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Kérjen
árajánlatot! |
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| 1. | Eccentric
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| 2. | Tishomingo Blues
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| 3. | Hotter Than That
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| 4. | Big Butter and Egg Man
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| 5. | Baby Won't You Please Come Home
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| 6. | Sensation Rag
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| 7. | Can't We Be Friends?
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| 8. | None of My Jelly Roll
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| 9. | Avalon
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| 10. | Swingin' Down the Lane
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| 11. | Clarinet Marmalade
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| 12. | It's Right Here for You
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| 13. | As Long as I Live
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| 14. | Lonesome Road
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| 15. | St. Louis Blues
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| 16. | I Never Knew
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| 17. | Shim-Me-Sha-Wabble
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| 18. | Mandy, Make up Your Mind
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| 19. | Trombone Preachin' Blues
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| 20. | Skeleton Jangle Day
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| 21. | Dardanella
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Jazz / Dixieland; Dixieland Revival
Tunes 1-6 Wild Bill Davison, Cornet
Albert Nicholas, Clarinet
Jimmy Archey, Trombone
Ralph Sutton, Piano
Danny Barker, Guitar
George Foster, String Bass
Baby Dodds, Drums
Tunes 7 - 12 Same As Tunes 1-6 Except Delete Albert Nicholas On Clarinet And Add Edmond Hall. Tunes 13-18 Same As Tunes 1-6 Except Add James P. Johnson #15 And Johnny Blowers #17. Tunes 19-21 Same As Tunes 1-6 Except Add Ed Hill, Clarinet And James P. Johnson, Piano #19
* Barry Martyn - Coordination
* George H. Buck, Jr. - Liner Notes, Producer
* Rudi Blesh - Supervisor
Wild Bill Davison
Active Decades: '20s, '30s, '40s, '50s, '60s, '70s and '80s
Born: Jan 05, 1906 in Defiance, OH
Died: Nov 14, 1989 in Santa Barbara, CA
Genre: Jazz
Styles: Dixieland, Dixieland Revival
One of the great Dixieland trumpeters, Wild Bill Davison had a colorful and emotional style that ranged from sarcasm to sentimentality with plenty of growls and shakes. His unexpected placement of high notes was a highlight of his solos and his strong personality put him far ahead of the competition. In the 1920s, he played with the Ohio Lucky Seven, the Chubb-Steinberg Orchestra (with whom he made his recording debut), the Seattle Harmony Kings, and Benny Meroff. After he was involved in a fatal car accident that ended the life of Frankie Teschemacher in 1932 (his auto was blindsided by a taxi), Davison spent the remainder of the 1930s in exile in Milwaukee. By 1941, he was in New York and in 1943 made some brilliant recordings for Commodore (including a classic version of "That's a Plenty") that solidified his reputation. After a period in the Army, Davison became a fixture with Eddie Condon's bands starting in 1945, playing nightly at Condon's. In the 1950s, he was quite effective on a pair of albums with string orchestras, but most of his career was spent fronting Dixieland bands either as a leader or with Condon. Wild Bill toured Europe often from the 1960s, recorded constantly, had a colorful life filled with remarkable episodes, and was active up until his death. A very detailed 1996 biography (-The Wildest One by Hal Willard) has many hilarious anecdotes and shows just how unique a life Wild Bill Davison had.
---Scott Yanow, All Music Guide |
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