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Bridge over Troubled Water |
Paul Desmond |
első megjelenés éve: 2008 |
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 CD |
4.017 Ft
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1. | El Condor Pasa
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2. | So Long, Frank Lloyd Wright
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3. | The 59th Street Bridge Song (Feelin' Groovy)
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4. | Mrs. Robinson
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5. | Old Friends
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6. | America
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7. | For Emily, Whenever I May Find Her
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8. | Scarborough Fair/Canticle
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9. | Cecilia
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10. | Bridge Over Troubled Water
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Jazz
Paul Desmond - Sax (Alto) Airto Moreira - Drums Bill Lavorgna - Drums Gene Bertoncini - Guitar Herbie Hancock - Piano (Electric) Jerry Jemmott - Bass João Palma - Drums Ron Carter - Bass Sam Brown - Guitar Sam T. Brown - Guitar
* Andy McKaie - Reissue Supervisor * Cameron Mizell - Production Coordination * Don Sebesky - Producer * Erick Labson - Mastering * Hollis King - Art Direction * Isabelle Wong - Package Design * Tom Wilkes - Art Direction
Simon and Garfunkel's Bridge Over Troubled Water was the hottest album in the land in 1970, and Paul Simon's tunes from that and their earlier albums unexpectedly find a congenial advocate in Paul Desmond. Against the odds as determined by bopsters, Desmond finds something beautiful, wistful, and/or sly to say in each of these ten tunes, backed by Herbie Hancock's Rhodes electric piano and a set of ravishing, occasionally overstated (as in "America") orchestrations by Don Sebesky. "The 59th Street Bridge Song" is given a jaunty, carefree rendition, adapting quite well to a jazz treatment (after all, Desmond's old teammate in the Brubeck quartet Joe Morello played drums on S&G's original record) and Desmond even does some cascading overdubs on his solo part. "Cecilia" is a fast samba, Desmond cleverly works his old "Sacre Blues" into the solo on "El Condor Pasa," and the title track has a breathtakingly pretty fadeout. Hancock's solos often reflect where he was personally at in 1970, with ideas transferred from his progressive electric Sextet. This is a Creed Taylor production in all but name; the sound, track editing, and production values are right in line with the A&M CTI line, but Sebesky is listed as producer, Taylor having recently severed his ties with A&M to form his own label. ---Richard S. Ginell, All Music Guide |
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