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| 1. | When You and I Were Young, Maggie Blues
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| 2. | Everybody Loves My Baby
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| 3. | Old Fashioned Love
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| 4. | Nice Work If You Can Get It
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| 5. | Suspension Blues
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| 6. | Runnin' Wild
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| 7. | You Brought a New Kind of Love to Me
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| 8. | Jeepers Creepers
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| 9. | Russian Lullaby
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Jazz
Vic Dickenson - Cover Art, Trombone
Charles Thompson - Piano
Edmond Hall - Clarinet
Jo Jones - Drums
Les Erskine - Drums
Ruby Braff - Trumpet
Shad Collins - Trumpet
Sir Charles Thompson - Piano
Steve Jordan - Guitar
Walter Page - Bass
* Bob Parent - Photography
* Georgette Cartwright - Creative Services Coordinator
* John Hammond, Sr. - Producer
* Kathrin Cipcich - Design, Package Design
* Lee Turner - Photography
* Marshall Morgan - Compilation Engineer
* Samuel Charters - Liner Notes, Music Consultant
* Steve Buckingham - Compilation Producer
As part of the John Hammond Masters series, this combines two dates that Hammond produced for the label in the 1950s. The first is a septet date in 1953, which yielded nice versions of "Jeepers Creepers" and "Russian Lullaby" to close the disc. The rest of the collection comes from an album entitled Vic Dickenson Showcase, Volume 2, recorded in 1954 in the company of Edmond Hall on clarinet, Sir Charles Thompson on piano, Walter Page on bass, Steve Jordan on guitar, Jo Jones on drums, and Shad Collins and Ruby Braff sharing the trumpet honors. Solid, no-nonsense versions of "Running Wild," "You Brought a New Kind of Love to Me," "Nice Work If You Can Get It," and "Everybody Loves My Baby" are the high spots here. Dickenson had a broad, almost brassy and declamatory style on trombone, but no one's mastery of melody was any better. A classic that deserves to be reissued.
---Cub Koda, All Music Guide
Vic Dickenson
Active Decades: '30s, '40s, '50s, '60s, '70s and '80s
Born: Aug 06, 1906 in Xenia, OH
Died: Nov 16, 1984 in New York, NY
Genre: Jazz
Styles: Dixieland, Swing
A distinctive trombonist with a sly wit and the ability to sound as if he were playing underwater, Vic Dickenson was an asset to any session on which he appeared. He stated out in the 1920s and '30s playing in the Midwest. Associations with Blanche Calloway (1933-1936), Claude Hopkins (1936-1939), Benny Carter (1939), Count Basie (1940), Carter again (1941), and Frankie Newton (1941-1943) preceded a high-profile gig with Eddie Heywood's popular sextet (1943-1946); Dickenson also played and recorded with Sidney Bechet. From then on he was a freelancing soloist who spent time on the West Coast, Boston, and New York, appearing on many recordings (including some notable dates for Vanguard) and on the legendary Sound of Jazz telecast (1957). In the 1960s, Dickenson co-led the Saints and Sinners, toured with George Wein's Newport All-Stars, and worked regularly with Wild Bill Davison and Eddie Condon. During 1968-1970, he was in a quintet with Bobby Hackett and in the 1970s, he sometimes played with the World's Greatest Jazz Band.
---Scott Yanow, All Music Guide |
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