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CD BT Kft. internet bolt - CD, zenei DVD, Blu-Ray lemezek: Island Breeze / Blue Horizon CD

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Island Breeze / Blue Horizon
Eric Gale
első megjelenés éve: 2005
(2005)

CD
4.331 Ft 

 

IMPORT!
Kosaramba teszem
1.  Boardwalk
2.  We'll Make It
3.  My Momma Told Me So
4.  Island Breeze
5.  Dark Romance
6.  I Know That's Right
7.  Blue Horizon
8.  Wait Until the City Sleeps
9.  When Tokyo?
10.  Mako d'Amour
11.  Clock-A-Pa
12.  Call Me at the Same Number
13.  97th & Columbus
Jazz

Eric Gale - Guitar, Guitar (Rhythm), Lead, Producer
Andy Schwartz - Synthesizer
Anthony MacDonald - Percussion
Bob James - Arranger, Piano (Electric), Synthesizer
Buddy Williams - Drums
Gary King - Bass
Harold Vick - Sax (Tenor)
Hugh Masekela - Flugelhorn
Jeff Medina - Guitar (Rhythm)
Jimmy Kachulis - Arranger, Guitar (Rhythm)
Leonard "Doc" Gibbs - Percussion
Mark Mazur - Guitar (Rhythm)
Nasser Nasser - Percussion
Neddy Smith - Bass
Peter Schott - Keyboards
Ralph MacDonald - Percussion
Ray Chew - Piano
Sandi Barber - Vocals, Vocals (Background)
Ted Lo - Piano
Winston Grennan - Drums

This Wounded Bird two-fer contains two titles that guitarist Eric Gale recorded for the Elektra Musician imprint in the early '80s. Blue Horizon was recorded in 1981 and issued in 1982, and was his first for the label. Featuring performances by Mark Mazur, Hugh Masekela, and Peter Schott, it contains a sweet, breezy, and funky style of laid-back jazz. The latter title, with Ralph MacDonald and Bob James, is a little more commercial, but deeply satisfying nonetheless. Gale's contributions as a sideman unfortunately sometimes overshadow his work as a leader, and these two recordings go a long way toward showcasing his signature guitar style. ~ Thom Jurek, All Music Guide

Eric Gale

Active Decades: '60s, '70s, '80s and '90s
Born: Sep 20, 1938 in Brooklyn, NY
Died: May 25, 1994 in Baja, CA
Genre: Jazz
Styles: Instrumental Pop, Jazz-Funk, Jazz-Pop

A guitarist who was used for many R&B-oriented dates and occasionally played jazz, Eric Gale had an appealing sound and was best while performing lazy melodic blues. He was most significant to the jazz world in the early '70s, when he recorded often as a sideman for CTI, later on with the group Stuff, and on isolated tracks on his own sessions. Gale's fine 1987 EmArcy set In a Jazz Tradition shows what he could really do.
---Scott Yanow, All Music Guide

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