide variety of settings in the late '50s, he was working exclusively in the avant-garde by 1965. Teamed with clarinetist Perry Robinson in one of his earliest recordings and the obscure drummer Tom Price, Grimes gets a fair amount of solo space on these six group originals. However, it is for Robinson's playing that the adventurous but not overly memorable disc is chiefly recommended.
--- Scott Yanow, All Music Guide
Henry Grimes
Active Decades: '40s, '50s, '60s and '00s
Born: Nov 03, 1935 in Philadelphia, PA
Genre: Jazz
Styles: Free Jazz, Hard Bop
After over three decades of being "lost," Henry Grimes has made a remarkable comeback. He was born and grew up in Philadelphia, studying violin while in junior high school and also playing tuba a bit in high school before settling permanently on bass. Grimes moved to New York City in the early '50s, studied at Juilliard, and then began playing with major jazz musicians. He toured with the bands of Arnett Cobb and Willis Jackson and spent time back in Philadelphia, where he worked with Bobby Timmons and Lee Morgan. Grimes worked with Anita O'Day and Sonny Rollins in 1957 and was a member of the Gerry Mulligan quartet in 1957-1958, during the period that Art Farmer was in the band. A very versatile bassist who could play with anyone, Grimes really stretched himself at the 1958 Newport Jazz Festival when he performed quite capably with the Benny Goodman big band, Lee Konitz, Sonny Rollins, and Thelonious Monk.
Grimes had stints with Lennie Tristano (1958) and Sonny Rollins (touring Europe in 1959, right before the tenor's temporary retirement) and was greatly respected by stylists from all jazz fields. In 1961 he became an important contributor to free jazz, working with Cecil Taylor off and on during 1961-1966 in addition to playing regularly with Perry Robinson (1962), Sonny Rollins (1962-1963), Albert Ayler (1964-1966), and Don Cherry (1965-1966). Grimes led a record date (The Call) for ESP in 1965 and, in addition to the musicians mentioned, recorded with Mose Allison, Chet Baker, Bill Barron, Karl Berger, Gary Burton, Gil Evans, Burton Greene, Coleman Hawkins, Roy Haynes, Steve Lacy, Charles Mingus, Sunny Murray, Jerome Richardson, Annie Ross, Pharoah Sanders, Shirley Scott, Archie Shepp, Billy Taylor, Charles Tyler, McCoy Tyner, Marzette Watts, and Frank Wright. Not too many musicians have recorded with both Benny Goodman and Albert Ayler
But then, in 1967 when he was just 31, Henry Grimes disappeared completely from the jazz scene. Decades passed and he became one of jazz's most prominent missing persons. He was long presumed dead because no one in jazz heard a word from him. So in 2002 it was a major surprise when Grimes was discovered living in a hotel in South Central Los Angeles, where he had resided for the past 20 years. Grimes, who had become frustrated with the music world and suffered from some ambiguous mental problems, had spontaneously quit music and worked odd jobs for years. He had long since sold his bass for the money and was unaware of the musical developments of the past 35 years. Grimes was discovered by Marshall Marrotte, a social worker and writer, and was soon interviewed by Sound to Noise magazine. Word went out that Henry Grimes was alive, basically pretty well but destitute, and desiring to play bass again. William Parker donated and sent him a bass in December 2002 and since then Grimes has regained his former form and begun to play in public again. Grimes played at Billy Higgins' World Stage and the Jazz Bakery in addition to several other clubs in the Los Angeles area, began teaching an improvisation class at a local high school, and appeared at the Vision Festival in New York. His comeback became one of the great jazz stories of 2003, an unlikely case of a missing figure suddenly re-emerging on the jazz scene after a 35-year "vacation."
---Scott Yanow, All Music Guide |
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