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| 4.290 Ft
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| 1. | Gichi
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| 2. | Den Tex
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| 3. | In a Capricornian Way
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| 4. | Lynn's Tune
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| 5. | 204
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Jazz / Post-Bop; Hard Bop; Avant-Garde Jazz
This was last album made by this great Texas tenor man. Recorded in 1968, it sat in the vaults for another eight years.
Booker Ervin - Sax (Tenor)
Billy Higgins - Drums
Francis Wolff - Cover Photo, Producer
Jan Arnet - Bass
Kenny Barron - Piano
Woody Shaw - Trumpet
* Gordon Jee - Creative Director
* Michael Cuscuna - Liner Notes, Reissue Producer
* Patrick Roques - Cover Design
* Ron McMaster - Mastering
* Rudy Van Gelder - Engineer
Tex Book Tenor was recorded in 1968 as a follow-up to Booker Ervin's debut date for Blue Note, The In Between, which was released in January of the same year. (Ervin had made two records for Pacific Jazz, which is now owned, like Blue Note, by EMI.) The album remained unreleased until 1976, when it was issued with an also unreleased Horace Parlan date on a double LP called Back from the Gig. This is its first appearance on CD. The lineup is stellar and includes Billy Higgins, Woody Shaw, Kenny Barron, and bassist Jan Arnet from Czechoslovakia. Barron and Ervin had worked together before, and Arnet had worked with Ervin three years earlier as a touring partner in Germany. The music here includes three Ervin originals, Barron's wonderful "Gichi," and Shaw's "In a Capricornian Way." The Afro-Latin-influenced grooves of "Gichi" display Ervin playing his solo in prime snake-charmer mode. His own "Den Tex" is classic hard bop with Barron and Ervin going head to head throughout. "Lynn's Tune" is a beautiful midtempo ballad with wonderful work by Arnet and a loping solo by Shaw. The closer is "204," a steaming hard bop tune with a killer head featuring the two horns just pushing the tempo before Ervin goes off the map into his solo. Barron's playing is totally inspired, pushing huge chords at both players as they dig into the changes and come out breathing fire. This is a wonderful addition not only to the Blue Note catalog on CD, but to Ervin's own shelf as well, and should be picked up by anyone interested in him as a bandleader and composer.
--- Thom Jurek, All Music Guide
Booker Ervin
Active Decades: '50s and '60s
Born: Oct 31, 1930 in Denison, TX
Died: Jul 31, 1970 in New York, NY
Genre: Jazz
Styles: Hard Bop, Mainstream Jazz, Post-Bop
A very distinctive tenor with a hard, passionate tone and an emotional style that was still tied to chordal improvisation, Booker Ervin was a true original. He was originally a trombonist, but taught himself tenor while in the Air Force (1950-1953). After studying music in Boston for two years, he made his recording debut with Ernie Fields' R&B band (1956). Ervin gained fame while playing with Charles Mingus (off and on during 1956-1962), holding his own with the volatile bassist and Eric Dolphy. He also led his own quartet, worked with Randy Weston on a few occasions in the '60s, and spent much of 1964-1966 in Europe before dying much too young from kidney disease. Ervin, who is on several notable Charles Mingus records, made dates of his own for Bethlehem, Savoy, and Candid during 1960-1961, along with later sets for Pacific Jazz and Blue Note. His nine Prestige sessions of 1963-1966 (including The Freedom Book, The Song Book, The Blues Book, and The Space Book) are among the high points of his career.
---Scott Yanow, All Music Guide |
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