  |
|
|
 |
| I Gotta Right to Sing the Blues |
| Jack Teagarden |
| első megjelenés éve: 1994 |
|
| (1994)
|
|
CD |
Kérjen
árajánlatot! |
|
| 1. | That's a Serious Thing
|
| 2. | I'm Gonna Stomp Mr. Henry Lee
|
| 3. | Dinah
|
| 4. | Never Had a Reason to Believe in You
|
| 5. | Tailspin Blues
|
| 6. | Dancing with Tears in My Eyes
|
| 7. | Sheik of Araby
|
| 8. | Basin Street Blues
|
| 9. | Beale Street Blues
|
| 10. | (I'll Be Glad When You're Dead) You Rascal You
|
| 11. | Two Tickets to Georgia
|
| 12. | I Gotta Right to Sing the Blues
|
| 13. | Ain't Cha Glad?
|
| 14. | Texas Tea Party
|
| 15. | A Hundred Years from Today
|
| 16. | Fare Thee Well to Harlem
|
| 17. | Christmas Night in Harlem
|
| 18. | Davenport Blues
|
Jazz
Jack Teagarden - Trombone, Vocals
Adrian Rollini - Sax (Baritone), Sax (Bass)
Al Morgan - Bass
Alex Beller - Violin
Arnold Brillhardt - Sax (Alto)
Art Karle - Sax (Tenor)
Art Miller - Bass
Arthur Rollini - Sax (Tenor)
Arthur Schutt - Piano
Artie Bernstein - Bass
Babe Russin - Sax (Tenor)
Benny Goodman - Clarinet
Bill Rank - Trombone
Carl Kress - Guitar
Charles Strickfaden - Reeds
Charlie Spivak - Trumpet
Charlie Teagarden - Trumpet
Chester Hazlett - Clarinet, Sax (Alto)
Dave Klein - Trumpet
Dick McDonough - Guitar
Eddie Condon - Banjo
Eddie Lang - Guitar
Eddie Miller - Clarinet, Sax (Tenor)
Fats Waller - Piano, Vocals
Frank Billings - Drums
Frank Froeba - Piano
Frank Guarente - Trumpet
Frankie Trumbauer - Reeds
Gene Krupa - Drums
George Stafford - Drums
George Van Eps - Guitar
Gil Bowers - Piano
Gil Rodin - Clarinet, Sax (Alto)
Glenn McGaha Miller - Trombone
Glenn Miller - Trombone
Happy Caldwell - Sax (Tenor)
Harry Goldfield - Trumpet
Harry Goodman - Bass
Harry Struble - Violin
Herb Quigley - Drums
Howard Smith - Piano
Irving Friedman - Clarinet, Sax (Tenor)
Jack Bland - Guitar
Jack Fulton - Trombone
Jack Russin - Piano
Jerry Johnson - Bass
Jimmy Dorsey - Clarinet, Sax (Alto)
Joe Catalyne - Sax (Alto)
Joe Sullivan - Piano
Joe Venuti - Violin
John Cordaro - Reeds
Johnny Mercer - Violin, Vocals
Larry Binyon - Sax (Tenor)
Larry Gomar - Drums
Lennie Hayton - Celeste, Cello, Piano
Leo McConville - Trumpet
Leonard Davis - Trumpet
Manny Klein - Trumpet
Matty Malneck - Violin
Matty Matlock - Clarinet, Sax (Alto)
Max Farley - Sax (Alto)
Mezz Mezzrow - Sax (C-Melody), Saxophone
Mike Doyle - Producer, Research
Mike Pigitore - Guitar
Min Leibrook - Sax (Baritone), Sax (Bass)
Mischa Russell - Violin
Mutt Hayes - Sax (Tenor)
Nappy Lamare - Guitar, Vocals
Nat Natoli - Trumpet
Norman McPherson - , Tuba
Pee Wee Russell - Clarinet, Sax (Tenor)
Perry Botkin - Guitar
Perry Botkin and His Orchestra - Guitar
Phil Duffy - Cover Design, Design
Ralph Copsey - Trombone
Ray Bauduc - Drums
Ray Lodwig - Trumpet
Raymond Cohen - Violin
Red McKenzie - KAZ, Kazoo, Keyboards, Vocals
Red Nichols - Trumpet
Roy Bargy - Piano
Ruby Weinstein - Trumpet
Sid Stoneburn - Sax (Alto)
Stan King - Drums
Sterling Bose - Trumpet
Treg Brown - Banjo, Violin, Vocals
Vic Bellerby - Compilation, Liner Notes
Vincent Pirro - Piano
Walter Edelstein - Violin
Here is a collection of 18 tracks in which the ebullient trombonist and vocalist Jack Teagarden is prominent. The performances themselves deserve a higher rating, maybe the highest possible, but anyone save the most casual listener will want to own something more representative and detailed than this sort of set. The basic program featured here, in which there are segments of Benny Goodman swing, the blues compositions of W.C. Handy, and funny novelties including "The Sheik of Araby" and "Texas Tea Party," originated as a budget-line LP on Epic. Various versions have come out, consumers having the pick of vinyl editions with skimpy playing time or a digital version that has been expanded into what also constitutes skimpy playing time for that format. Good stuff galore is to be heard, fear not, if someone is stuck having to listen to Jack Teagarden on this kind of cheapster release. Fats Waller drops by with a loud thump; so do several interesting session guitarists from the period such as Perry Botkin. These are just a few of the names worth mentioning on a selection of titles that goes between 1929 and 1934, copyright issues about as vague as the dust from a witch doctor's bag. Teagarden himself makes every cut a pleasure, whether indulging in odd moments of soloing magic or delivering a rise for one and all with his vocals.
