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CD BT Kft. internet bolt - CD, zenei DVD, Blu-Ray lemezek: Shades of Sal Salvador [Japan version] CD

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Shades of Sal Salvador [Japan version]
Sal Salvador
japán
első megjelenés éve: 2008
(2008)

CD
6.116 Ft 

 

IMPORT!
Kosaramba teszem
1.  Delighted
2.  Two Sleepy People
3.  Joe and Me
4.  Flamingo
5.  Carioca
6.  I've Got a Feelin' You're Foolin'
7.  I Hadn't Anyone 'Til You
8.  They Say It's Wonderful
9.  I Got It Bad and That Ain't Good
10.  You're Driving Me Crazy
11.  Took the Spook
Jazz

Sal Salvador - Guitar, Lead
Bill Crow - Bass
Eddie Bert - Trombone
Eddie Costa - Piano, Vibraphone
Jimmy Campbell - Drums
Joe Morello - Drums
John Williams - Piano
Phil Woods - Sax (Alto)
Ralph Martin - Piano
Sonny Dallas - Bass
Tom Hannan - Cover Design



Sal Salvador

Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Nov 21, 1925 in Monson, MA
Died: Sep 22, 1999
Genre: Jazz
Styles: Bop, Cool

A versatile guitarist and onetime head of the guitar department at the University of Bridgeport, Sal Salvador was a capable soloist and accompanist whose single-string style, shaped by his early interest in the music of Charlie Christian, was augmented by extensive studies of guitar technique. Salvador's years of research, playing, and analysis eventually led to his writing guitar methodology books, among them -Sal Salvador's Chord Method for Guitar and -Sal Salvador's Single String Studies for Guitar in the '50s and '60s. He became interested in jazz during his teens, and began playing professionally in Springfield, MA, in 1945. He worked with Terry Gibbs and Mundell Lowe in New York at the end of the '40s, then joined Stan Kenton's orchestra in 1952. Salvador worked with Kenton until the end of 1953, and appeared on the New Concepts of Artistry in Rhythm album. He led bebop bands featuring Eddie Costa and Phil Woods. Salvador was featured in the film Jazz on a Summer's Day and headed a big band in the late '50s and early '60s. He worked in a guitar duo with Alan Hanlon in the early '70s, and began recording again as a leader later in the decade. He re-formed his big band in the '80s, and was named to his position at the University of Bridgeport. Salvador led recordings for Blue Note (1953), Capitol, Bethlehem, Decca, Jazz Unlimited, Dauntless (1963), Bee Hive, GP, and Stash; he died September 22, 1999, at the age of 73.
---Ron Wynn, All Music Guide

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