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CD |
| 4.401 Ft
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| 1. | Fuego en Mi Alma (Fire in My Soul)
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| 2. | Catch Me If You Can
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| 3. | Eternal Justice
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| 4. | Little Sunflower
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| 5. | U R D 1 4 Me
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| 6. | Love Thy Neighbor
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| 7. | Mystic Moon
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| 8. | Shalome
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Jazz
Carlos Garnett - Sax (Tenor)
Brad Jones - Bass
Carlton Holmes - Piano
Neil Clarke - Percussion
Shingo Okudaira - Drums
Coltrane-inspired with a Latin tinge, demonstrating his Panamanian heritage, Garnett is a creative improviser and an innovative composer.
* Don Sickler - Producer
* Hal Wilson - Art Direction, Design
* Harvey Pekar - Liner Notes
* J. Flint - Photography
* Mike Brourby - Engineer
* R. Andrew Lepley - Photography
Carlos Garnett made his biggest impact in the late '60s and 1970s, when his intense tenor playing was heard on recordings by Art Blakey, Miles Davis and Norman Connors. Garnett spent a lot of time off the scene in the 1980s but emerged in the '90s in fine form, if a bit more conservative. For this 1996 CD, Garnett is joined by pianist Carlton Holmes, bassist Brad Jones and drummer Shingo Okudaira, playing mostly originals (plus Freddie Hubbard's "Little Sunflower") that are spiritually linked to the music of the John Coltrane Quartet. Fortunately, the musicians do not attempt to sound like their predecessors; Garnett has an original tone of his own, and the improvising has its subtle surprises. Worth checking out.
---Scott Yanow, All Music Guide
Carlos Garnett
Active Decades: '70s, '80s, '90s and '00s
Born: Dec 01, 1938 in Red Tank, Panama Canal Zone
Genre: Jazz
Styles: Avant-Garde, Post-Bop, Hard Bop, Avant-Garde Jazz
An intense tenor soloist, Carlos Garnett seemed to largely disappear from jazz after the late '70s, but re-emerged 20 years later playing better than ever. He grew up in Panama, started playing tenor in 1957, and early on performed calypso and Latin music. In 1962, Garnett moved to New York, working with rock groups and struggling a bit, but listening closely to the free jazz saxophonists. He gained some recognition for his work with Freddie Hubbard (1968-1969), Art Blakey's Jazz Messengers (1969-1970), and Charles Mingus, and had an important stint with Miles Davis in 1972. Garnett also worked with Jack McDuff, Andrew Hill, Gary Bartz, and Norman Connors during the era and recorded five albums of his own for Muse during 1974-1977 that ranged from exploratory music to attempts at commercialism. Carlos Garnett was musically inactive during much of the 1980s, but started a comeback in 1991. In 1996, he made one of his finest albums (Fuego en Mi Alma, for the HighNote label) in a style little changed since the '70s.
---Scott Yanow, All Music Guide |
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