  |
|
|
 |
|
CD |
| 4.701 Ft
|
|
| 1. | Presidential Sax
|
| 2. | Paulo
|
| 3. | Street of Dreams
|
| 4. | One for Monterey
|
| 5. | Sarah
|
| 6. | Volare
|
| 7. | We Belong Together
|
| 8. | Festival de Samba
|
| 9. | A Foreign Affair
|
| 10. | Little Darlin'
|
| 11. | Park & Ride
|
Jazz
Richie Cole - Composer, Sax (Alto)
Dick Hindman - Composer, Piano
Frank Passantino - Bass
Henry Johnson - Associate Producer, Guitar, Producer
Rich Kuhns - Piano, Synthesizer
Scott Morris - Drums, Percussion
Seward McCain - Bass
* Carroll Coates - Composer, Producer
* Christian Jones - Assistant Engineer, Engineer
* Dave Love - Executive Producer, Producer
* Donald Baker - Design, Illustrations
* Jonathan Wyner - Mastering
* Neal Hefti - Composer
* Oliver Di Cicco - Engineer
* Parish - , Composer
* S. Lewis - Composer
* Tom Waits - Composer
* Victor Young - Composer
Profile was Cole's first recording in four years, and it found the altoist's sound and style virtually unchanged from the earlier days. Joined by a superior rhythm section that includes pianist Dick Hindman and guitarist Henry Johnson, Cole is in top form on diverse material ranging from his original "Presidential Sax" and the lyrical "Street of Dreams" to three Carroll Coates originals and the pop tune "Volare." It's a particularly uplifting bop session.
--- Scott Yanow, All Music Guide
Richie Cole
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Feb 29, 1948 in Trenton, NJ
Genre: Jazz
Styles: Bop
Back in the mid-'70s, when bebop was being greatly overshadowed by fusion, Richie Cole showed that not only was bop not old-fashioned, but it could be quite fun. His Alto Madness was essentially the idea that any tune, no matter how unlikely its source, could be turned into exuberant bop. Through the years, he has successfully recorded such songs as "The I Love Lucy Theme," "Holiday for Strings," "Horray for Hollywood," "The White Cliffs of Dover," "Come Fly With Me," "The Star Trek Theme," and even "La Bamba." Influenced by Phil Woods and Charlie Parker, Richie Cole heard jazz from an early age because his father owned a jazz club in New Jersey. He started on alto when he was ten, attended Berklee for two years, and joined Buddy Rich's big band in 1969. After a stint with Lionel Hampton, Cole formed his own group, doing a great deal to popularize bebop in the 1970s. Some of his finest recordings were his early ones for Muse, during a period when he often teamed up with singer Eddie Jefferson. His humor sometimes left critics cold, but Cole was one of the top bop-oriented players of the 1980s, and his Heads Up releases of the '90s (after a few years off the scene) are excellent.
---Scott Yanow, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
