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Kérjen
árajánlatot! |
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| 1. | Hallelujah, I Love Her So
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| 2. | Rock House
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| 3. | Honest I Do
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| 4. | Next Time U See Me
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| 5. | Woke up This Morning
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| 6. | C.C. Rider
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| 7. | Honky Tonk
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| 8. | After Hours
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Jazz
Joe Sample - Keyboards
David T. Walker - Guitar
Al Aarons - Horn, Trumpet
Earl Palmer - Drums
Ernie Fields Jr. - Horn
Herman Riley - Horn
Jackie Kelso - Horn
James Jamerson - Bass
John Kelson, Jr. - Horn
This album is one of keyboardist Joe Sample's more interesting solo dates. He pays tribute to vintage R&B with performances of such soulful tunes as "Hallelujah, I Love Her So," "Rockhouse," "C.C. Rider" and "After Hours." Assisted by guitarist David T. Walker, bassist James Jamerson, drummer Earl Palmer and several horn players (including tenor saxophonist Herman Riley and flugelhornist Al Aarons), Sample sounds quite distinctive on electric piano and performs music that is both accessible and creative within the idiom.
---Scott Yanow, All Music Guide
Joe Sample
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Feb 01, 1939 in Houston, TX
Genre: Jazz
Styles: Cool, Crossover Jazz, Fusion, Hard Bop, Jazz-Pop, Mainstream Jazz, Post-Bop, Smooth Jazz, Soul-Jazz
One of the many jazzmen who started out playing hard bop but went electric during the fusion era, Joe Sample was, in the late '50s, a founding member of the Jazz Crusaders along with trombonist Wayne Henderson, tenor saxman Wilton Felder, and drummer Stix Hooper. The Crusaders' debt to Art Blakey's Jazz Messengers wasn't hard to miss -- except that the L.A.-based unit had no trumpeter, and became known for its unique tenor/trombone front line. Sample, a hard-swinging player who could handle chordal and modal/scalar improvisation equally well, stuck to the acoustic piano during the Crusaders' early years -- but would place greater emphasis on electric keyboards when the band turned to jazz-funk in the early '70s and dropped "Jazz" from its name. Though he'd recorded as a trio pianist on 1969's obscure Fancy Dance, 1978's Rainbow Seeker was often described as his first album as a leader. In contrast to the gritty music the Crusaders became known for, Sample's own albums on MCA and, later, Warner Bros. and PRA have generally favored a very lyrical and introspective jazz-pop approach.
---Alex Henderson, All Music Guide |
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