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| Selected Recordings - Rarum VIII |
| Bobo Stenson |
| első megjelenés éve: 2002 |
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| (2002)
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CD |
| 5.180 Ft
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| 1. | East Print
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| 2. | Svevende
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| 3. | What Reason Could I Give
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| 4. | Oleo de Mujer con Sombrero
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| 5. | Fader V (Father World)
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| 6. | Song
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| 7. | Morning Heavy Song
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| 8. | Golden Rain
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| 9. | Witchi-Tai-To
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| 10. | Reflections in D
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| 11. | [Untitled]
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| 12. | Little Peace
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| 13. | Ahayu-Da
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Jazz
Recordings 1971-1999
Bobo Stenson - Liner Notes, Piano
Bobo Stenson Quartet
Bobo Stenson Trio
Anders Jormin - Double Bass
Anders Kjellberg - Drums
Arild Andersen - Double Bass
Billy Hart - Drums
Don Cherry & Ed Blackwell - Trumpet
Jan Garbarek - Ensemble, Sax (Soprano), Sax (Tenor)
Jon Christensen - Drums
Okay Temiz - Percussion
Palle Danielsson - Double Bass
Tomasz Stanko - Trumpet
Tomasz Stanko Quartet - Ensemble
Tony Oxley - Drums
* Ake Linton - Engineer
* Jan Erik Kongshaug - Engineer
* Jochen Monch - Photography
* Kira Tolkmitt - Photography
* Manfred Eicher - Original Recording Producer
* Ralph Quinke - Photography
* Roberto Masotti - Photography
* W. Patrick Hinely - Photography
Pianist Bobo Stenson's anthology pools a most impressive line-up - including Don Cherry, Charles Lloyd, Tomasz Stanko, and Jan Garbarek - and much deeply-felt playing. In his liner notes, commenting on the broad span of music he has recorded for ECM, Stenson remarks, "Openness and belief in the musicians have always been signatures for this record company." And these are the guiding principles behind the :rarum series, too.
Bobo Stenson's entry in the ECM Rarum series contains 13 tracks, culled from four solo albums and 13 sideman appearances since 1971. (There's a nearly 20-year gap in Stenson's ECM output, from 1975 to 1993.) Though it's presented non-chronologically, this music tells a remarkably coherent story. Stenson found his voice early and stuck with it, no matter who was leading the session. There are three pieces from 2000's Serenity, widely regarded as one of his best efforts (he apparently agrees, for the Rarum programs are entirely artist-chosen). One also hears samples of the pianist's work with Charles Lloyd, Tomasz Stanko, and -- most grippingly -- Don Cherry, who duets with Stenson on Ornette Coleman's "What Reason Could I Give" and is heard in a quintet setting on "Ahayu-Da," the final track from 1993's Dona Nostra. "Svevende" and "Witchi-Tai-To" document Stenson's early-'70s collaborations with Jan Garbarek, in a group that would later morph into Keith Jarrett's famed European quartet. (On "Witchi-Tai-To" Garbarek is wrongly credited on tenor. He plays soprano.) Two wildly contrasting trio covers, of Duke Ellington's "Reflections in D" (1993) and Ornette Coleman's "Untitled" (1971), appear back to back toward the end of the program, revealing the breadth of Stenson's jazz influences.
---David R. Adler, All Music Guide |
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