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4.100 Ft
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1. | C'est Si Bon (It's So Good)
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2. | Domino
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3. | Mam'selle
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4. | The Last Time I Saw Paris
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5. | Pigalle
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6. | Song From"Moulin Rouge" (Where Is Your Heart)
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7. | Darling, Je Vous Aime Beaucoup
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8. | Petite Fleur
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9. | My Man (Mon Homme)
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10. | I Kiss Your Hand, Madame
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11. | Comme Çi, Comme Ça
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12. | I Love Paris
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13. | Alexander's Ragtime Band
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14. | Basin Street Blues
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15. | Jazz Me Blues
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16. | Beale Street Blues
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17. | If I Could Be With You (One Hour Tonight)
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18. | Royal Garden Blues
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19. | At the Jazz Band Ball
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20. | Muskrat Ramble
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21. | Margie
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22. | St. Louis Blues
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23. | Daddy's Got the Gleeks
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24. | When the Saints Go Marching In
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25. | One O'Clock Jump
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26. | Man With a Horn
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27. | You Came a Long Way From St. Louis
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28. | Back Home Again in Indiana
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Jazz
Charlie Shavers (tp) Oliver Jackson (d), Aaron Bell or Tommy Bryant (b), Ray Bryant (p)
Tracks #1-12: Charlie Shavers (tp), Oliver Jackson (d), Aaron Bell (b), Ray Bryant (p). NYC, 1958-1959 #13-24: Charlie Shavers (tp, vcl), Oliver Jackson (d), Tommy Bryant (b), Ray Bryant (p). NYC, 1958-1959 #25-28: Charlie Shavers (tp, vcl) acc by unknown p, b and d. Paris, ca 1964
Contains: - "Charlie digs Paree" (complete LP) - "Charlie digs Dixie" (complete LP) - "At Le Crazy Horse Saloon" (4 tracks) Pure and simple genius from trumpeter Charlie Shavers -- a player with a sweet tone and a fluid groove -- stepping out here with great accompaniment from pianist Ray Bryant! The CD brings together work from the albums Charlie Digs Paree and Charlie Digs Dixie -- both originally recorded for MGM Records in the late 50s, and done in a clean, uncluttered style that really brought a strong focus to Shaver's solos, but also gave some excellent rhythmic support from Bryant -- working here at the height of his early powers, in a mode that's clearly relaxed enough to get with the spirit of each different session. Shavers plays in a mostly-muted style on the first set, and with a more open horn on the second -- and titles include "Domino", "Petite Fleur", "The Last Time I Saw Paris", "Pigalle", "Jazz Me Blues", "Comme Ci Comme Ca", "Muskrat Rumble", "Daddy's Got The Gleeks", and "At The Jazz Band Ball". Added to the CD are 4 tracks from the Le Crazy Horse album -- featuring Shavers on trumpet and vocal with an unknown French group -- on titles that include "Man With A Horn", "One O'Clock Jump", and "Back Home Again In Indiana". (4 tracks are from ' At Le Crazy Horse Saloon')
Charlie Shavers was one of the greatest jazz trumpeters of all time. He had brilliant technique, a very wide range, his own sound, a witty and swinging style, and gave the impression that he could play anything. Over five CDs, the Lone Hill label has reissued most of Shavers' recordings as a leader from 1954-1964, just skipping an album for Capitol, live sets put out by Hep and Spotlight, a Storyville date and two albums released by Vogue. Complete Recordings, Vol. 1 is a perfect place to start, because this CD reissues a set of French-associated songs (from the album Charlie Digs Paree), an exciting and successful program of Dixieland tunes (from Charlie Digs Dixie) and four numbers from the trumpeter's At Le Crazy Horse Saloon, an album whose contents are split between three CDs in this series. Shavers is heard throughout as the only horn in a quartet, with pianist Ray Bryant on all but the Crazy Horse selections. Sometimes the rhythm section provides a shuffle rhythm (à la Jonah Jones) while at other times they swing conventionally. It is particularly fun to hear the trumpeter tear into the Dixieland repertoire. Shavers is the star throughout and was at the peak of his remarkable powers during this period. It is a pity that he is largely forgotten today, for he was a truly remarkable player. --- Scott Yanow, All Music Guide
Charlie Shavers
Active Decades: '30s, '40s, '50s, '60s and '70s Born: Aug 03, 1917 in New York, NY Died: Jul 08, 1971 in New York, NY Genre: Jazz Styles: Bop, Mainstream Jazz, Swing, Trad Jazz
Charlie Shavers was one of the great trumpeters to emerge during the swing era, a virtuoso with an open-minded and extroverted style along with a strong sense of humor. He originally played piano and banjo before switching to trumpet, and he developed very quickly. In 1935, he was with Tiny Bradshaw's band and two years later he joined Lucky Millinder's big band. Soon afterward he became a key member of John Kirby's Sextet where he showed his versatility by mostly playing crisp solos while muted. Shavers was in demand for recording sessions and participated on notable dates with New Orleans jazz pioneers Johnny Dodds, Jimmy Noone, and Sidney Bechet. He also had many opportunities to write arrangements for Kirby and had a major hit with his composition "Undecided." After leaving Kirby in 1944, Charlie Shavers worked for a year with Raymond Scott's CBS staff orchestra, and then was an important part of Tommy Dorsey's Orchestra from 1945 until past TD's death in 1956. Although well-featured, this association kept Shavers out of the spotlight of jazz, but fortunately he did have occasional vacations in which he recorded with the Metronome All-Stars and toured with Jazz at the Philharmonic; at the latter's concerts in 1953, Shaver's trumpet battles with Roy Eldridge were quite exciting. After Dorsey's death, Shavers often led his own quartet although he came back to the ghost band from time to time. During the 1960s, his range and technique gradually faded, and Charlie Shavers died from throat cancer in 1971 at the age of 53. ---Scott Yanow, All Music Guide |
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