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| Introducing Joe Sample |
| Joe Sample |
| első megjelenés éve: 2006 |
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| (2006)
[ DIGIPACK ]
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CD |
| 3.056 Ft
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| 1. | Viva de Funk
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| 2. | Chain Reaction
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| 3. | Hippies on a Corner
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| 4. | Seven Years of Good Luck
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| 5. | Ashes to Ashes
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| 6. | Mother's Eyes
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| 7. | Mystery Child
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| 8. | Spellbound
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| 9. | All God's Children
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| 10. | The Road Less Traveled
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| 11. | Summertime
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| 12. | Black and White (As Simple As)
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| 13. | Street Life
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Jazz
Joe Sample - Arranger, Fender Rhodes, Guitar, Keyboards, Midi Synthesizer, Piano, Producer, Synthesizer
Al Schmitt - Producer
Arthur Adams - Guitar
Cecil McBee - Bass (Upright)
Dale Oehler - Orchestral Arrangements
Dean Parks - Guitar (Electric)
Florence Halfon - Compilation, Series Coordinator
Freddie "Ready Freddie" Washington - Bass
George Duke - Effects, Producer
Giovanni Scatola - Mastering
Jason Miles - Synthesizer, Synthesizer Programming
Jay Anderson - Bass
Jerry Hey - Flugelhorn, Horn Arrangements, Synthesizer Arrangements, Trumpet
Jim Gilstrap - Vocals (Background)
Joe Mardin - Synthesizer Programming
Joel Peskin - Sax (Tenor)
Larry E. Williams - Flute, Horn Arrangements, Saxophone, Synthesizer, Synthesizer Arrangements, Synthesizer Programming
Lenny Castro - Percussion
Lori Perry - Vocals (Background)
Lynn Davis - Vocals (Background)
Marcus Miller - Bass
Michael Landau - Guitar
Omar Hakim - Drums
Oscar Brashear - Trumpet
Ralph Penland - Drums
Ricky Peterson - Synthesizer, Synthesizer Programming
Robbie Buchanan - Synthesizer Programming
Steve Gadd - Drums
Stewart Levine - Producer
Tommy LiPuma - Producer
Victor Lewis - Drums
Joe Sample
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Feb 01, 1939 in Houston, TX
Genre: Jazz
Styles: Cool, Crossover Jazz, Fusion, Hard Bop, Jazz-Pop, Mainstream Jazz, Post-Bop, Smooth Jazz, Soul-Jazz
One of the many jazzmen who started out playing hard bop but went electric during the fusion era, Joe Sample was, in the late '50s, a founding member of the Jazz Crusaders along with trombonist Wayne Henderson, tenor saxman Wilton Felder, and drummer Stix Hooper. The Crusaders' debt to Art Blakey's Jazz Messengers wasn't hard to miss -- except that the L.A.-based unit had no trumpeter, and became known for its unique tenor/trombone front line. Sample, a hard-swinging player who could handle chordal and modal/scalar improvisation equally well, stuck to the acoustic piano during the Crusaders' early years -- but would place greater emphasis on electric keyboards when the band turned to jazz-funk in the early '70s and dropped "Jazz" from its name. Though he'd recorded as a trio pianist on 1969's obscure Fancy Dance, 1978's Rainbow Seeker was often described as his first album as a leader. In contrast to the gritty music the Crusaders became known for, Sample's own albums on MCA and, later, Warner Bros. and PRA have generally favored a very lyrical and introspective jazz-pop approach.
---Alex Henderson, All Music Guide |
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