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| 4.201 Ft
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| 1. | Topsy I (Original)
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| 2. | Bad
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| 3. | Turvy I
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| 4. | Afro-Caravan
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| 5. | Topsy-Turvy I
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| 6. | Topsy II (Original)
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| 7. | Charleston
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| 8. | Turvy II
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| 9. | Late & Lazy
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| 10. | Topsy-Turvy II
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| 11. | Crescendo
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| 12. | Topsy, Pt. 1
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| 13. | Topsy, Pt. 2
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| 14. | North Beach
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| 15. | Let There Be Drums
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| 16. | Ol' Man Mose
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| 17. | Sing! Sing! Sing!
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| 18. | Big Noise from Winnetka I
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| 19. | Big Noise from Winnetka II
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| 20. | Christopher Columbus
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| 21. | A Cozy Beat
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| 22. | Rockin' Drummer
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| 23. | Indian Love Call I
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| 24. | Indian Love Call II
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Jazz
Cozy Cole - Drums
Alan Hartwell - Liner Notes, Producer
Lyrical is a word sometimes used to describe Cozy Cole's drumming style because his melodious technique goes far beyond mere beat-keeping. The recordings that appeared under his name in the late '50s and '60s are mostly big-band jazz instrumentals that emphasize the drums. "Topsy II," a remake of an old Benny Goodman tune, became a left-field hit on the pop and R&B charts in 1958, introducing the veteran Cole to a new generation of listeners and presaging the rise of rock & roll drummers such as Sandy Nelson and Preston Epps. Cozy Cole Hits assembles 24 of Cole's recordings for the Love and Coral labels from 1958-1965, including all of his chart hits from the period. In addition to "Topsy II" and its many sequels, Cole steps behind the microphone to sing "Ol' Man Mose," covers Sandy Nelson's "Let There Be Drums," and is joined by a girl group that sings the praises of the "Rockin' Drummer." Most of the music follows in the big-band style of "Topsy II," but several of Cole's later recordings are clearly aimed at the rock & roll audience. Love Records is still in operation and owns Cole's masters, so Cozy Cole Hits is a legitimate release created from the original tapes. However, because it was produced in small quantities, it is available only as a CD-R with poor-quality inserts. The cheap appearance may lead some buyers to assume that their copy of Cozy Cole Hits is a counterfeit or a bootleg, when actually it is the official product as sold through major retailers and directly from Love Records.
---Greg Adams, All Music Guide
Cozy Cole
Active Decades: '30s, '40s, '50s, '60s and '70s
Born: Oct 17, 1909 in East Orange, NJ
Died: Jan 29, 1981 in Columbus, OH
Genre: Jazz
Styles: Swing
Cozy Cole's drumming was an essential ingredient in much of the jazz recorded during the 1930s and '40s, and he belongs in the same pantheon with Sidney Catlett, Jo Jones, Chick Webb, Dave Tough, Gene Krupa, Specs Powell, and J.C. Heard. William Randolph "Cozy" Cole was born in East Orange, NJ, on October 17, 1909. He moved to New York City with his family in 1926 and soon became fascinated with the work of Duke Ellington's percussionist Sonny Greer. By 1928 he was performing with clarinetist and bandleader Wilbur Sweatman, and his first recordings (including the feature number "Load of Cole") were made with Jelly Roll Morton in 1930.
After working for several years with Blanche Calloway & Her Joy Boys and the Benny Carter Orchestra, Cole accelerated his involvement in the swarming swing scene, making records with bands led by Willie Bryant and pianist Teddy Wilson and backing vocalists Billie Holiday, Midge Williams, Mildred Bailey, and Vocalion's assigned Fats Waller emulator, Putney Dandridge. Cozy Cole assisted with Henry "Red" Allen's original recording of "Algiers Stomp," and made records with Bunny Berigan, Bud Freeman's Windy City Five, Chu Berry's Stompy Stevedores, Stuff Smith's Onyx Club Orchestra, Frankie Newton's Uptown Serenaders, and Lionel Hampton. During the year 1939 he worked with Pete Brown & His Jump Band, Joe Marsala & His Delta Six, Leonard Feather's All-Stars, and one-armed trumpeter Wingy Manone.
In 1940, Cozy Cole took his decade of experience and descended upon the Cab Calloway Orchestra during that brief period when the extroverted leader, reluctant to surrender the spotlight, begrudgingly assigned instrumental features to his star players. Cole was the main focus of "Ratamacue," "Paradiddle," and "Crescendo in Drums." In 1943 he worked with bandleader Raymond Scott and performed "Beat Out Dat Rhythm on a Drum" in the Broadway production of Oscar Hammerstein II's Carmen Jones. The year 1944 was a triumphant one for Cole, as he led several all-star groups for the Keynote and Savoy labels and served with bands led by trumpeter Roy Eldridge, saxophonist Coleman Hawkins, bassist Billy Taylor, and cornetist Rex Stewart. He also sat in with pianist Johnny Guarnieri and saxophonist Lester Young, clarinetist Hank D'Amico, tenor man Walter "Foots" Thomas, and several groups working for the Armed Forces V-Disc project.
Cozy Cole helped hasten the alchemical transmutation of swing into bop by recording as a leader for the Keynote, Continental, and Guild labels, and by sidelining with Don Redman and Don Byas, and with Charlie Parker and Dizzy Gillespie on their highly acclaimed "All the Things You Are" session of February 29, 1945. During this period, inspired perhaps by the stylistic revolution in which he had begun to take part, Cozy Cole took himself to the Juilliard School of Music and perfected his already seasoned approach to the drum kit. In 1946 and 1947 Cole recorded with Benny Goodman, Ella Fitzgerald, and Louis Armstrong, finally settling in with Armstrong's All-Stars from 1949 to 1953 and opening a school for drummers with Gene Krupa in March 1954 that would continue to educate aspiring percussionists until Krupa's death in 1973.
After touring Europe with Jack Teagarden and Earl Hines in 1957, Cozy Cole's career suddenly took off like a bottle rocket as a 1958 drum-driven big-band remake of the Edgar BattleEddie DurhamCount Basie tune "Topsy" (b/w "Turvy") hit the pop and R&B charts, publicly aligning him with flashy "Teen Beat" rock & roll drummer Sandy Nelson. Over the next seven years, Cole recorded more music in this vein for the Love, Felsted, and Coral imprints, as well as a 1961 LP for the Charlie Parker record label consisting of jazzy lounge interpretations of themes from Georges Bizet's opera Carmen (echoing his stage triumph of 1943).
In 1969 Cole began gigging with his old session mate Jonah Jones and worked with the trumpeter's group intermittently for several years. Late maturity found him jamming at a jazz festival in Nice, France, in 1974 and participating in a Louis Armstrong alumni project under the leadership of Lionel Hampton in 1977. Cozy Cole received an honorary degree from Capital University in Columbus, OH, in 1978, and lectured there periodically for the rest of his life. He passed away in Columbus on January 29, 1981.
--- arwulf arwulf, All Music Guide |
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