  |
|
|
 |
| I've Got to Sing 1944-1948 - The Metronome Series |
| Kay Starr |
| első megjelenés éve: 1998 |
|
| (1998)
|
|
CD |
| 3.501 Ft
|
|
| 1. | I've Got to Sing
|
| 2. | I've Got My Love to Keep Me Warm
|
| 3. | Maybe You'll Be There
|
| 4. | It's a Great Feeling
|
| 5. | He's Funny That Way
|
| 6. | Sunday
|
| 7. | Love Me or Leave Me
|
| 8. | Sweet Lorraine
|
| 9. | Who's Foolin' Who?
|
| 10. | All of Me
|
| 11. | What Goes Up
|
| 12. | My Future Just Passed
|
| 13. | After I Say I'm Sorry?
|
| 14. | Betcha I Getcha
|
| 15. | Nobody Knows the Trouble I've Seen
|
| 16. | Ain't Misbehavin'
|
| 17. | Honeysuckle Rose
|
| 18. | What a Diff'rence a Day Made
|
| 19. | Dixieland Band
|
| 20. | There's a Lull in My Life
|
| 21. | Cabin in the Sky
|
| 22. | S'posin'
|
| 23. | Don't Worry 'Bout Me
|
| 24. | If I Could Be With You
|
| 25. | Blame My Absent Minded Heart
|
| 26. | Them There Eyes
|
| 27. | You're Always There
|
| 28. | Headless Horseman
|
| 29. | I've Got to Sing
|
Jazz / Vocal; Vocal Jazz
Kay Starr - vocal
Al Viola - Guitar
Allan Reuss - Guitar
Barney Bigard - Clarinet
Billy Butterfield - Leader, Trumpet
Calvin Jackson - Piano
Clinton Nordquist - Bass
Dave Cavanaugh & His Orchestra
Joe Venuti - Violin
Joe Yukl - Trombone
Les Paul - Guitar
Lloyd Pratt - Bass
Matty Matlock - Clarinet
Nappy Lamare - Guitar
Nick Fatool - Drums
Page Cavanaugh - Piano
Phil Stephens - Bass
Ray Linn - Trumpet
Red Callender - Bass
Stanley Wrightsman - Piano
Tommy Todd - Piano
Vic Dickenson - Trombone
Willie Smith - Sax (Alto), Sax (Alto)
Wingy Manone - Trumpet, Vocals
Zutty Singleton - Drums
* Alastair Robertson - Producer
* Brian Johnston - Design
* Dave Gelly - Liner Notes
* Frank Driggs - Photography
* John R.T. Davies - Remastering, Transfers
Kay Starr
Active Decades: '30s, '40s, '50s, '60s, '70s, '80s and '90s
Born: Jul 21, 1922 in Dougherty, OK
Genre: Vocal, Jazz
Styles: Swing, Vocal Pop, Standards, Traditional Pop, Vocal Jazz
A solid jazz singer whose early recordings tended to be forgotten after her ascendancy into the commercial sphere during the mid-'50s, Kay Starr was among the first pop singer to capitalize on the "rock fad" with her 1955 novelty "Rock and Roll Waltz." Her biggest hit came with the era-defining "Wheel of Fortune," a prime slice of '50s adult pop with a suitably brassy reading. Born in Oklahoma, she moved to Dallas at a young age and made her debut on radio while still in school. A brief stay with Glenn Miller & His Orchestra precipitated her working with groups led by Bob Crosby, Joe Venuti and finally Charlie Barnet. She recorded a few numbers with Barnet that earned her a solo contract with Capitol.
By 1948, Starr made her Your Hit Parade breakthrough with "You Were Only Foolin' (While I Was Falling in Love)." Subsequent hits like "Hoop-Dee-Doo," "Oh, Babe!" and "I'll Never Be Free" (the latter with Tennessee Ernie Ford) framed her in an emerging vein of the popular market that also looked back to traditional country and folk. In 1952, "Wheel of Fortune" became her biggest hit and one of the signature songs of the '50s pop sound. She struggled to reach a similar chart peak for several years afterwards, though "Comes A-Long A-Love" topped the British charts. With her move to RCA in 1955, though the comical "Rock and Roll Waltz" spent several weeks at number one. It was her last major hit, followed by just one additional Top Ten entry, 1957's "My Heart Reminds Me." By the 1960s, she had begun to concentrate more on performing (especially in Las Vegas) than recording, despite moving back to Capitol in 1961. In the '90s, she played several oldies packages, including the 3 Girls 3 tour with Helen O'Connell and Margaret Whiting.
---John Bush, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
