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Billy Butterfield Joins Andy Bartha: Take Me to the Land of Jazz
Billy Butterfield, Andy Bartha
első megjelenés éve: 2005
(2005)

CD
4.300 Ft 

 

IMPORT!
Kosaramba teszem
1.  Dese, Dem & Dose
2.  That's a Plenty
3.  Mama's Gone Goodbye
4.  Basin Street Blues
5.  High Society
6.  St. Louis Blues
7.  Sugar Blues
8.  Original Dixeland One-Step
9.  St. James Infirmary Blues
10.  Dixie
11.  Take Me to the Land of Jazz
12.  Blues My Naughty Sweetie Gave to Me
13.  Memphis Blues
14.  Milenberg Joys
15.  Careless Love
Jazz

Billy Butterfield - Trumpet
Andy Bartha - Cornet
Billy "Fats" Hagen - Piano
Bob Warren - Piano
Carl Peticca - Drums
Chuck Damanti - Drums
Chuck Karle - Bass
Eddie Hubble - Sax (Baritone), Trombone
John Dengler - Sax (Bass)
Larry Schram - Banjo
Larry Wilson - Clarinet
Ray Brooks - Trombone
Red Rasele - Guitar

* Bob Koester - Liner Notes
* David Forte - Design
* Robert G. Koester - Producer
* Steve Wagner - Producer



Billy Butterfield

Active Decades: '30s, '40s, '50s, '60s, '70s and '80s
Born: Jan 14, 1917 in Middletown, OH
Died: Mar 18, 1988 in North Palm Beach, FL
Genre: Jazz
Styles: Dixieland, Mainstream Jazz, Swing, Traditional Pop

A versatile pre-bop trumpeter with a beautiful tone, Billy Butterfield could play pretty ballads and heated Dixieland with equal skill. After early experience in the mid-'30s with the bands of Austin Wylie and Andy Anderson, Butterfield became famous while playing with Bob Crosby's Orchestra (1937-1940), taking the main solo on the original version of "What's New," and making numerous records with both the big band and the Bobcats. In 1940, he was with Artie Shaw, participating in the famed Gramercy Five sessions and taking a classic solo on Shaw's rendition of "Star Dust"; in addition, Butterfield can be seen and heard playing "Concerto for Clarinet" with Shaw in the film Second Chorus. After stints with Benny Goodman (1941) and Les Brown, Butterfield spent time in the military, and then led a lyrical (but commercially unsuccessful) big band (1945-1947). He worked mostly in the studios during the 1950s and '60s, occasionally emerging for Dixieland dates with Eddie Condon, and was a key member of the World's Greatest Jazz Band (1968-1972). In later years, he continued popping up in Dixieland settings both for records and concerts.
---Scott Yanow, All Music Guide

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