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2 x CD |
| 5.860 Ft
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| 1. CD tartalma: |
| 1. | That old Black Magic
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| 2. | Laura
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| 3. | Early Stan
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| 4. | Come Back Little Rocket
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| 5. | You Stepped Out of a Dream
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| 6. | California Melodies
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| 7. | Bazaar
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| 8. | 360 Special
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| 9. | Theme from the Lombardo Ending
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| 10. | Ma&
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| 11. | Good Evening Friends Boogie
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| 12. | King Porter Storm
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| 13. | In the Shade of the Old Apple
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| 14. | Jingle Bells Mambo
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| 15. | Poinciana
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| 16. | My Funny Valentine
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| 17. | Rugolo Meets Shearing
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| 18. | Mixin' the Blues
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| 19. | 4.20 AM
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| 20. | Latin Nocturne
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| 2. CD tartalma: |
| 1. | There will Never Be Another You
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| 2. | Conversation
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| 3. | You are Too Beautiful
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| 4. | Here's Pete
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| 5. | Shave and a Haircut
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| 6. | Sidewalks of New York
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| 7. | Manhattan Mambo
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| 8. | Sambamba
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| 9. | When Your Lover has Gone
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| 10. | Everything I have is Yours
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| 11. | Gone with the Wind
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| 12. | Hornorama
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| 13. | Little White Lies
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| 14. | Bobbin' with Bob
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| 15. | Quiet Village (Cha cha cha)
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| 16. | Bongo Dance
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| 17. | Intermezzo
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| 18. | Montevideo
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| 19. | In a Sentimental Mood
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| 20. | Me Next!
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Jazz
CD1
#1-4: Hollywood, February 8, 1954
Pete Candoli, Maynard Ferguson, Shorty Rogers, Conrad Gozzo (tp), Harry Betts, Milt Bernhart, Herbie Harper, John Halliburton (tb), Fred Fox, John Grass (frh), Paul Sarmento (tuba), Harry Klee (piccolo, as), Bud Shank (fl, as), Bob Cooper (oboe, ts), Jimmy Giuffre, (ts, bars), Bob Gordon (bars), Claude Williamson (p, celeste), Howard Roberts (g), Harry Babasin (b), Shelly Manne (d), Bernie Mattison (tympani and percussion)
#5-8: Hollywood, February 24, 1954
Same but Joe Eager (frh) replaces Graas
#9-11: Hollywood, April 28, 1954
Pete Candoli, Maynard Ferguson, Shorty Rogers, Conrad Gozzo (tp), Harry Betts, Milt Bernhart, Herbie Harper, Bob Fitzpatrick (tb), Fred Fox, Bill Hinshaw (frh), Paul Sarmento (tuba), Harry Klee (piccolo, as), Bud Shank (fl, as), Bob Cooper (oboe, ts), Jimmy Giuffre, (ts, bars), Bob Gordon (bars), Claude Williamson (p, celeste), Howard Roberts (g), Harry Babasin (b), Shelly Manne (d), Bernie Mattison (tympani and percussion)
#13-16: Hollywood, April 29, 1954
Pete Candoli, Maynard Ferguson, Shorty Rogers, Buddy Childers (tp), Harry Betts, Milt Bernhart, George Roberts, Bob Fitzpatrick (tb), Vince DeRosa, Sinclair Lott (frh), Paul Sarmento (tuba), Ethmer Rotten (piccolo, as), Bud Shank (fl, as), Bob Cooper (oboe, ts), Jimmy Giuffre, (ts, bars), Bob Gordon (bars), Claude Williamson (p, celeste), Howard Roberts (g), Harry Babasin (b), Shelly Manne (d), Bernie Mattison (tympani and percussion)
#17-20: Hollywood, May 10, 1954
Pete Candoli, Maynard Ferguson, Shorty Rogers, Conrad Gozzo (tp), Milt Bernhart, George Roberts, John Halliburton, Herbie Harper (tb), John Cave, Sinclair Lott (frh), Paul Sarmento (tuba), Harry Klee (piccolo, as), Bud Shank (fl, as), Bob Cooper (oboe, ts), Jimmy Giuffre, (ts, bars), Bob Gordon (bars), Claude Williamson (p, celeste), Howard Roberts (g), Harry Babasin (b), Shelly Manne (d), Bernie Mattison (tympani and percussion)
