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| 3.700 Ft
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| 1. | Get Your Kicks [
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| 2. | Wiggle Wiggle Boogie
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| 3. | Don't Slam the Door [
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| 4. | Don't Forget I'm a Married Man [
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| 5. | Let's Get Vootin' [
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| 6. | S.H. Blues
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| 7. | Don't Keep Me Waiting
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| 8. | H.D. Blues (Hot Dog Blues)
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| 9. | Oo Wee Baby, Oo Wee
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| 10. | Lottery Blues
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| 11. | Blues in the Background
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| 12. | Boogie Man Blues
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| 13. | Don't Fall in Love With Me, Baby
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| 14. | Fool Hearted Woman
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| 15. | Not Worth a Dime
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| 16. | Mama Bear Blues
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| 17. | Woman's Blues, Pt. 1
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| 18. | Woman's Blues, Pt. 2
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| 19. | Homecoming Blues
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| 20. | Blues in the Background [Alternate Take]
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Jazz
Duke Henderson - Vocals
Bob Mosley - Piano
Charles Mingus - Bass
Frank Clarke - Bass
Gene Phillips - Guitar
Gene Porter - Clarinet
George "Happy" Johnson - Tambourine, Trombone
Jack McVea - Sax (Baritone), Sax (Tenor)
Jesse Purdue - Trumpet
Jewell L. Grant - Sax (Alto)
Karl George - Trumpet
Lee Young - Drums
Leonidas Raymond "Lee" Young - Drums
Lucky Thompson - Guitar, Sax (Tenor)
Marshall Royal - Clarinet, Sax (Alto)
Rabon Tarrant - Drums
Shifty Henry - Bass
Shifty Henry's All-Stars
Teddy Buckner - Trumpet
Wilbert Barranco - Piano
Wild Bill Moore - Sax (Tenor)
* Al Brandtner - Design, Illustrations
* Kathryn Lynch - Art Direction
* Kirk Silsbee - Liner Notes
* Robert G. Koester - Producer
* Steve Wagner - Producer, Production Technician
Blues shouter Henderson was quite a popular jump blues singer on the postwar L.A. scene. His 1945 output for Apollo, collected here, rates with his best; backed by top-drawer sidemen including saxists Lucky Thompson, Wild Bill Moore, and Jack McVea and guitarist Gene Phillips, Henderson's pipes convey the proper party spirit on these 20 swinging sides.
---Bill Dahl, All Music Guide
Duke Henderson
Active Decades: '40s and '50s
Genre: Jazz
Styles: West Coast Blues
For a guy with as voluminous a discography as Los Angeles shouter Duke Henderson, one would think someone might possess concrete biographical information about the guy. No such luck.
Henderson got his start as a recording artist with Apollo Records, a New York firm that sent a rep to Los Angeles in 1945 with the intention of recording blues. Tenor saxist Jack McVea recommended Henderson, who ended up cutting three Apollo dates that year with backing from some of L.A.'s finest sessioneers: saxists Wild Bill Moore, Lucky Thompson, and McVea, guitarist Gene Phillips, bassists Shifty Henry and Charlie Mingus, and drummers Lee Young and Rabon Tarrant.
Swinging as they were, Henderson's Apollo platters failed to sell in sufficient quantities to extend his contract. Thus began a label-hopping odyssey from Globe to Down Beat/Swing Time to Specialty to Modern to Imperial and finally to Flair, where he exhibited a knowledge of then-current sexual trends with his "Hey Mr. Kinsey" (issued as by Big Duke in 1953). Later, Henderson renounced his wicked blues-shouting past, sending the L.A. sanctified set as Brother Henderson, a minister and gospel deejay broadcasting for a time over XERB (the same powerful south-of-the-border frequency that Wolfman Jack dominated).
---Bill Dahl, All Music Guide |
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