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DVD video |
| 4.017 Ft
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| 1. | Intro
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| 2. | Pon de Replay
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| 3. | Break It Off
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| 4. | Let Me
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| 5. | Rehab
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| 6. | Breakin' Dishes
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| 7. | Is This Love
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| 8. | Kisses Don't Lie
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| 9. | Scratch
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| 10. | SOS
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| 11. | Good Girl Gone Bad
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| 12. | Hate That I Love You
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| 13. | Unfaithful
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| 14. | Sell Me Candy
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| 15. | Don't Stop the Music
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| 16. | Push Up on Me
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| 17. | Shut Up and Drive
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| 18. | Question Existing
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| 19. | Umbrella
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| 20. | Good Girl Gone Bad: Live DVD Documentary
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Rihanna releases over 90 minutes of live performance footage on her new Good Girl Gone bad Live DVD. this DVD features nineteen, live performances from a December, 2007, sold-out, Manchester, UK show including the #1 hits: Umbrella, SOS, Shut Up and Drive, hate that I Love You and many more!the DVD also features a behind-the-scenes documentary of life on the road with rihanna and a special hidden video. Following the original album, Good Girl Gone Bad: Re- Loaded, which has already been certified double platinum and boasts huge hit singles including: Disturbia, take a bow, Umbrella, hate that I Love You and Don't Stop the Music - this DVD is guaranteed to offer new and exciting content for Rihanna fans. Rihanna is a multi-platinum MTV VMA, Grammy and American Music award winning artist and Cover Girl spokesperson.
When you've released a pair of albums containing a few monster singles and a considerable amount of unsteady, unassured material, why mess around the third time out? From beginning to end, Good Girl Gone Bad is as pop as pop gets in 2007, each one of its 12 songs a potential hit in some territory. Unlike Music of the Sun or A Girl Like Me, neither Caribbean flavorings nor ballad ODs are part of the script, and there isn't an attempt to make something as theatrical as "Unfaithful." There is, however, another '80s hit involved: just as "SOS" appropriated Soft Cell's version of "Tainted Love," "Shut Up and Drive" turns New Order's "Blue Monday" into a sleek, forthcoming proposition, one that is as undeniable and rocking as Sugababes' 2002 U.K. smash "Freak Like Me" (a cover of Adina Howard's 1995 hit that swiped from another '80s single, Gary Numan's "Are Friends Electric?"). "Shut Up and Drive" is part of an all-upbeat opening sequence that carries through five songs. Rihanna knows exactly what she wants and is in total control at all times, even when she's throwing things and proclaiming "I'm a fight a man" amid marching percussion and synthesizers set on "scare" during "Breakin' Dishes." The album's lead song and lead single, "Umbrella," is her best to date, delivering mammoth if spacious drums, a towering backdrop during the chorus, and vocals that are somehow totally convincing without sounding all that impassioned -- an ideal spot between trying too hard and boredom, like she might've been on her 20th take, which only adds to the song's charm. The album's second half is relatively varied and a little heavier on acoustic guitar use, but it's not lacking additional standouts. Three consecutive Timbaland productions, including one suited for a black college marching band and another that effectively pulls the romantically codependent heartstrings, enhance the album rather than make it more scattered. [Def Jam released a 90-minute live concert DVD of Rihanna's Good Girl Gone Bad tour in 2008.]
---Andy Kellman, All Music guide
Rihanna
Active Decade: '00s
Born: Feb 20, 1988 in Saint Michael, Barbados
Genre: R&B
Styles: Dance-Pop, Urban, Dancehall, Tropical
Rihanna established her dance-pop credentials in summer 2005 with her debut smash hit, "Pon de Replay," and continued to demonstrate such hit potential in subsequent years (e.g., "S.O.S.," 2006; "Umbrella," 2007). By the time her third album, Good Girl Gone Bad, arrived in 2007, she was a full-fledged international pop star with a regular presence atop the charts, from Germany to Japan. Born Robyn Rihanna Fenty on February 20, 1988, in Saint Michael, Barbados, she always exhibited a certain star quality, winning beauty and talent contests as a schoolchild. But because she lived on the fairly remote island of Barbados in the West Indies, she never foresaw the sort of stardom that would later befall her.
That stardom came courtesy of a fateful meeting with a man named Evan Rogers. The New Yorker was vacationing in Barbados with his wife, a native of the island, when someone turned him on to Rihanna. Since Rogers had spent years producing pop artists -- including superstars like *NSYNC, Christina Aguilera, Jessica Simpson, Kelly Clarkson, Laura Pausini, and Rod Stewart -- he offered her the opportunity to record some music after he recognized her talent. Along with Rogers' production partner, Carl Sturken (the other half of Syndicated Rhythm Productions), Rihanna recorded several demos that sparked the interest of the Carter Administration -- that is, newly appointed Def Jam president Shawn "Jay-Z" Carter. This led to an audition and, in turn, an on-the-spot offer to sign with Def Jam, which Rihanna indeed inked on the spot.
Come summer 2005, Def Jam rolled out "Pon de Replay," the lead single of Music of the Sun. Produced almost entirely by Rogers and Sturken, the song also synthesized Caribbean rhythms with urban-pop songwriting. "Pon de Replay" caught fire almost immediately, climbing all the way to number two on The Billboard Hot 100 and contesting the half-summer reign of Mariah Carey's "We Belong Together" atop the chart -- this was before Music of the Sun even had been released. The album spawned one other hit, "If It's Lovin' That You Want," which broke the Top 40. Rihanna's follow-up album, A Girl Like Me, was a greater success, spawning three big singles: a chart-topper ("S.O.S.") and two Top Tens ("Unfaithful," "Break It Off").
Rihanna's third album, Good Girl Gone Bad (2007), continued her success and, more notably, signaled a change of direction. Whereas her past two albums had been imbalanced -- often weighed down by faceless balladry and canned Caribbean-isms -- Good Girl Gone Bad was a first-rate dance-pop album. Moreover, it was surprisingly solid, stacked with several chart-topping singles and boasting collaborations with Jay-Z, Ne-Yo, Timbaland, and StarGate. The lead single, "Umbrella," shot to number one and, for the third year in a row, was a potential "song of the summer." By this point it was clear that Rihanna had become one of the biggest singles artists of the mid-2000s.
---Jason Birchmeier, All Music Guide |
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