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| Try a Little Tenderness |
| Flip Phillips |
| első megjelenés éve: 1995 |
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| (1995)
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CD |
| 4.161 Ft
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| 1. | Try a Little Tenderness
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| 2. | A Cottage for Sale
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| 3. | Violets for Your Furs
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| 4. | I'm Glad There Is You
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| 5. | You Don't Know What Love Is
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| 6. | This Is All I Ask
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| 7. | Street of Dreams
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| 8. | All the Way
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| 9. | Dream
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| 10. | What Are You Doing the Rest of Your Life?
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| 11. | As Time Goes By
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| 12. | Goodbye
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| 13. | Jazzspeak
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| 14. | If I Had a Penny
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Jazz
Flip Phillips - Clarinet (Bass), Sax (Tenor), Vocals
Alvin Rogers - Violin
Amahid Ajemian - Violin
Anthony Posk - Violin
Bob Haggart - Bass
Bucky Pizzarelli - Guitar
Carmel Malin - Violin
Charles McCracken - Cello
Dick Hyman - Liner Notes, Piano
Howard Alden - Guitar
Jesse Levy - Cello
Julien Barber - Viola
Lamar Alsop - Viola
Peter Dimitriades - Violin
Regis Iandiorio - Violin
Ron Traxler - Drums
Stan Kurtis - Violin
Yuval Waldman - Violin
* Hank O'Neal - Producer
* Joseph Malin - , Assistant Coordinator, Conductor, Contractor
* Matthew Raimondi - Concert Master
* Maureen Sickler - Assistant Engineer
* Paul Bacon - Cover Design
* Rollo Phlecks - Photography
* Rudy Van Gelder - Assembly, Engineer, Mixing
Flip Phillips
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Feb 26, 1915 in Brooklyn, NY
Died: Aug 17, 2001 in Fort Lauderdale, FL
Genre: Jazz
Styles: Bop, East Coast Blues, Jump Blues, Mainstream Jazz, Swing
Flip Phillips, who angered some critics early on because he gained riotous applause for his exciting solos during Jazz at the Philharmonic concerts, for over 50 years was an excellent tenor saxophonist equally gifted on stomps, ballads, and standards. He played clarinet regularly in a Brooklyn restaurant during 1934-1939, was in Frankie Newton's group (1940-1941), and spent time in the bands of Benny Goodman, Wingy Manone, and Red Norvo. However, it was in 1944 that he had his breakthrough. As a well-featured soloist with Woody Herman's Herd (1944-1946), Phillips became a big star. His warm tenor was most influenced by Ben Webster but sounded distinctive even at that early stage. He toured regularly with Jazz at the Philharmonic during 1946-1957, scoring a bit of a sensation with his honking solo on "Perdido" and holding his own with heavy competition (including Charlie Parker and Lester Young). He occasionally co-led a group with Bill Harris, and that band was the nucleus of the ensemble that Benny Goodman used in 1959. Phillips then retired to Florida for 15 years, playing on just an occasional basis, taking up the bass clarinet as a double and making only a sporadic record date. But by 1975 he was back in music full-time, making quite a few records and playing at festivals and jazz parties. Even as he passed his 80th birthday, Flip Phillips had lost none of the enthusiasm or ability that he had a half-century earlier.
---Scott Yanow, All Music Guide |
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