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| 3.141 Ft
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| 1. | I Wish I Could Shimmy Like My Sister Kate
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| 2. | Chigago (That Todding Town)
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| 3. | 'Way Down Younder in New Orleans [from Strut Miss Lizzie] [From "Strut
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| 4. | Nothing But
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| 5. | Loose Feet
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| 6. | Aggravatin' Papa
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| 7. | You Tell Her I Sutter
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| 8. | You've Got to See Mamma Ev'ry Night (Or You Can't See Mamma at All)
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| 9. | Farawell Blues
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| 10. | Snakes Hips
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| 11. | Old King Tut
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| 12. | Barney Google
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| 13. | Henpecked Blues
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| 14. | Long Lost Mamma
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| 15. | Land of Cotton Blues
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| 16. | Mamma Loves Papa
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| 17. | Mama Goes Where Papa Goes
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| 18. | Somebody's Wrong
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| 19. | I'm Sitting Pretty in a Pretty Little City
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| 20. | Learn to Do the Strut [From "Music Box Revue"]
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| 21. | Home Town Blues
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| 22. | You Maybe Fast "But" Your Mamma's Gonna Slow You Down
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| 23. | Shake Your Feet Intro: Swanee River Blues [From Ziegfeld Follies of 1
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| 24. | Old Fashioned Love [From "Runnin Wild"]
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Jazz
The Georgians
Archie Jones - Trombone
Arthur Schutt - Arranger, Piano
Chauncey Morehouse - Drums
Dick Johnson - Clarinet, Sax (Alto), Sax (Tenor)
Frank Guarente - Director, Trumpet
Frank Smith - Clarinet, Sax (Alto), Sax (Soprano), Sax (Tenor)
Joe Tarto - Bass
John O'Donnell - Clarinet, Clarinet (Bass), Sax (Alto)
Ray Stilwell - Trombone
Russ Morgan - Trombone
Russ Morgan & His Orchestra - Trombone
Russell Deppe - Banjo
* Brian Rust - Liner Notes, Material
* Chris Ellis - Compilation
* John R.T. Davies - Audio Restoration, Material, Production Consultant
* Mark Berresford - Liner Notes, Material
* Norman Stevens - Material
* Ron Jewson - Material
The Georgians
Active Decade: '20s
Born: 1922
Died: 1929
Genre: Jazz
Styles: Big Band, Swing, Classic Jazz
The first small group to be drawn out of a big band and exist interdependently was the Virginians, which included members of the Paul Whiteman Orchestra in the early '20s. The second one was the Georgians, musicians who were part of Paul Specht's commercial big band. Based at the Hotel Alamac, each night when the main ballroom closed and the regular job was over, the Georgians performed for dancers at the Alamac's nightclub, the Congo Room. The septet had a talented and versatile trumpet soloist in Frank Guarente, advanced and surprisingly swinging arrangements by pianist Arthur Schutt, two fine reed players among the four horns (which at one point included trombonist Russ Morgan), and a top drummer in Chauncey Morehouse. Starting in December 1922, the Georgians recorded an excellent series of sides (the first 24 of which have been reissued on a Retrieval CD) that lasted into 1924. The Georgians were a hit when they visited England with Specht in 1923. The group broke up in 1924, but Guarante organized a New Georgians band and toured Europe from 1924-1927, recording six titles (under the trumpeter's name) in 1926. Back in the U.S., the name of the Georgians was used for a few unrelated studio recording groups from 1924-1929, including two titles that featured Red Nichols in 1925. British trumpeter Nat Gonella used the Georgians name in the 1930s because of the popularity of his version of "Georgia on My Mind."
--- Scott Yanow, All Music Guide |
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