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| 3.821 Ft
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| 1. | Sign on into Washington & Less Swing
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| 2. | Sue City Sue
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| 3. | Fidgety Feet
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| 4. | Back Home Again in Indiana
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| 5. | Body and Soul
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| 6. | Clarinet Marmalade
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| 7. | Theme Sleeping Head to Sign Off
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| 8. | New York Blues
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| 9. | Early Rising Blues
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| 10. | Hackett Picking Blues
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| 11. | Sugar
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| 12. | Keep Smiling at Trouble
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| 13. | Basin Street Blues
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| 14. | Leaders Headache Blues
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| 15. | Warp Your Troubles in Dreams
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| 16. | Do You Know What It Mean to Miss New Orleans
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| 17. | St James Infirmary
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| 18. | I Can't Believe That You're in Love with Me
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| 19. | Singin' the Blues (Till My Daddy Comes Home)
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| 20. | The Very Tought of You
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Jazz
Bobby Hackett - Cornet, Guitar, Leader, Piano, Trumpet
Al Drootin - Clarinet, Vocals
Andrew Ackers - Piano
Andy Russo - Trombone
Bernie Billings - Sax (Tenor)
Brad Gowans - Trombone (Valve)
Buzzy Drootin - Drums
Cliff Leeman - Drums
Eddie Condon - Guitar
Ernie Caceres - Sax (Baritone)
George Barnes - Guitar
George Wettling - Drums
Hank Duncan - Piano
Jack Lesberg - Bass
Joe Marsala - Clarinet
Pee Wee Russell - Clarinet
Phil Olivella - Clarinet
Vic Lewis - Cornet, Guitar
Zutty Singleton - Drums, Vocals
* Bill Hebden - Audio Restoration, Liner Notes
* Glenn Osser - Conductor
* Jeff Hopkins - Label Design
* Paul Burgess - Label Design
Bobby Hackett
Active Decades: '30s, '40s, '50s, '60s and '70s
Born: Jan 31, 1915 in Providence, RI
Died: Jun 07, 1976 in Chatham, MA
Genre: Jazz
Styles: Dixieland, Swing, Traditional Pop
Bobby Hackett's mellow tone and melodic style offered a contrast to the brasher Dixieland-oriented trumpeters. Emphasizing his middle-register and lyricism, Hackett was a flexible soloist who actually sounded little like his main inspiration, Louis Armstrong.
When Hackett first came up he was briefly known as "the new Bix" because of the similarity in his approach to that of Bix Beiderbecke, but very soon he developed his own distinctive sound. Originally a guitarist (which he doubled on until the mid-'40s), Hackett performed in local bands, and by 1936 was leading his own group. He moved to New York in 1937, played with Joe Marsala, appeared at Benny Goodman's 1938 Carnegie Hall concert (recreating Beiderbecke's solo on "I'm Coming Virginia"), recorded with Eddie Condon, and by 1939 had a short-lived big band. Hackett played briefly with Horace Heidt, and during 1941-1942 was with Glenn Miller's Orchestra, taking a famous solo on "String of Pearls." Next up was a stint with the Casa Loma Orchestra, and then he became a studio musician while still appearing with jazz groups. Hackett was a major asset at Louis Armstrong's 1947 Town Hall Concert, in the 1950s he was a star on Jackie Gleason's commercial but jazz-flavored mood music albums, and he recorded several times with Eddie Condon and Jack Teagarden. During 1956-1957, Hackett led an unusual group that sought to modernize Dixieland (using Dick Cary's arrangements and an unusual instrumentation), but that band did not catch on. Hackett recorded some commercial dates during 1959-1960 (including one set of Hawaiian songs and another in which he was backed by pipe organ), he worked with Benny Goodman (1962-1963); backed Tony Bennett in the mid-'60s; co-led a well-recorded quintet with Vic Dickenson (1968-1970); and made sessions with Jim Cullum, the World's Greatest Jazz Band, and even Dizzy Gillespie and Mary Lou Williams, remaining active up until his death. Among the many labels Bobby Hackett recorded for as a leader were Okeh (reissued by Epic), Commodore, Columbia, Epic, Capitol, Sesac, Verve, Project 3, Chiaroscuro, Flying Dutchman, and Honey Dew.
---Scott Yanow, All Music Guide |
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