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Kérjen
árajánlatot! |
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| 1. | Heritage Hum
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| 2. | Invitation
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| 3. | Sound For Sore Ears
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| 4. | Gap Sealer
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| 5. | Angel Man
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| 6. | Alkebu Lan (Land Of The Blacks)
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| 7. | One For Juan
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| 8. | Heads Up Feet Down
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| 9. | Far Away Lands
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| 10. | Smilin' Billy
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| 11. | Gemini
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Jazz
Jimmy Heath - Flute, Sax (Soprano), Sax (Tenor)
Albert "Tootie" Heath - Drums
Some of Heath's finest, most aggressive playing. He is a standout on soprano, flute, and tenor.
---Ron Wynn, All Music Guide
Jimmy Heath
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Oct 25, 1926 in Philadelphia, PA
Genre: Jazz
Styles: Post-Bop, Hard Bop, Modern Big Band, Mainstream Jazz
The middle of the three Heath Brothers, Jimmy Heath has a distinctive sound on tenor, is a fluid player on soprano and flute, and a very talented arranger/composer whose originals include "C.T.A." and "Gingerbread Boy." He was originally an altoist, playing with Howard McGhee during 1947-1948 and the Dizzy Gillespie big band (1949-1950). Called "Little Bird" because of the similarity in his playing to Charlie Parker, Heath switched to tenor in the early '50s. Although out of action for a few years due to "personal problems," Heath wrote for Chet Baker and Art Blakey during 1956-1957. Back in action in 1959, he worked with Miles Davis briefly that year, in addition to Kenny Dorham and Gil Evans, and started a string of impressive recordings for Riverside. In the 1960s, Heath frequently teamed up with Milt Jackson and Art Farmer, and he also worked as an educator and a freelance arranger. During 1975-1982, Jimmy Heath teamed up with brothers Percy and Tootie in the Heath Brothers, and since then has remained active as a saxophonist and writer. In addition to his earlier Riverside dates, Jimmy Heath has recorded as a leader for Cobblestone, Muse, Xanadu, Landmark, and Verve.
---Scott Yanow, All Music Guide |
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