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3.726 Ft
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1. | Blue Farouq
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2. | 204
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3. | Upptankt
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4. | Wierdo
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5. | Pretty Strange
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6. | They Didn't Believe Me
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Jazz
Charlie Rouse - Sax (Tenor), Saxophone Charlie Rouse Quintet Art Taylor - Drums Bishop "Slick" Burrell, Sr. - Piano Blue Mitchell - Trumpet Earl May - Bass Walter Bishop - Piano
* Jack Higgins - Engineer * Orrin Keepnews - Liner Notes, Producer
Charlie Rouse's debut as a leader (not counting his earlier work co-leading Les Jazz Modes with the great French horn player Julius Watkins) was made for Jazzland and is available as an OJC CD. The distinctive tenor saxophonist, who had just started a decade-long stint as a member of the Thelonious Monk Quartet, teams up with trumpeter Blue Mitchell, pianist Walter Bishop, Jr., bassist Earl May, and drummer Art Taylor. Together they perform straight-ahead material including Rouse's own uptempo "Upptankt," the standard "They Didn't Believe Me," and songs by Mitchell, Kenny Drew, and Randy Weston. A fine modern mainstream jam session-flavored set. ---Scott Yanow, All Music Guide
Charlie Rouse
Active Decades: '40s, '50s, '60s, '70s and '80s Born: Apr 06, 1924 in Washington, D.C. Died: Nov 30, 1988 in Seattle, WA Genre: Jazz Styles: Hard Bop
Possessor of a distinctive tone and a fluid bop-oriented style, Charlie Rouse was in Thelonious Monk's Quartet for over a decade (1959-1970) and, although somewhat taken for granted, was an important ingredient in Monk's music. Rouse was always a modern player and he worked with Billy Eckstine's orchestra (1944) and the first Dizzy Gillespie big band (1945), making his recording debut with Tadd Dameron in 1947. Rouse popped up in a lot of important groups including Duke Ellington's Orchestra (1949-1950), Count Basie's octet (1950), on sessions with Clifford Brown in 1953, and with Oscar Pettiford's sextet (1955). He co-led the Jazz Modes with Julius Watkins (1956-1959), and then joined Monk for a decade of extensive touring and recordings. In the 1970s he recorded a few albums as a leader, and in 1979 he became a member of Sphere. Charlie Rouse's unique sound began to finally get some recognition during the 1980s. He participated on Carmen McRae's classic Carmen Sings Monk album and his last recording was at a Monk tribute concert. ---Scott Yanow, All Music Guide |
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