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| King of The Blues Trombone (2CD) |
| Jack Teagarden |
| első megjelenés éve: 2002 |
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2 x CD |
Kérjen
árajánlatot! |
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| 1. CD tartalma: |
| 1. | Whoopie Stomp
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| 2. | Baby
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| 3. | When Your'e Smiling
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| 4. | Bugle Call Rag
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| 5. | Dirty Dog
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| 6. | Freshman Hop
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| 7. | Sweetest Melody
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| 8. | Bag O' Blues
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| 9. | Diga Diga Doo
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| 10. | It's So Good
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| 11. | Dancing With Tears in My Eyes
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| 12. | If I Could Be With You One Hour Tonight
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| 13. | Loveless Love
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| 14. | Sweet and Hot
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| 15. | That's What I Like About You
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| 16. | You Rascal You
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| 17. | Chances Are
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| 18. | I've Got It
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| 19. | Ain't Cha Glad?
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| 20. | Dr. Heckle and Mr. Jibe
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| 21. | Texas Tea Party
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| 22. | A Hundred Years from Today
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| 23. | I Just Couldn't Take It Baby
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| 24. | Tappin' the Barrel
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| 2. CD tartalma: |
| 1. | Break It Down
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| 2. | China Boy
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| 3. | I Ain't Lazy, I'm Just Dreaming
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| 4. | As Long as I Live
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| 5. | Moonglow
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| 6. | Your Guess Is Just as Good as Mine
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| 7. | Stars Fell on Alabama
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| 8. | I Hope Gabriel Likes My Music
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| 9. | The Mayor of Alabam'
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| 10. | Ain't Misbehavin'
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| 11. | 'S Wonderful
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| 12. | Somebody Loves Me
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| 13. | I'm an Old Cowhand (From the Rio Grande)
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| 14. | Persian Rug
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| 15. | Muddy River Blues
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| 16. | Wolverine Blues
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| 17. | I Gotta Right to Sing the Blues
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| 18. | Peg O' My Heart
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| 19. | Beale Street Blues
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| 20. | Swingin' on the Teagarden Gate
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| 21. | Muskrat Ramble
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| 22. | Forty-Seventh and State
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| 23. | After Awhile
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| 24. | Shim-Me-Sha-Wabble
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Jazz
Jack Teagarden - Trombone
This two-CD compilation is a straight reissue of a difficult-to-find three-LP set released on Epic Records in 1963. Spanning the years 1928-1940, the collection presents a good selection of Teagarden's early work, in which he often served as a sideman in major orchestras, including those of Ben Pollack, Benny Goodman, Frankie Trumbauer, and Bud Freeman, all of whom are represented here. The masterful Teagarden was an American original whose style and vocals epitomized authenticity both in their execution and sound. Even at the earliest stages of his career, he exhibited an extraordinarily elastic and modern technical facility with his lips and slide. His later mature style was rooted in the 1930s, and these tracks display the evolution of licks that he would return to over and over again during his career. Teagarden solos or sings (often both) on every track, and the listener is left with the impression of a relaxed, spectacularly talented trombonist who consistently produces music at the highest levels. Sometimes the compositions and arrangements do not match his talent, but for the most part the players with whom he was associated during this period were among the best in the industry. Among the classic tunes performed are "When You're Smiling," "I'll Be Glad When You're Dead (You Rascal You," "Ain't Misbehaving," and "I'm an Old Cowhand."
---Steven Loewy, All Music Guide
Jack Teagarden
Active Decades: '20s, '30s, '40s, '50s and '60s
Born: Aug 29, 1905 in Vernon, TX
Died: Jan 15, 1964 in New Orleans, LA
Genre: Jazz
Styles: Big Band, Dixieland, Swing, Classic Jazz, Mainstream Jazz
One of the classic giants of jazz, Jack Teagarden was not only the top pre-bop trombonist (playing his instrument with the ease of a trumpeter) but one of the best jazz singers too. He was such a fine musician that younger brother Charlie (an excellent trumpeter) was always overshadowed. Jack started on piano at age five (his mother Helen was a ragtime pianist), switched to baritone horn, and finally took up trombone when he was ten. Teagarden worked in the Southwest in a variety of territory bands (most notably with the legendary pianist Peck Kelley) and then caused a sensation when he came to New York in 1928. His daring solos with Ben Pollack caused Glenn Miller to de-emphasize his own playing with the band, and during the late-'20s/early Depression era, "Mr. T." recorded frequently with many groups including units headed by Roger Wolfe Kahn, Eddie Condon, Red Nichols, and Louis Armstrong ("Knockin' a Jug"). His versions of "Basin Street Blues" and "Beale Street Blues" (songs that would remain in his repertoire for the remainder of his career) were definitive. Teagarden, who was greatly admired by Tommy Dorsey, would have been a logical candidate for fame in the swing era but he made a strategic error. In late 1933, when it looked as if jazz would never catch on commercially, he signed a five-year contract with Paul Whiteman. Although Whiteman's Orchestra did feature Teagarden now and then (and he had a brief period in 1936 playing with a small group from the band, the Three T's, with his brother Charlie and Frankie Trumbauer), the contract effectively kept Teagarden from going out on his own and becoming a star. It certainly prevented him from leading what would eventually became the Bob Crosby Orchestra.
In 1939, Jack Teagarden was finally "free" and he soon put together a big band that would last until 1946. However, it was rather late to be organizing a new orchestra (the competition was fierce) and, although there were some good musical moments, none of the sidemen became famous, the arrangements lacked their own musical personality, and by the time it broke up Teagarden was facing bankruptcy. The trombonist, however, was still a big name (he had fared quite well in the 1940 Bing Crosby film The Birth of the Blues) and he had many friends. Crosby helped Teagarden straighten out his financial problems, and from 1947-1951 he was a star sideman with Louis Armstrong's All-Stars; their collaborations on "Rocking Chair" are classic. After leaving Armstrong, Teagarden was a leader of a steadily working sextet throughout the remainder of his career, playing Dixieland with such talented musicians as brother Charlie, trumpeters Jimmy McPartland, Don Goldie, Max Kaminsky, and (during a 1957 European tour) pianist Earl Hines. Teagarden toured the Far East during 1958-1959, teamed up one last time with Eddie Condon for a television show/recording session in 1961, and had a heartwarming (and fortunately recorded) musical reunion with Charlie, sister/pianist Norma, and his mother at the 1963 Monterey Jazz Festival. He died from a heart attack four months later and has yet to be replaced.
---Scott Yanow, All Music Guide |
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