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Capitol Collectors Series
Kay Starr
első megjelenés éve: 1991
(1991)

CD
3.101 Ft 

 

IMPORT!
Kosaramba teszem
1.  I'm the Lonesomest Gal in Town
2.  You've Got to See Mamma Ev'ry Night (Or You Can't See Mamma at All)
3.  You Were Only Fooling (While I Was Falling in Love)
4.  So Tired
5.  Hoop-Dee-Doo
6.  Bonaparte's Retreat
7.  Mississippi
8.  I'll Never Be Free
9.  Wheel of Fortune
10.  I Waited a Little Too Long
11.  Kay's Lament
12.  Fool, Fool, Fool
13.  Comes A-Long A-Love
14.  Side by Side
15.  Half a Photograph
16.  Allez-Vous En
17.  When My Dreamboat Comes Home
18.  Changing Partners
19.  The Man Upstairs
20.  If You Loved Me (Really Love Me)
21.  Toy or Treasure
22.  Lazy River
23.  Foolin' Around
24.  Crazy
25.  The Rock & Roll Waltz
Jazz / Vocal; Vocal Jazz

Kay Starr - Vocals
Frank DeVol
Harold Mooney
Lee Young
Tennessee Ernie Ford
The Lancers

* Andy Engel - Design
* Billy Liebert - Arranger, Conductor
* Bob Furmanek - Annotation, Compilation
* Bob Norberg - Digital Mastering, Remastering
* Brad Benedict - Photo Research
* Dave Cavanaugh - Conductor, Producer
* Joel Whitburn - Chart Information
* Ken Nelson - Producer
* Kim Niemi - Coordination
* Larry DuPont - Photography
* Lee Gillette - Producer
* Ron Furmanek - Compilation Producer, Producer
* Scott Shea - Liner Notes
* Tommy Steele - Art Direction
* Wayne Watkins - Executive Producer

A good collection of Starr's '50s pop material includes "Hoop Dee Doo," "If You Love Me (Really Love Me)," "Changing Partners," and "Wheel of Fortune."
---Richard Lieberson, All Music Guide



Kay Starr

Active Decades: '30s, '40s, '50s, '60s, '70s, '80s and '90s
Born: Jul 21, 1922 in Dougherty, OK
Genre: Vocal, Jazz
Styles: Swing, Vocal Pop, Standards, Traditional Pop, Vocal Jazz

A solid jazz singer whose early recordings tended to be forgotten after her ascendancy into the commercial sphere during the mid-'50s, Kay Starr was among the first pop singer to capitalize on the "rock fad" with her 1955 novelty "Rock and Roll Waltz." Her biggest hit came with the era-defining "Wheel of Fortune," a prime slice of '50s adult pop with a suitably brassy reading. Born in Oklahoma, she moved to Dallas at a young age and made her debut on radio while still in school. A brief stay with Glenn Miller & His Orchestra precipitated her working with groups led by Bob Crosby, Joe Venuti and finally Charlie Barnet. She recorded a few numbers with Barnet that earned her a solo contract with Capitol.
By 1948, Starr made her Your Hit Parade breakthrough with "You Were Only Foolin' (While I Was Falling in Love)." Subsequent hits like "Hoop-Dee-Doo," "Oh, Babe!" and "I'll Never Be Free" (the latter with Tennessee Ernie Ford) framed her in an emerging vein of the popular market that also looked back to traditional country and folk. In 1952, "Wheel of Fortune" became her biggest hit and one of the signature songs of the '50s pop sound. She struggled to reach a similar chart peak for several years afterwards, though "Comes A-Long A-Love" topped the British charts. With her move to RCA in 1955, though the comical "Rock and Roll Waltz" spent several weeks at number one. It was her last major hit, followed by just one additional Top Ten entry, 1957's "My Heart Reminds Me." By the 1960s, she had begun to concentrate more on performing (especially in Las Vegas) than recording, despite moving back to Capitol in 1961. In the '90s, she played several oldies packages, including the 3 Girls 3 tour with Helen O'Connell and Margaret Whiting.
---John Bush, All Music Guide

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