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Kérjen
árajánlatot! |
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| 1. | Ten Thirty
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| 2. | Thrown a Bone
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| 3. | Stevie Switcharoo
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| 4. | Dalton's World
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| 5. | 357
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| 6. | 392
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| 7. | 2nd Floor Window
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| 8. | Defend Brooklyn
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| 9. | Food Chain
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| 10. | Above Your Pay Grade
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| 11. | Everything Hunky Dory
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| 12. | Frazier's Tour
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| 13. | Press Here to Play
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| 14. | Nothing Yet
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| 15. | Demands in Place
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| 16. | Here Lies Peter Hammond
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| 17. | Nazis Pay Too Well
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| 18. | Nice Talking to You
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| 19. | They Bugged Us
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| 20. | Hostage Takedown
Theme from "Patton"
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| 21. | Dr. Phil
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| 22. | Photo Ops
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| 23. | ESU Search
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| 24. | Dalton's Cell
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| 25. | Follow the Ring
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| 26. | Good and Ready
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| 27. | Chaiyya Chaiyya Bollywood Joint
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Film Music / Jazz / Original Score / Soundtrack
Recorded: Todd-AO Scoring Stage, Los Angeles, CA
Terence Blanchard - Conductor, Liner Notes, Producer, Trumpet
Aaron Parks - Piano
Brice Winston - Saxophone
Derrick Hodge - Bass
Kendrick Scott - Drums
* Brian Grazer - Executive Producer
* David Buntz - Direction
* Erick Labson - Mastering
* Frank Wolf - Engineer
* Harry Garfield - Executive in Charge of Music
* Kathy Nelson - Executive in Charge of Music
* Kristen Smith - Scoring Crew
* Marc Gebauer - Scoring Crew
* Robert Townson - Executive Producer
* Robin Burgess - Assistant Producer, Session Coordinator
* Sandy DeCrescent - Contractor
* Spike Lee - Executive Producer, Producer
* Todd Bozung - Music Editor
* Tom Hardisty - Scoring Crew
* Vincent Bennett - Session Assistant
New Orleans trumpeter/composer/bandleader Terence Blanchard re-teamed with longtime collaborator Spike Lee in 2006 for the thriller Inside Man. The film, starring Denzel Washington, Clive Owen, and Jodie Foster, follows a cat and mouse game between a philosophical bank robber and the detectives, lawyers, and bank officials that try and come between them. Blanchard, who spent much of the recording of the movie taking care of property and family members in the wake of Hurricane Katrina, turns in one of his most powerful scores to date, utilizing the expansiveness of Aaron Copland, the action motifs of Hans Zimmer, and the emotionally charged experimentation of Ennio Morricone to produce a work that is as playful and mischievous as it devastating and compelling.
---James Christopher Monger, All Music Guide
Terence Blanchard
Active Decades: '80s, '90s and '00s
Born: Mar 13, 1962 in New Orleans, LA
Genre: Jazz
Styles: Crossover Jazz, Hard Bop, Modal Music, Post-Bop
Although he originally rose to prominence in the shadow of Wynton Marsalis, Terence Blanchard was one of the first "Young Lions" to develop his own sound, mixing in elements of Freddie Hubbard and Marsalis. He studied piano from the age of five and took up trumpet in 1976. Blanchard was with Lionel Hampton during 1980-1982 and then replaced Marsalis with Art Blakey's Jazz Messengers. He found fame while with Blakey during 1982-1986, and then co-led a group with Donald Harrison. After taking time off to work on his embouchure (and returning with a greatly increased range), Blanchard became active writing film scores for Spike Lee. He played in the films Do the Right Thing and Mo' Better Blues, and then wrote for Jungle Fever and Malcolm X, launching a lucrative second career. Fortunately, Blanchard has not neglected his own playing and has recorded several superior sets of advanced post-bop music. Included among these are 1993's Simply Stated, 1995's Heart Speaks, his 1999 classic soundtrack-themed Jazz in Film, his 2000 return to all-original post-bop Wandering Moon, 2003's fusion-influenced Bounce, and his 2007 tribute to post-hurricane New Orleans, A Tale of God's Will (A Requiem for Katrina).
--- Scott Yanow, All Music Guide |
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