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The Town Hall Concerts, Volume Nine [ ÉLŐ ] |
Eddie Condon |
első megjelenés éve: 1994 |
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(1994)
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 2 x CD |
6.400 Ft
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1. CD tartalma: |
1. | Concert 34, January 13, 1945/ Ritz Theatre, New York City Se (29:06:)
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2. | Body and Soul
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3. | Rose Room
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4. | Monday Date
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5. | At the Jazz Band Ball
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6. | How Long Has This Been Going On?
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7. | Impromptu Ensemble
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8. | Jazz Me Blues
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9. | Lee Wiley Announces the Down Beat Award Presented :46
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10. | Smoke Gets in Your Eyes
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11. | Lee Wiley Announces the Down Beat to Pee Wee Russell
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12. | At Sundown
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13. | Rosetta
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14. | Lee Wiley Announces the Down Beat Award Presented
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15. | Dear Old Southland
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16. | The Sheik of Araby
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17. | Don't Blame Me
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18. | Impromptu Ensemble
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2. CD tartalma: |
1. | St. Louis Blues
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2. | Al Jarvis' Hollywood Poll
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3. | Blues Around My Head
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4. | (Back Home Again In) Indiana
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5. | It's the Talk of the Town
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6. | Back in Your Own Backyard
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7. | I Don't Stand a Ghost of a Chance With You
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8. | Impromptu Ensemble
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9. | It's Been So Long
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10. | Sweet Lorraine
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11. | Sunday
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12. | Don't Get Around Much Anymore
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13. | Alice Blue Gown
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14. | My Blue Heaven
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15. | How Long Has This Been Going On?
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16. | Impromptu Ensemble
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Jazz
Eddie Condon - Banjo, Guitar, MC Billy Butterfield - Trumpet Butterfeild - Performer Butterfield - Performer Caceres - Performer Cary - Performer Davison - Performer Dick Cary - Arranger, Trumpet Dorsey Sapnier - Performer Earl Hines - Piano Ernie Caceres - Clarinet, Sax (Baritone) Fred Robbins - Announcer George Wettling - Drums Hall - Performer Herman Woody - Performer Hines - Performer Jess Stacy - Piano Joe Marsala - Clarinet Kaminsky - Performer Kaminsky, McGarity, Hall, Caceres - Performer Lee Wiley - Vocals Max Kaminsky - Trumpet McGarity - Performer Muggsy Spanier - Cornet Pee Wee Russell - Clarinet Red McKenzie - Vocals Russell - Performer Schroeder - Piano Sid Weiss - Bass Sidney Bechet - Sax (Soprano) Stacy - Performer Weiss - Performer, Performer Wettling - Performer Woody Herman - Clarinet, Vocals
* Dick Charles - Audio Engineer * Ernie Anderson - Producer * Jack Bland - Director
Eddie Condon certainly had good taste in musicians. On his legendary Town Hall Concert series (a regular weekly half-hour radio program reissued by Jazzology on double CDs), he showcased some of the very best New Orleans and Chicago-style players, musicians who in some cases were quite happy to get away from their regular gigs within the confines of a big band and get a rare chance to stretch out. Volume 9 has four half-hour shows and the usual remarkable lineup of players: trumpeters Billy Butterfield, Wild Bill Davison (the latter making his debut on the show), Max Kaminsky and Muggsy Spanier, trombonists Tommy Dorsey and Lou McGarity, Sidney Bechet on soprano, baritonist Ernie Caceres, clarinetists Pee Wee Russell, Edmond Hall, Joe Marsala and Woody Herman, pianists Earl Hines, Dick Cary, Gene Schroeder and Jess Stacy, bassist Sid Weiss, drummer George Wettling and singers Red McKenzie and Lee Wiley. The music lives up to its potential. ---Scott Yanow, All Music Guide
Eddie Condon
Active Decades: '20s, '30s, '40s, '50s, '60s and '70s Born: Nov 16, 1905 in Goodland, IN Died: Aug 04, 1973 in New York, NY Genre: Jazz Styles: Big Band, Classic Jazz, Dixieland, Swing
A major propagandist for freewheeling Chicago jazz, an underrated rhythm guitarist, and a talented wisecracker, Eddie Condon's main importance to jazz was not so much through his own playing as in his ability to gather together large groups of all-stars and produce exciting, spontaneous, and very coherent music. Condon started out playing banjo with Hollis Peavey's Jazz Bandits when he was 17, he worked with members of the famed Austin High School Gang in the 1920s, and in 1927 he co-led (with Red McKenzie) the McKenzie-Condon Chicagoans on a record date that helped define Chicago jazz (and featured Jimmy McPartland, Jimmy Teschemacher, Joe Sullivan, and Gene Krupa). After organizing some other record sessions, Condon switched to guitar, moved to New York in 1929, worked with Red Nichols' Five Pennies and Red McKenzie's Blue Blowers, and recorded in several settings, including with Louis Armstrong (1929) and the Rhythm Makers (1932). During 1936-1937, he co-led a band with Joe Marsala. Although Condon had to an extent laid low since the beginning of the Depression, in 1938, with the opportunity to lead some sessions for the new Commodore label, he became a major name. Playing nightly at Nick's (1937-1944), Condon utilized top musicians in racially mixed groups. He started a long series of exciting recordings (which really continued on several labels up until his death), and his Town Hall concerts of 1944-1945 (which were broadcast weekly on the radio) were consistently brilliant and gave him an opportunity to show his verbal acid wit; the Jazzology label reissued them complete and in chronological order. Condon opened his own club in 1945, recorded for Columbia in the 1950s (all of those records have been made available by Mosaic on a limited-edition box set), and wrote three colorful books, including his 1948 memoirs -We Called It Music. A partial list of the classic musicians who performed and recorded often with Condon include trumpeters/ cornetists Wild Bill Davison, Max Kaminsky, Billy Butterfield, Bobby Hackett, Rex Stewart, and Hot Lips Page; trombonists Jack Teagarden, Lou McGarity, Cutty Cutshall, George Brunies, and Vic Dickenson; clarinetists Pee Wee Russell, Edmond Hall, Joe Marsala, Peanuts Hucko, and Bob Wilbur; Bud Freeman on tenor; baritonist Ernie Caceres; pianists Gene Schroeder, Joe Sullivan, Jess Stacy, and Ralph Sutton; drummers George Wettling, Dave Tough, and Gene Krupa; a string of bassists; and singer Lee Wiley. Many Eddie Condon records are currently available, and no jazz collection is complete without at least a healthy sampling. ---Scott Yanow, All Music Guide |
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