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| 3.566 Ft
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| 1. | Weary Blues
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| 2. | Bourbon Street Parade
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| 3. | Tin Roof Blues
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| 4. | Just a Closer Walk with Thee
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| 5. | Panama
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| 6. | Sweet Georgia Brown
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| 7. | Way Down Yonder in New Orleans
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| 8. | Quand Je Motait Petit
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| 9. | Muskrat Ramble
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| 10. | Clarinet Marmalade
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| 11. | Milneberg Joys
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| 12. | Put on Your Old Grey Bonnet
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| 13. | Jazz Me Blues
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| 14. | Darktown Srutters' Ball
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| 15. | Panama
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Jazz
Paul Barbarin - Drums
Albert Burbank - Clarinet
Bobby Thomas - Trombone
Danny Barker - Banjo
Ernie Cagnolatti - Trumpet
John Brunious - Trumpet
Johnny St. Cyr - Banjo, Vocals
Lester Santiago - Piano, Vocals
Milt Hinton - Bass
Richard McLean - String Bass
Willie Humphrey - Clarinet
* George H. Buck, Jr. - Executive Producer, Liner Notes
Drummer Paul Barbarin (a fine composer whose "Bourbon Street Parade" is included on this set) always had New Orleans bands that played in tune, knew how to solo, and could jam in coherent and often exciting ensembles. This Atlantic release features his 1955 septet (with trumpeter John Brunious, clarinetist Willie Humphreys, trombonist Bob Thomas, pianist Lester Santiago, Danny Barker on banjo, and guest bassist Milt Hinton) playing a variety of traditional and ancient themes. These performances, ranging from three to nine minutes, find the band really stretching out and creating memorable and enjoyable music.
---Scott Yanow, All Music Guide
Paul Barbarin
Active Decades: '40s, '50s and '60s
Born: May 05, 1899 in New Orleans, LA
Died: Feb 17, 1969 in New Orleans, LA
Genre: Jazz
Styles: New Orleans Jazz
One of the top New Orleans drummers, Paul Barbarin was also quite significant as both a bandleader (his groups almost always boasted high musicianship) and as a composer (he wrote "Bourbon Street Parade" and "The Second Line"). Part of a large musical family, Paul's father Isadore played brass instruments; three of his brothers were musicians (including Louis, who was also a fine drummer), and his nephew was banjoist Danny Barker. Paul started on clarinet before saving up enough money to buy a set of drums. He played in many important New Orleans groups, including the Silver Leaf Orchestra and the Young Olympia Band, and early on developed a basic, straightforward style that was perfectly suitable for both parades and dances; the press roll was his specialty. In 1917, Barbarin moved to Chicago, playing with local groups (including some that he led) and with Freddie Keppard and Jimmie Noone. From 1923-24, he returned to New Orleans, where he performed with the Onward and Excelsior bands, before moving back to Chicago late in 1924 to join King Oliver (1925-27). After more time back in New Orleans, Barbarin relocated to New York in 1928, where he joined Luis Russell's notable band, staying until 1932 and anchoring one of the top jazz groups of the era. After leaving Russell, Barbarin freelanced in both New York and New Orleans and then rejoined Russell in 1935, staying with the pianist when the orchestra became Louis Armstrong's backup band. In 1938 he left to lead his own group in New Orleans, and after a short stint back with Armstrong in 1941, he became a member of Red Allen's sextet (1942-43). Other than a period with Sidney Bechet in 1944 and some work with Art Hodes in Chicago (1953), Barbarin mostly led his own bands from this point on (including the Onward Brass Band, which he founded in 1955), staying based in his hometown. It was somehow fitting that, when he passed away, it was while taking part in a New Orleans street parade. Through the years, Paul Barbarin recorded with King Oliver, Luis Russell, Jelly Roll Morton, Louis Armstrong and Sidney Bechet, in addition to leading many sessions of his own (starting in 1950) for 504, Circle, GHB, Jazztone, Atlantic, Good Time Jazz, Southland and Nobility.
---Scott Yanow, All Music Guide |
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