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| Tate's A-Jumpin' |
| Buddy Tate |
| első megjelenés éve: 1996 |
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| (1996)
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CD |
| 3.736 Ft
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| 1. | Vine Street Breakdown [Alternate Take]
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| 2. | The Things You've Done for Me Baby [Alternate Take]
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| 3. | Ballin' from Day to Day [Alternate Take]
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| 4. | Tate's A-Jumpin'
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| 5. | Fairweather Friend Blues [Alternate Take]
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| 6. | Kansas City Local [Alternate Take]
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| 7. | Rain in My Eyes [Alternate Take]
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| 8. | Six Foot Two Blues [Alternate Take]
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| 9. | Early Morning Blues [Alternate Take]
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| 10. | Blowin' for Snake
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| 11. | Frogomore Blues [Alternate Take]
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| 12. | Blue and Sentimental [Alternate Take]
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| 13. | Swingin' Away With Willie and Ray
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| 14. | Vine Street Breakdown [Alternate Take 2]
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| 15. | Irene's Blues
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| 16. | Put Your Money Where Your Mouth Is
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| 17. | Leave It Alone
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| 18. | Rebecca
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| 19. | For You My Beloved
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Jazz
Buddy Tate - Sax (Tenor)
Buddy Tate & His Orchestra
Benny Booker - Bass
Bernie Peacock - Sax (Alto)
Bill Doggett - Piano
Bill Swanson - Bass
Bobby Green - Sax (Tenor)
Buck Clayton - Trumpet
Chico Hamilton - Drums
Eddie Fullylove - Vocals
Eli Robinson - Trombone
Emmett Berry - Trumpet
Harold Austin - Drums
Harry Butts - Bass
Jimmy Witherspoon - Vocals
Joan Shaw - Vocals
Reunald Jones - Trumpet
Skip Hall - Piano
Ted Donnelly - Trombone
* Dan Nooger - Reissue Producer
* Jack Towers - Transfers
* Richie Benway - Liner Notes
* Ross Hudson - Art Direction, Design
For a decade running between the late '30s and the late '40s, Buddy Tate played tenor saxophone in Count Basie's band, perhaps the swing band with the greatest blues leanings, and when he began making records as a leader (at first, while still playing with Basie) in 1947, it was no surprise that many of them had strong elements of blues and jump blues. Tate cut sides for the Supreme label (its catalog later purchased by Swing Time Records and here presented by Night Train International) that included instrumentals like "Tate's A-Jumpin'" and "Blowin' for Snake," and he also backed several singers, including Jimmy Witherspoon. In 1950, he made some recordings backing singer Max "Blues" Bailey. This album of 19 selections includes seven previously released performances and 12 previously unreleased ones, of which 11 are alternate takes. On most of the tracks, the saxophonist is leading an eight-piece band, four horns and four rhythm, though "Swingin' Away With Willie and Ray" and the Bailey session (tracks 15 through 18) make do without a guitarist. There is plenty of room for soloing, especially on the instrumental numbers, and Tate and his compatriots demonstrate considerable versatility as they attempt to find a popular middle ground in the changing styles of jazz in the post-World War II era. Tate was too old to take much interest in bebop, the emerging jazz style, and instead attempted to forge a bridge from the swing music he had grown up with to the jump blues that was exciting many non-jazz fans of the day. Even though most of these performances are alternate takes, they are complete and well done, affording a glimpse into one musician's development at a crucial time in his career and in the history of jazz.
---William Ruhlmann, All Music Guide
Buddy Tate
Active Decades: '30s, '40s, '50s, '60s, '70s, '80s and '90s
Born: Feb 22, 1913 in Sherman, TX
Died: Feb 10, 2001 in Chandler, AZ
Genre: Jazz
Styles: Big Band, Bop, Swing, Classic Jazz, Jazz Blues, Mainstream Jazz
One of the more individual tenors to emerge from the swing era, the distinctive Buddy Tate came to fame as Herschel Evans' replacement with Count Basie's Orchestra. Earlier he had picked up valuable experience playing with Terrence Holder (1930-1933), Count Basie's original Kansas City band (1934), Andy Kirk (1934-1935), and Nat Towles (1935-1939). With Basie a second time during 1939-1948, Tate held his own with such major tenors as Lester Young, Don Byas, Illinois Jacquet, Lucky Thompson, and Paul Gonsalves. After a period freelancing with the likes of Hot Lips Page, Lucky Millinder, and Jimmy Rushing (1950-1952), Tate led his own crowd-pleasing group for 21 years (1953-1974) at Harlem's Celebrity Club. During this period, Tate also took time out to record in a variety of setting (including with Buck Clayton and Milt Buckner) and he was the one of the stars of John Hammond's Spirituals to Swing concert of 1967. Tate kept busy after the Celebrity Club association ended, recording frequently, co-leading a band with Paul Quinichette in 1975, playing and recording in Canada with Jay McShann and Jim Galloway, visiting Europe many times, and performing at jazz parties; he was also a favorite sideman of Benny Goodman's in the late '70s. Although age had taken its toll, in the mid-'90s Buddy Tate played and recorded with both Lionel Hampton and the Statesmen of Jazz. Tate lived in N.Y. until January, 2001, when he moved to Phoenix, AZ, to live with his daughter. Buddy Tate died a few weeks later, on February 10.
---Scott Yanow, All Music Guide |
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