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Island Breeze / Blue Horizon |
Eric Gale |
első megjelenés éve: 2005 |
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(2005)
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CD |
4.331 Ft
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1. | Boardwalk
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2. | We'll Make It
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3. | My Momma Told Me So
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4. | Island Breeze
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5. | Dark Romance
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6. | I Know That's Right
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7. | Blue Horizon
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8. | Wait Until the City Sleeps
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9. | When Tokyo?
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10. | Mako d'Amour
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11. | Clock-A-Pa
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12. | Call Me at the Same Number
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13. | 97th & Columbus
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Jazz
Eric Gale - Guitar, Guitar (Rhythm), Lead, Producer Andy Schwartz - Synthesizer Anthony MacDonald - Percussion Bob James - Arranger, Piano (Electric), Synthesizer Buddy Williams - Drums Gary King - Bass Harold Vick - Sax (Tenor) Hugh Masekela - Flugelhorn Jeff Medina - Guitar (Rhythm) Jimmy Kachulis - Arranger, Guitar (Rhythm) Leonard "Doc" Gibbs - Percussion Mark Mazur - Guitar (Rhythm) Nasser Nasser - Percussion Neddy Smith - Bass Peter Schott - Keyboards Ralph MacDonald - Percussion Ray Chew - Piano Sandi Barber - Vocals, Vocals (Background) Ted Lo - Piano Winston Grennan - Drums
This Wounded Bird two-fer contains two titles that guitarist Eric Gale recorded for the Elektra Musician imprint in the early '80s. Blue Horizon was recorded in 1981 and issued in 1982, and was his first for the label. Featuring performances by Mark Mazur, Hugh Masekela, and Peter Schott, it contains a sweet, breezy, and funky style of laid-back jazz. The latter title, with Ralph MacDonald and Bob James, is a little more commercial, but deeply satisfying nonetheless. Gale's contributions as a sideman unfortunately sometimes overshadow his work as a leader, and these two recordings go a long way toward showcasing his signature guitar style. ~ Thom Jurek, All Music Guide
Eric Gale
Active Decades: '60s, '70s, '80s and '90s Born: Sep 20, 1938 in Brooklyn, NY Died: May 25, 1994 in Baja, CA Genre: Jazz Styles: Instrumental Pop, Jazz-Funk, Jazz-Pop
A guitarist who was used for many R&B-oriented dates and occasionally played jazz, Eric Gale had an appealing sound and was best while performing lazy melodic blues. He was most significant to the jazz world in the early '70s, when he recorded often as a sideman for CTI, later on with the group Stuff, and on isolated tracks on his own sessions. Gale's fine 1987 EmArcy set In a Jazz Tradition shows what he could really do. ---Scott Yanow, All Music Guide |
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