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| 4.511 Ft
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| 1. | The Blue Book
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| 2. | Git It
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| 3. | Little Jane
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| 4. | The Book Cooks
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| 5. | Largo
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| 6. | Poor Butterfly
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Jazz
Booker Ervin - Sax (Tenor)
Dannie Richmond - Drums
George Tucker - Bass
Tommy Flanagan - Piano
Tommy Turrentine - Trumpet
Zoot Sims - Sax (Tenor)
* Abbey Anna - Reissue Coordination
* Eddie Levine - Executive Producer
* Greg Vaughn - Compilation, Remastering
* Ira Gitler - Liner Notes, Original Liner Notes
* Jaclyn Levine - Reissue Project Coordination Assistant
* Joseph F. Laredo - Liner Notes
* Lyn Bradley - Reissue Package Design
* Peter Ind - Engineer
* Teddy Charles - Producer
* Tom Moulton - Compilation, Remastering
Booker Ervin's debut as a leader teamed the intense tenor saxophonist with fellow tenor Zoot Sims (one will have little difficulty telling the cool-toned Zoot apart from Booker), trumpeter Tommy Turrentine, pianist Tommy Flanagan, bassist George Tucker and drummer Dannie Richmond. Ervin (who has his ballad "Largo" as a feature) performs five originals and "Poor Butterfly"; best are the slow blues "The Blue Book" and the rapid blues "The Book Cooks."
---Scott Yanow, All Music Guide
Booker Ervin
Active Decades: '50s and '60s
Born: Oct 31, 1930 in Denison, TX
Died: Jul 31, 1970 in New York, NY
Genre: Jazz
Styles: Hard Bop, Mainstream Jazz, Post-Bop
A very distinctive tenor with a hard, passionate tone and an emotional style that was still tied to chordal improvisation, Booker Ervin was a true original. He was originally a trombonist, but taught himself tenor while in the Air Force (1950-1953). After studying music in Boston for two years, he made his recording debut with Ernie Fields' R&B band (1956). Ervin gained fame while playing with Charles Mingus (off and on during 1956-1962), holding his own with the volatile bassist and Eric Dolphy. He also led his own quartet, worked with Randy Weston on a few occasions in the '60s, and spent much of 1964-1966 in Europe before dying much too young from kidney disease. Ervin, who is on several notable Charles Mingus records, made dates of his own for Bethlehem, Savoy, and Candid during 1960-1961, along with later sets for Pacific Jazz and Blue Note. His nine Prestige sessions of 1963-1966 (including The Freedom Book, The Song Book, The Blues Book, and The Space Book) are among the high points of his career.
---Scott Yanow, All Music Guide |
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