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3.736 Ft
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1. | The Preacher
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2. | Things Ain't What They Used to Be
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3. | Over the Rainbow
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4. | A Smooth One
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5. | Gee Baby, Ain't I Good to You
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6. | I'm Just a Lucky So and So
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7. | Moten Swing
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8. | These Foolish Things
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9. | One for the Count
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10. | There Is No Greater Love
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Jazz
Claude "Fiddler" Williams - Violin, Vocals Bobby Watson - Sax (Alto) Jimmy Lovelace - Drums Joe Cohn - Drums, Guitar Keter Betts - Bass (Acoustic), Music Direction
* Angelynn Grant - Design * Bill Moss - Assistant Engineer * Jim Czak - Engineer * Laurie Flannery - Mastering * Russ Dantzler - Producer * Scott Billington - Producer
"Fiddler" Williams was born in Oklahoma and is only one year younger than his home state. At 91 years of age, he still has that flash that made him a legendary swing musician; his chops are as sweet as ever. Backed by an excellent group of musicians that includes Henry Butler on piano, Joe Cohn on guitar and Bobby Watson on alto sax, Fiddler digs into ten tunes, assaying the groove with Horace Silver's "The Preacher," Mercer and Ellington's "Things Ain't What They Used to Be," and Benny Goodman's "A Smooth One." He also works a touching cover of "Somewhere Over the Rainbow," accompanied by Butler on piano. The coolest deal on the CD is Williams singing "Gee Baby, Ain't I Good to You." The whole thing -- the arrangement, his vocal and his solos -- conjures a bygone era of beautiful music that was "the" cool jazz before Miles' cool jazz. This is one of the most elegant swing projects to be released in recent years and a valuable addition to Williams' discography. ---Philip Van Vleck, All Music Guide
Claude "Fiddler" Williams
Active Decades: '30s, '40s, '50s, '60s, '70s, '80s and '90s Born: Feb 22, 1908 in Muskogee, OK Died: Apr 25, 2004 in Kansas City, MO Genre: Jazz Styles: Classic Jazz, Mainstream Jazz, Standards, Swing, Trad Jazz
Few great jazz musicians enjoyed such a lengthy life and career as Claude "Fiddler" Williams, who outlasted virtually all his contemporaries and achieved his greatest successes at an advanced age. Williams began playing guitar at age ten; he was inspired to take up violin after hearing Joe Venuti play a gig near his Muskogee, OK, home. He played around Oklahoma with bassist Oscar Pettiford, among others. His first professional experience came in 1927 when he joined Terrence Holder's highly regarded territory band in Oklahoma City. Williams stayed on after Holder was ousted by his sidemen because of bad management and was replaced by bassist Andy Kirk. The band became known as the Clouds of Joy (also the Dark Clouds of Joy, 12 Clouds of Joy, Original 11 Clouds of Joy, etc.) and enjoyed a great deal of success, due in no small part to the performing and composing talents of the young pianist Mary Lou Williams. Claude Williams played on the Kirk band's first recordings, but was forced to leave around 1930 when ill health prevented him from completing a tour. Williams worked with the bands of Alphonse Trent in 1932, George E. Lee in 1933, and Chick Stevens in 1934-1935; he also played with Nat "King" Cole and his brother, bassist Eddie Cole, in Chicago during this period. Williams played guitar with Count Basie in 1936 and thus became the first guitarist to record with the band. He was replaced the next year by Freddie Green. During the late '30s and early '40s, Williams worked with the Four Shades of Rhythm in Chicago, Cleveland, and Flint, MI. Some of the more notable musicians he worked with during the '50s include pianist Jay McShann, saxophonist Eddie "Cleanhead" Vinson, and pianist Hank Jones. Williams settled in Kansas City once again in 1953. There he spent most of the next 20 years leading his own groups, but not making records. A gig with McShann in the early '70s led to Williams' first recordings in nearly three decades and Williams' second career was born. In the '70s and '80s, he toured with McShann and worked as a featured soloist at jazz festivals. He played in a Paris production of the musical Black and Blue and a New York date with pianist Roland Hanna and drummer Grady Tate. His star rose in the '90s; he was featured on the television program CBS News Sunday Morning and performed at Carnegie Hall and the Lincoln Center in New York. He also played at the first inauguration of President Bill Clinton, played international festivals, and recorded several highly acclaimed CDs. He was also the first inductee of the Oklahoma Jazz Hall of Fame. Entering his ninth decade, Williams was still quite active, venerated by jazz musicians and fans alike. The venerable elder statesman of jazz passed away at the age of 96 in April of 2004. ---Chris Kelsey, All Music Guide |
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