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Hello Louis! / Plays Tony Bennett's Greatest Hits |
Bobby Hackett |
első megjelenés éve: 2001 |
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(2001)
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 CD |
3.340 Ft
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1. | Don't Forget to Mess Around When You're Doing the Charleston
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2. | Lazy 'Sippi Steamer Goin' Home
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3. | Brother Bill
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4. | Butter and Egg Bossa Nova (I Want a Big Butter and Egg Man)
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5. | If We Never Meet Again
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6. | Gate Mouth Blues
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7. | Someday You'll Be Sorry
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8. | Where Were You Last Night
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9. | Wild Man Blues
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10. | Swing That Music
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11. | Hear Me Talkin' to Ya
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12. | Satchel Mouth Swing
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13. | Smile
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14. | Put on a Happy Face
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15. | I Left My Heart in San Francisco
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16. | The Good Life
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17. | Rags to Riches
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18. | Just in Time
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19. | Stranger in Paradise
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20. | I Wanna Be Around
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21. | The Shadow of Your Smile [Love Theme from The Sandpiper]
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22. | Because of You
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Jazz
2 LPs on 1 CD: * HELLO LOUIS! (1964) * PLAYS TONY BENNETT'S GREATEST HITS (1966)
Bobby Hackett Bob Morgan - Producer
On these two original albums, Bobby Hackett pays homage to Louis Armstrong with twelve classic interpretations and tackles Tony Bennett's best-loved songs - including "Smile" and "I Left My Heart In San Francisco."
This two-fer from Collectables features a pair of out-of-print Bobby Hackett LPs: Hello Louis and Plays Tony Bennett's Greatest Hits. Each of the 22 tracks has a continuity dominated by easily recognizable jazz and pop standards. Highlights include "Wild Man Blues," "I Left My Heart in San Francisco," and "Rags to Riches." --- Al Campbell, All Music Guide
Bobby Hackett
Active Decades: '30s, '40s, '50s, '60s and '70s Born: Jan 31, 1915 in Providence, RI Died: Jun 07, 1976 in Chatham, MA Genre: Jazz Styles: Dixieland, Swing, Traditional Pop
Bobby Hackett's mellow tone and melodic style offered a contrast to the brasher Dixieland-oriented trumpeters. Emphasizing his middle-register and lyricism, Hackett was a flexible soloist who actually sounded little like his main inspiration, Louis Armstrong. When Hackett first came up he was briefly known as "the new Bix" because of the similarity in his approach to that of Bix Beiderbecke, but very soon he developed his own distinctive sound. Originally a guitarist (which he doubled on until the mid-'40s), Hackett performed in local bands, and by 1936 was leading his own group. He moved to New York in 1937, played with Joe Marsala, appeared at Benny Goodman's 1938 Carnegie Hall concert (recreating Beiderbecke's solo on "I'm Coming Virginia"), recorded with Eddie Condon, and by 1939 had a short-lived big band. Hackett played briefly with Horace Heidt, and during 1941-1942 was with Glenn Miller's Orchestra, taking a famous solo on "String of Pearls." Next up was a stint with the Casa Loma Orchestra, and then he became a studio musician while still appearing with jazz groups. Hackett was a major asset at Louis Armstrong's 1947 Town Hall Concert, in the 1950s he was a star on Jackie Gleason's commercial but jazz-flavored mood music albums, and he recorded several times with Eddie Condon and Jack Teagarden. During 1956-1957, Hackett led an unusual group that sought to modernize Dixieland (using Dick Cary's arrangements and an unusual instrumentation), but that band did not catch on. Hackett recorded some commercial dates during 1959-1960 (including one set of Hawaiian songs and another in which he was backed by pipe organ), he worked with Benny Goodman (1962-1963); backed Tony Bennett in the mid-'60s; co-led a well-recorded quintet with Vic Dickenson (1968-1970); and made sessions with Jim Cullum, the World's Greatest Jazz Band, and even Dizzy Gillespie and Mary Lou Williams, remaining active up until his death. Among the many labels Bobby Hackett recorded for as a leader were Okeh (reissued by Epic), Commodore, Columbia, Epic, Capitol, Sesac, Verve, Project 3, Chiaroscuro, Flying Dutchman, and Honey Dew. ---Scott Yanow, All Music Guide |
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