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| 1. | Aurora en Pekín
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| 2. | Aquí Como Allá
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| 3. | Como Se Goza en el Barrio
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| 4. | Postizo
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| 5. | No Me Llores Más
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| 6. | Los Teenagers Bailan Changui
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| 7. | Fiesta en el Solar
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| 8. | La Vida Es un Sueno
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| 9. | Esclavo Tristé
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| 10. | Choserito Plena
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Jazz
Jazz-Rock
Cuban Jazz
Marc Ribot
Brad Jones - , Bass
E.J. Rodriguez
J.D. Foster - Producer
The mastery and vision of the enduring Marc Ribot shine through on this release. Although there have been many attempts to produce authentic indigenous music of various cultures, most have fallen short; this album succeeds in the wake of failure. Ribot delves deep into Cuban rhythms, and indeed the album is a tribute to the Cuban master Arsenio Rodriguez. Here Ribot finds an authentic Cuban sound employing traditional instrumentation: upright bass, wood blocks, cherke, and other percussion sounds. The performance is inspired, and the band consistently tears through Rodriguez's material, as well as some of their own. Ribot's guitar work nears perfection, and he proves himself to be the most soulful white alive. Songs like "Aqui Como Alla" and "Postizo" confirm these assertions. Although this album does not present the iconoclastic Ribot of The Book of Heads fame, it is an excellent album.
---Marc Gilman, All Music Guide
Marc Ribot
Active Decades: '80s, '90s and '00s
Born: 1954 in Newark, NJ
Genre: Avntg; Jazz
Styles: Avant-Garde, Avant-Garde Jazz, Cuban Jazz, Experimental, Experimental Rock, Film Music, Jazz-Rock, Post-Punk
Eclectic guitarist Marc Ribot has recorded a wide variety of music over his career, working with Elvis Costello and on Tom Waits' Rain Dogs. He has also recorded compositions for classical guitar by Haiti's Franz Casseus, a friend of his parents, and has participated actively in New York City's downtown avant-garde music scene for some time, most notably as a member of the Lounge Lizards. Ribot's solo albums include Rootless Cosmopolitans and Requiem for What's His Name; later Ribot worked with his avant-garde jazz-rock fusion band, Shrek, whose eponymous debut was released in 1994. With a new group, Los Cubanos Postizos, he also issued The Prosthetic Cubans in 1998; Muy Divertido followed two years later. Additionally, Ribot played a major part in initiating the Radical New Jewish Culture Festival in Germany and New York City. Since that time, he has released a bevy of recordings including, among others, Muy Divertido! in 2000, Scelsi Morning in 2003, Asmodeus: The Book of Angels, Vol. 7 in 2007, and Party Intellectuals in 2008.
---Steve Huey, All Music Guide |
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