CD2
#1-5: Hollywood, June 21, 1954
Pete Candoli, Maynard Ferguson, Shorty Rogers, Don Paladino (tp), Milt Bernhart, Bob Fitzpatrick, John Halliburton, Herbie Harper (tb), John Cave, Sinclair Lott (frh), Paul Sarmento (tuba), Harry Klee (piccolo, as), Bud Shank (fl, as), Bob Cooper (oboe, ts), Jimmy Giuffre, (ts, bars), Bob Gordon (bars), Claude Williamson (p, celeste), Laurindo Almeida (g), Harry Babasin (b), Shelly Manne (d), Bernie Mattison (tympani and percussion)
#6-8: Hollywood, July 8, 1954
Pete Candoli, Maynard Ferguson, Shorty Rogers, Mickey Mangano (tp), Milt Bernhart, Harry Betts, Bob Fitzpatrick, Herbie Harper (tb), John Graas, Sinclair Lott (frh), Paul Sarmento (tuba), Ethmer Roten, Bud Shank (fl, as), Bob Cooper (oboe, ts), Jimmy Giuffre, (ts, bars), Bob Gordon (bars), Claude Williamson (p, celeste), Howard Roberts (g), Harry Babasin (b), Shelly Manne (d), Ralph Hensel (xyl), Frank Guerrero (timbales), Joe Guerrero (bgo, perc), Lynn Franklyn (vcl #7)
#9-12: NYC, October 11, 1954
Larry Klein, Leon Merian, Doug Mettome, John Wilson (tp), Eddie Bert, Kai Winding, Milt Gold, Frank Rehak (tb), Stan Paley, Julius Watkins (frh), Bill Barber (tuba), Herbie Mann (fl, piccolo, as), Dave Schildkraut (as, cl), Chasy Dean (ts, cl), Joe Megro (ts), Marty Flax (bs), Gordon Brown (p), Perry Lopez (g), Whitey Mitchell (b), Jerry Segal (d), Teddy Sommer (perc)
#13-16: Hollywood, February 22, 1955
Maynard Ferguson, Buddy Childers, Uan Rasey, Shorty Rogers (tp), Milt Bernhart, Harry Betts, Bob Fitzpatrick, Herbie Harper (tb), John Graas, Vince DeRosa (frh), Paul Sarmento (tuba), Harry Klee (piccolo, as), Bud Shank (fl, as), Bob Cooper (oboe, ts), Jimmy Giuffre, (ts, bars), Bob Gordon (bars), Russ Freeman (p, celeste), Howard Roberts (g), Harry Babasin (b), Shelly Manne (d), Bernie Mattison (tympani, perc), Jack Costanzo (bgo)
#17: Hollywood, February 22, 1955
Bud Shank (fl, as), Harry Klee (fl, piccolo, as), Bob Cooper (oboe, ts), Jimmy Giuffre, (ts, bars), Bob Gordon (bars), Russ Freeman (p, celeste), Howard Roberts (g), Harry Babasin (b), Shelly Manne (d)
#18-20: Hollywood, February 23, 1955
The Rugolettes: Milt Bernhart (tb), John Graas (frh), Paul Sarmento (tuba), Bud Shank (fl), Bob Cooper (oboe), Howard Roberts (g), Harry Babasin (b), Shelly Manne (d)
In the early Fifties Pete Rugolo was best known for his work as Stan Kenton's chief arranger. After that, he spent five years arranging music for singers and writing Hollywood film scores. Then, in January 1954, he signed on with Columbia Records as an important part of their plans to expand both their dance and jazz divisions. "As I got going with the writing and recording, I became enthusiastic about the possibilities of the sound I could have with my own band," said Pete, after gathering a band of 20 men made up by the top-rated sidemen in the Hollywood studios. This CD set includes the complete songbook Pete Rugolo managed to record with his orchestra between 1954 and 1955. We can hear instrumentation including French horn, oboe, flute, piccolo, celesta, tympani, timbales, bongos and tuba in addition to the regular complement. There are accordingly some unusual voicings and resultantly pleasant tone colors that reflect the Milhaud influence. Yet, these are the very particular musical adventures of an accomplished, imaginative and successful writer. In them, Rugolo skilfully incorporates the essence of jazz and sprays it with his ever-present sense of humor.
Pete Rugolo
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Dec 25, 1915 in San Piero, Sicily
Genre: Jazz
Styles: Progressive Jazz, Swing, Third Stream, Traditional Pop
Pete Rugolo was one of the most prolific arrangers for Stan Kenton's 1945-1949 orchestras, following through on the leader's swashbuckling example to help shape the band's exciting, blasting style. Brought to the U.S. at age five, Rugolo grew up in Santa Rosa, CA, and became a student of Darius Milhaud at Mills College in Oakland. After a stint with the Army, he submitted an arrangement to Kenton and then settled in with the band, turning out a series of "Artistry in..." compositions ("Bass," "Percussion," "Bolero," "Boogie"), as well as some of the earliest, most startling pieces for the Innovations In Modern Music Orchestra. However, Rugolo soon gravitated toward pop, landing a position as music director of Capitol Records in 1949, where he cranked out arrangements -- some of which bordered on easy listening treacle -- for June Christy, Nat King Cole, Harry Belafonte (in his brief pop period), the Four Freshmen, and others. In 1957, he became music director of Mercury Records, making a number of albums for that label, and briefly led a big band in 1954. From the '50s onward, Rugolo moved into Hollywood, scoring TV series like The Fugitive and Run for Your Life, and several films. Consequently, his importance to jazz lessened as the years passed.
---Richard S. Ginell, All Music Guide |
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