--- Eugene Chadbourne, All Music Guide
Jack Teagarden
Active Decades: '20s, '30s, '40s, '50s and '60s
Born: Aug 29, 1905 in Vernon, TX
Died: Jan 15, 1964 in New Orleans, LA
Genre: Jazz
Styles: Big Band, Dixieland, Swing, Classic Jazz, Mainstream Jazz
One of the classic giants of jazz, Jack Teagarden was not only the top pre-bop trombonist (playing his instrument with the ease of a trumpeter) but one of the best jazz singers too. He was such a fine musician that younger brother Charlie (an excellent trumpeter) was always overshadowed. Jack started on piano at age five (his mother Helen was a ragtime pianist), switched to baritone horn, and finally took up trombone when he was ten. Teagarden worked in the Southwest in a variety of territory bands (most notably with the legendary pianist Peck Kelley) and then caused a sensation when he came to New York in 1928. His daring solos with Ben Pollack caused Glenn Miller to de-emphasize his own playing with the band, and during the late-'20s/early Depression era, "Mr. T." recorded frequently with many groups including units headed by Roger Wolfe Kahn, Eddie Condon, Red Nichols, and Louis Armstrong ("Knockin' a Jug"). His versions of "Basin Street Blues" and "Beale Street Blues" (songs that would remain in his repertoire for the remainder of his career) were definitive. Teagarden, who was greatly admired by Tommy Dorsey, would have been a logical candidate for fame in the swing era but he made a strategic error. In late 1933, when it looked as if jazz would never catch on commercially, he signed a five-year contract with Paul Whiteman. Although Whiteman's Orchestra did feature Teagarden now and then (and he had a brief period in 1936 playing with a small group from the band, the Three T's, with his brother Charlie and Frankie Trumbauer), the contract effectively kept Teagarden from going out on his own and becoming a star. It certainly prevented him from leading what would eventually became the Bob Crosby Orchestra.
In 1939, Jack Teagarden was finally "free" and he soon put together a big band that would last until 1946. However, it was rather late to be organizing a new orchestra (the competition was fierce) and, although there were some good musical moments, none of the sidemen became famous, the arrangements lacked their own musical personality, and by the time it broke up Teagarden was facing bankruptcy. The trombonist, however, was still a big name (he had fared quite well in the 1940 Bing Crosby film The Birth of the Blues) and he had many friends. Crosby helped Teagarden straighten out his financial problems, and from 1947-1951 he was a star sideman with Louis Armstrong's All-Stars; their collaborations on "Rocking Chair" are classic. After leaving Armstrong, Teagarden was a leader of a steadily working sextet throughout the remainder of his career, playing Dixieland with such talented musicians as brother Charlie, trumpeters Jimmy McPartland, Don Goldie, Max Kaminsky, and (during a 1957 European tour) pianist Earl Hines. Teagarden toured the Far East during 1958-1959, teamed up one last time with Eddie Condon for a television show/recording session in 1961, and had a heartwarming (and fortunately recorded) musical reunion with Charlie, sister/pianist Norma, and his mother at the 1963 Monterey Jazz Festival. He died from a heart attack four months later and has yet to be replaced.
---Scott Yanow, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
