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CD |
| 5.000 Ft
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| 1. | Flare Up
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| 2. | Go West
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| 3. | Where Fortune Smiles
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| 4. | Scarlet Mine
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| 5. | Third Road
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| 6. | Flow Stream Flow
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| 7. | The Other Side
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| 8. | Rolly's Tune
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| 9. | Fools Play
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Jazz
Harry Beckett - Arranger, Flugelhorn, Trumpet
Alan Skidmore - Sax (Tenor), Soprano
Frank Ricotti - Conga, Vibraphone
John Surman - Arranger, Baritone, Soprano
* David Voyde - Engineer
* Graham Collier - Arranger
* Terry Brown - Producer
Flare Up is the debut album by Caribbean trumpet player Harry Beckett. It remains an occasion to celebrate decades after its initial release during the golden age of British jazz. Beckett had been a member of the various big bands of the era, such as Graham Collier's, Mike Westbrook's, and John Surman's, preparing him well for this first date as a leader. It does take some cues from the late Miles Davis Quintet sides like Filles de Kilimanjaro and Directions, but it's also funkier, brighter, and freer simultaneously, owing to the great explorations in improvisation taking place in Great Britain and in Europe in general, as well as the late-era modal jazz of Miles. The lineup on this session is quite impressive: the triple-sax front line is comprised of Surman, Alan Skidmore, and Mike Osborne, with Chris Laurence and John Webb on bass and drums alternately, Frank Ricotti on vibes and congas, and John Taylor's uncredited Fender Rhodes piano. Beckett composed four of these pieces, Collier another four, and Surman (who had been flown in from Belgium for the date) one. The feel is brash in places, but there are grooves even in the more abstract spaces of tunes such as "Go West" and "The Other Side." With a three-sax front line, Beckett is uncaged to roam throughout the arrangement and accent the gritty and gruff, making his horn both a seductively mysterious element as well as a more elaborate extension of the rhythm section -- and Webb's drumming in places is absolutely unhinged (check the Beckett pieces like the title track and "Flow Stream Flow," as well as Surman's signature piece, "When Fortune Smiles"). This date was reissued by Jazzprint in 2005, and contains brilliant liner notes by noted British critic Richard Williams. This is essential for anyone interested in British jazz from its most creative period.
--- Thom Jurek, All Music Guide
Harry Beckett
Active Decades: '60s, '70s, '80s and '90s
Born: May 30, 1935 in Bridgetown, Barbados
Genre: Jazz
Styles: Avant-Garde, Post-Bop, Avant-Garde Jazz
As fierce and fiery as any trumpet and flugelhorn stylist, yet also capable of a shimmering lyricism, Barbados' Harry Beckett has been part of Britian's jazz scene since the '50s. He moved to England in 1954, then joined Graham Collier's band in the early '60s, remaining with it until 1977. Beckett was featured in the film "All Night Long" with Charles Mingus in 1961. He also worked with Mike Westbrook's orchestra and Chris McGregor's Brotherhood of Breath. Beckett played with the big bands of Neil Ardley, Mike Gibbs, and John Warren, and was part of the London Jazz Composer's Orchestra. He also was a member of small combos led by Tony Oxley, John Surman, and Ray Russell. Beckett played with the Stan Tracey Octet in the mid-'70s, and also worked with Elton Dean and Zila, a group led by Dudu Pukwana. He's recorded as a leader for Ogun, Paladin, RCA and Phillips. Beckett currently has no sessions available on CD in America.
---Ron Wynn, All Music Guide |
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