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| 3.297 Ft
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| 1. | Afternoon in a Doghouse
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| 2. | Surgery
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| 3. | Athlete's Foot
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| 4. | Lockjaw
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| 5. | Red Pepper
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| 6. | Maternity
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| 7. | Just a Mystery
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| 8. | Spinal
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| 9. | Hollerin' and Screamin'
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| 10. | Fracture
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| 11. | Stealing Trash
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| 12. | Callin' Dr. Jazz
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| 13. | Foxy
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| 14. | Sheila
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| 15. | Licks a Plenty
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| 16. | Minton's Madhouse
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| 17. | Music Goes Down Around
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| 18. | Real Gone Guy
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| 19. | But Beautiful
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| 20. | Raven' at the Haven
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| 21. | Lockjaw's Bounce
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| 22. | Huckle Bug
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| 23. | Leaping' on Lenox
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Jazz
Eddie "Lockjaw" Davis
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Mar 02, 1922 in New York, NY
Died: Nov 03, 1986 in Culver City, CA
Genre: Jazz
Styles: Bop, Swing, Soul-Jazz, Latin Jazz, Hard Bop
Possessor of a cutting and immediately identifiable tough tenor tone, Eddie "Lockjaw" Davis could hold his own in a saxophone battle with anyone. Early on, he picked up experience playing with the bands of Cootie Williams (1942-1944), Lucky Millinder, Andy Kirk (1945-1946), and Louis Armstrong. He began heading his own groups from 1946 and Davis' earliest recordings as a leader tended to be explosive R&B affairs with plenty of screaming from his horn; he matched wits successfully with Fats Navarro on one session. Davis was with Count Basie's Orchestra on several occasional (including 1952-1953, 1957, and 1964-1973) and teamed up with Shirley Scott's trio during 1955-1960. During 1960-1962, he collaborated in some exciting performances and recordings with Johnny Griffin, a fellow tenor who was just as combative as Davis. After temporarily retiring to become a booking agent (1963-1964), Davis rejoined Basie. In his later years, Lockjaw often recorded with Harry "Sweets" Edison and he remained a busy soloist up until his death. Through the decades, he recorded as a leader for many labels, including Savoy, Apollo, Roost, King, Roulette, Prestige/Jazzland/Moodsville, RCA, Storyville, MPS, Black & Blue, Spotlite, SteepleChase, Pablo, Muse, and Enja.
--- Scott Yanow, All Music Guide |
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