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Tiger Rag! & All That Jazz
Eddie Condon All Stars, Eddie Condon
első megjelenés éve: 2005
(2005)

CD
4.300 Ft 

 

IMPORT!
Kosaramba teszem
1.  Tiger Rag
2.  Sensation Rag
3.  Livery Stable Blues
4.  Lazy Daddy
5.  Bluin' the Blues
6.  Ostrich Walk
7.  Reisenweber Rag
8.  Lazy River
9.  Nasty Blues [*]
10.  Satanic Blues [*]
11.  Clarinet Marmalade [*]
12.  Skeleton Jungle [*]
Jazz

Eddie Condon - Banjo, Group Member, Guitar
Bud Freeman - Group Member, Sax (Tenor)
Cutty Cutshall - Group Member, Trombone
Gene Schroeder - Group Member, Piano
George Wettling - Drums, Group Member
Herb Hall - Clarinet, Group Member
Leonard Gaskin - Bass, Group Member
Rex Stewart - Cornet, Group Member

* David Angilello - Art Direction
* Jerry Roche - Reissue Producer
* Mantis Evar - Remastering
* Odea Murphy - Transfers
* Richard Bock - Original Engineering, Producer
* Scott Wenzel - Liner Notes
* William Claxton - Photography

One of the lesser-known Eddie Condon groups is the one he led in 1958 that featured cornetist Rex Stewart. Of their three albums, this rare World Pacific LP is the most rewarding, featuring the group on eight mostly heated stomps including seven tunes recorded decades earlier by the original Dixieland Jazz Band. With the exception of some animal imitations on "Livery Stable Blues," there is no attempt to recreate the past and the songs are used as a good excuse for some colorful jamming. In addition to Stewart, trombonist Cutty Cutshall, Bud Freeman on tenor, clarinetist Herb Hall, pianist Gene Schroeder, bassist Leonard Gaskin, drummer George Wettling and the guitarist/leader are heard from but the fiery cornetist generally takes solo honors.
---Scott Yanow, All Music Guide



Eddie Condon

Active Decades: '20s, '30s, '40s, '50s, '60s and '70s
Born: Nov 16, 1905 in Goodland, IN
Died: Aug 04, 1973 in New York, NY
Genre: Jazz
Styles: Big Band, Classic Jazz, Dixieland, Swing

A major propagandist for freewheeling Chicago jazz, an underrated rhythm guitarist, and a talented wisecracker, Eddie Condon's main importance to jazz was not so much through his own playing as in his ability to gather together large groups of all-stars and produce exciting, spontaneous, and very coherent music.
Condon started out playing banjo with Hollis Peavey's Jazz Bandits when he was 17, he worked with members of the famed Austin High School Gang in the 1920s, and in 1927 he co-led (with Red McKenzie) the McKenzie-Condon Chicagoans on a record date that helped define Chicago jazz (and featured Jimmy McPartland, Jimmy Teschemacher, Joe Sullivan, and Gene Krupa). After organizing some other record sessions, Condon switched to guitar, moved to New York in 1929, worked with Red Nichols' Five Pennies and Red McKenzie's Blue Blowers, and recorded in several settings, including with Louis Armstrong (1929) and the Rhythm Makers (1932). During 1936-1937, he co-led a band with Joe Marsala.
Although Condon had to an extent laid low since the beginning of the Depression, in 1938, with the opportunity to lead some sessions for the new Commodore label, he became a major name. Playing nightly at Nick's (1937-1944), Condon utilized top musicians in racially mixed groups. He started a long series of exciting recordings (which really continued on several labels up until his death), and his Town Hall concerts of 1944-1945 (which were broadcast weekly on the radio) were consistently brilliant and gave him an opportunity to show his verbal acid wit; the Jazzology label reissued them complete and in chronological order. Condon opened his own club in 1945, recorded for Columbia in the 1950s (all of those records have been made available by Mosaic on a limited-edition box set), and wrote three colorful books, including his 1948 memoirs -We Called It Music. A partial list of the classic musicians who performed and recorded often with Condon include trumpeters/ cornetists Wild Bill Davison, Max Kaminsky, Billy Butterfield, Bobby Hackett, Rex Stewart, and Hot Lips Page; trombonists Jack Teagarden, Lou McGarity, Cutty Cutshall, George Brunies, and Vic Dickenson; clarinetists Pee Wee Russell, Edmond Hall, Joe Marsala, Peanuts Hucko, and Bob Wilbur; Bud Freeman on tenor; baritonist Ernie Caceres; pianists Gene Schroeder, Joe Sullivan, Jess Stacy, and Ralph Sutton; drummers George Wettling, Dave Tough, and Gene Krupa; a string of bassists; and singer Lee Wiley. Many Eddie Condon records are currently available, and no jazz collection is complete without at least a healthy sampling.
---Scott Yanow, All Music Guide

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