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Step It!
Bill Connors, Tom Kennedy, Dave Weckl
első megjelenés éve: 1994
(1994)

CD
Kérjen
árajánlatot!
TÖRÖLT!
Kosaramba teszem
1.  Lydia
2.  A Pedal
3.  Step It
4.  Cookies
5.  Brody
6.  Twinkle
7.  Titan
8.  Flickering Lights
Jazz

Bill Connors - Composer, Guitar, Guitar (Electric), Mixing
Dave Weckl - Drums, Mixing
Steve Khan - Guitar, Mixing, Producer
Tom Kennedy - Bass (Electric), Guitar (Bass)

Bill Connors was a member of Chick Corea's Return to Forever. On this date you can feel the R&B and rock elements. The trio includes Dave Weckl on drums, and Tom Kennedy on electric bass.

* David Tan - Photography
* Doug Epstein - Engineer, Mixing, Producer
* Douglas Lichterman - Executive Producer
* Ed O'Connor - Contributor
* Greg Calbi - Mastering
* Jerry Gordon - Reissue Producer
* Mark Rossi - Assistant Engineer
* Victor Deyglio - Assistant Engineer

This session accented the funk/R&B and rock elements of Connors' arsenal; the eight selections were dominated both by drummer Dave Weckl's prominent backbeats and Connors' riffs and dashing licks, as well as catchy hooks, progressions, and patterns from bassist Tom Kennedy. Such songs as "A Pedal," "Brody," and the title cut weren't melodically sophisticated, but had a bass-heavy structure and quick, animated solos. Although the date is a bit old, its qualities prove a perfect fit on several new adult contemporary and lite-jazz outlets.
---Ron Wynn, All Music Guide



Bill Connors

Active Decades: '70s, '80s, '90s and '00s
Born: Sep 24, 1949 in Los Angeles, CA
Genre: Jazz
Styles: Fusion, Post-Bop

Bill Connors' great moment of fame occurred when he was with Chick Corea's Return to Forever during 1973-1974, recording the influential Hymn of the Seventh Galaxy. His decision to leave RTF to concentrate more on acoustic guitar may have been satisfying artistically, but it cut short any chance he had at commercial success. Previously, he had played electric guitar with Mike Nock and Steve Swallow in San Francisco; but his post-1974 work was primarily acoustic, particularly in the 1970s when he recorded a series of atmospheric albums for ECM (including with Jan Garbarek). In the mid-'80s, for Pathfinder, Connors' music became more rock-oriented, but those releases did not make much of an impact despite his talent.
---Scott Yanow, All Music Guide
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