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Dick Hyman Plays Fats Waller
Dick Hyman
első megjelenés éve: 1993
(1993)   [ LIMITED ]

CD
4.381 Ft 

 

IMPORT!
Kosaramba teszem
1.  Bach Up to Me
2.  Ain't Misbehavin'
3.  Keepin' Out of Mischief Now
4.  African Ripples
5.  Honeysuckle Rose
6.  Viper's Drag
7.  Willow Tree
8.  I'm Going to See My Ma
9.  Stealin' Apples
10.  I've Got a Feeling I'm Falling
11.  Handful of Keys
12.  My Fate Is in Your Hands
13.  Jitterbug Waltz
14.  Sweet Savannah Sue
15.  Squeeze Me
Jazz

Dick Hyman - Liner Notes, Piano

* Beck Rowell - Mastering Assistant
* Hal Vincenty - Editing
* J. Tamblyn Henderson - Liner Notes, Producer
* Jeff Kaufman - Photography
* Jim Turner
* Keith O. Johnson - Engineer
* Marcia Martin - Executive Producer, Producer
* Robert Harley - Mastering
* Steve Rickmon - Mastering Assistant
* Wayne Pope - Design, Graphic Design
* Wayne Stahnke - Liner Notes

Strange as it seems, pianist Dick Hyman was not present at the recording session that resulted in this CD. Months earlier, Hyman performed 15 Fats Waller songs on the Bosendorfer 2905E reproducing piano in New York. A computer floppy disc of the date was sent to California where it was recorded direct to CD. But more important than the technology involved is the music itself. Sometimes Hyman seems to take these pieces a little too seriously, treating "African Ripples" and "Viper's Drag" as if they were classical music but, to his credit, his treatment of the Waller compositions (mixing in the familiar with obscurities such as an enthusiastic "I'm Goin' To See My Ma" and a very complex version of "Bach Up To Me") does not attempt to copy Fats' style. A surprisingly uptempo version of "Stealin' Apples" and a thoughtful rendition of "Ain't Misbehavin'" are among the highpoints. Recommended.
---Scott Yanow, All Music Guide



Dick Hyman

Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Mar 08, 1927 in New York, NY
Genre: Jazz
Styles: Swing, Stride, Classic Jazz, Standards, Lounge, Spy Music

A very versatile virtuoso, Dick Hyman once recorded an album on which he played "A Child Is Born" in the styles of 11 different pianists, from Scott Joplin to Cecil Taylor. Hyman can clearly play anything he wants to, and since the '70s, he has mostly concentrated on pre-bop swing and stride styles. Hyman worked with Red Norvo (1949-1950) and Benny Goodman (1950), and then spent much of the 1950s and '60s as a studio musician. He appears on the one known sound film of Charlie Parker (Hot House from 1952); recorded honky tonk under pseudonyms; played organ and early synthesizers in addition to piano; was Arthur Godfrey's music director (1959-1962); collaborated with Leonard Feather on some History of Jazz concerts (doubling on clarinet), and even performed rock and free jazz; but all of this was a prelude to his later work. In the 1970s, Hyman played with the New York Jazz Repertory Company, formed the Perfect Jazz Repertory Quintet (1976), and started writing soundtracks for Woody Allen films. He has recorded frequently during the past several decades (sometimes in duets with Ruby Braff) for Concord, Music Masters, and Reference, among other labels, and ranks at the top of the classic jazz field.
---Scott Yanow, All Music Guide
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