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| "Coffy" |
FILMZENE
Roy Ayers |
| első megjelenés éve: 2001 |
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| (2001)
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CD |
| 3.380 Ft
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| 1. | Coffy Is The Color
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| 2. | Pricilla's Theme
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| 3. | King George
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| 4. | Aragon
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| 5. | Coffy Sauna
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| 6. | King's Last Ride
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| 7. | Coffy Baby
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| 8. | Brawling Broads
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| 9. | Escape
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| 10. | Shining Symbol
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| 11. | Exotic Dance
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| 12. | Making Love
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| 13. | Vittroni's Theme -- King Is Dead
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| 14. | End Of Sugarman
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Jazz / Film Music; Original Score
Roy Ayers - Arranger, Composer, Conductor, Orchestra, Orchestral Arrangements, Orchestration, Organ, Piano (Electric), Producer, Vocals
Billy Nichols - Guitar
Bob Rose - Guitar
Carl Clay
Cecil Bridgewater - , Flugelhorn, Trumpet, Vocals
Denise Bridgewater - Vocals
Dennis Davis - Drums
Emanuel Vardi - Strings
Garnett Brown - Trombone
Harry Lookofsky - Strings
Harry Whitaker - Harpsichord, Orchestration, Organ, Performer, Piano, Piano (Electric)
Irving Spice - Strings
Jon Faddis - Flugelhorn, Trumpet
Peter Dimitriades - Strings
Richard Davis - Bass, Bass (Acoustic), Bass (Electric)
Roselle Weaver
Wayne Andre - Trombone
Wayne Garfield - Vocals
William King - Bongos, Conga, Percussion
1998 Japanese reissue of Roy Ayers' soundtrack to directorJack Hill's 1973 blaxploitation film starring that genre'sleading actress, Pam Grier (star of Quentin Tarantino's film'Jackie Brown'). Features all 14 original tracks & theoriginal cover art. A Polydor release. --This text refers to an out of print or unavailable edition of this title.
* George Klabin - Engineer, Mixing Engineer
* Harry Weinger - Research, Supervisor
* Margaret Goldfarb - Production Coordination
* Mathieu Bitton - Design
* Suha Gur - Digital Remastering
A blaxploitation masterpiece on par with Curtis Mayfield's Superfly and Isaac Hayes' Shaft, Roy Ayers' soundtrack for the 1973 Pam Grier vehicle Coffy remains one of the most intriguing and evocative film scores of its era or any other. Ayers' signature vibes create atmospheres and textures quite distinct from your average blaxploitation effort, embracing both heavy, tripped-out funk ("Brawling Broads") and vividly nuanced soul-jazz ("Aragon"). The vocal numbers are no less impressive, in particular the rapturous opening cut, "Coffy Is the Color." Richly cinematic grooves, as inventive and cohesive as any of Ayers' vintage Ubiquity LPs. Highly recommended.
---Jason Ankeny, All Music Guide |
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