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| Hootie's Jumpin' Blues |
| Jay McShann |
| első megjelenés éve: 1997 |
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| (1997)
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CD |
| 3.991 Ft
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| 1. | Hootie Blues
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| 2. | Vine Street Boogie
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| 3. | 'Fore Day Rider
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| 4. | Hands Off
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| 5. | Profoundly Blue
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| 6. | Doo Wah Doo
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| 7. | I Want a Little Girl
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| 8. | Jumpin' the Blues
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| 9. | Confessin' the Blues
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| 10. | Hootie's Ignorant Oil
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| 11. | Hootie's Blues
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| 12. | Interview & Solo Piano/Hootie's Blues for Big Miller/Hootie's Kansas
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Jazz / Blues
Jay McShann - Piano, Vocals
Bob Tildesley - Trumpet
Dave Babcock - Sax (Baritone)
Gordon Beadle - Sax (Tenor)
Marty Ballou - Bass
Marty Richards - Drums
* Duke Robillard - Guitar, Liner Notes, Mixing, Photography, Producer
* Holger Petersen - Producer
* Jack Gauthier - Engineer, Mixing
* Jerry Woolsey - Assistant Engineer
* Tom Walsh - Mastering
At the young age of 87, Jay McShann recorded this album after the Edmonton Folk Festival. The master is living proof that the jazz continuum extends from Kansas City of the 1930s right up until to the present. On this relaxed and simple set of head arrangements, he's amply backed by Duke Robillard's band, plus Bob Tildesley on trumpet, and Dave Babcock on baritone sax. Saxophonist Gordon Beadle blows some fine, strong tenor throughout the album. The rhythm section lays down some solid ground for the piano pioneer. Jay McShann's style of jazz and blues is as vital as ever. His swing is relentless, the phrasing beautifully melodic, and the vocals are distinctively deep yet matter of fact.
The man is a timeless wonder, and a compendium of jazz history still jumpin' the blues like no one else can. At the end of the disc there's an extended interview of Jay McShann, with some great stories and some solo piano. Highly recommended.
---Mark Romano, All Music Guide
Jay McShann
Active Decades: '30s, '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Jan 12, 1909 in Muskogee, OK
Died: Dec 07, 2006 in Kansas City, MO
Genre: Jazz
Styles: Big Band, Boogie-Woogie, Bop, Classic Jazz, Jazz Blues, Jump Blues, Mainstream Jazz, Piano Blues, Standards, Stride, Swing
The great veteran pianist Jay McShann (also known as Hootie) enjoyed a long career and it is unfair to primarily think of him as merely the leader of an orchestra that featured a young Charlie Parker. He was mostly self-taught as a pianist, worked with Don Byas as early as 1931 and played throughout the Midwest before settling in Kansas City in 1936. McShann formed his own sextet the following year and by 1939 had his own big band. In 1940 at a radio station in Wichita, KS, McShann and an octet out of his orchestra recorded eight songs that were not released commercially until the 1970s; those rank among the earliest of all Charlie Parker records (he is brilliant on "Honeysuckle Rose" and "Lady Be Good") and also feature the strong rhythm section team McShann had with bassist Gene Ramey and drummer Gus Johnson. The full orchestra recorded for Decca on two occasions during 1941-1942 but they were typecast as a blues band and did not get to record many of their more challenging charts (although very rare broadcasts have since surfaced and been released on CD by Vintage Jazz Classics). In addition to Bird (who had a few short solos), the main stars were trumpeter Bernard Anderson, the rhythm section, and singer Walter Brown. McShann and his band arrived in New York in February 1942 and made a strong impression, but World War II made it difficult for any new orchestras to catch on. There was a final session in December 1943 without Parker, but McShann was soon drafted and the band broke up. After being discharged later in 1944, McShann briefly re-formed his group but soon moved to Los Angeles, where he led combos for the next few years; his main attraction was the young singer Jimmy Witherspoon.
McShann was in obscurity for the next two decades, making few records and mostly playing in Kansas City. In 1969 he was rediscovered and McShann (who had first sung on records in 1966) was soon a popular pianist/vocalist. Sometimes featuring violinist Claude Williams, he toured constantly, recorded frequently, and appeared at many jazz festivals, being active into the mid-'90s. Jay McShann, who recorded through the years for Onyx (the 1940 radio transcriptions), Decca, Capitol, Aladdin, Mercury, Black Lion, EmArcy, Vee Jay, Black & Blue, Master Jazz, Sackville, Sonet, Storyville, Atlantic, Swingtime, and Music Masters among others, was a vital pianist and an effective blues vocalist who keept a classic style alive. A live album, Hootie Blues, recorded in 2001 in Toronto and released in 2006 by Stony Plain, showed that McShann could still bring it at the age of 85. He died at the age of 90 on December 7, 2006.
---Scott Yanow, All Music Guide |
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