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| Art Tatum [Box] |
| Art Tatum |
német
első megjelenés éve: 2008
750 perc |
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| (2008)
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11 x CD |
| 16.200 Ft
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| 1. CD tartalma: |
| 1. | Young and Healthy
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| 2. | Morning Noon and Night
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| 3. | When Day Is Done
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| 4. | Star Dust
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| 5. | Chinatown, My Chinatown
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| 6. | Body and Soul
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| 7. | Can't We Be Friends
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| 8. | I Gotta Right to Sing the Blues
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| 9. | Melody in F
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| 10. | Let Me off Uptown
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| 11. | Tiny's Exercise
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| 12. | Exactly Like You
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| 13. | Sweet Lorraine
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| 14. | I Know That You Know
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| 15. | Ja-Da
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| 16. | Humoresque
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| 17. | It Had to Be You
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| 18. | I've Found a New Baby
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| 19. | Oh! Lady Be Good
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| 20. | Somebody Loves Me
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| 21. | Exactly Like You
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| 2. CD tartalma: |
| 1. | Stormy Weather
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| 2. | Sweet Lorraine
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| 3. | Humoresque
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| 4. | I Know That You Know
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| 5. | Humoresque
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| 6. | Ain't Misbehavin'
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| 7. | Smoke Gets in Your Eyes
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| 8. | I Can't Give You Anything But Love
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| 9. | Danny Boy [Irish Air]
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| 10. | How High the Moon
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| 11. | Begin the Beguine
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| 12. | Cherokee
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| 13. | Down by the Old Mill Stream
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| 14. | Sweet Lorraine
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| 15. | How High the Moon
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| 16. | Gershwin Medley: The Man I Love/Summertime/I Got Plenty O' Nuttin'/It A
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| 17. | She's Funnythat Way
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| 18. | Lover
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| 19. | Body and Soul
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| 20. | I'm Beginning to See the Light
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| 21. | Nine Twenty Special
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| 3. CD tartalma: |
| 1. | Stay as Sweet as You Are
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| 2. | Where or When
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| 3. | Louise
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| 4. | Song of the Vagabonds
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| 5. | Night and Day
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| 6. | Poor Butterfly
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| 7. | Indiana
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| 8. | Sweet Lorraine
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| 9. | Yesterdays
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| 10. | Smoke Gets in Your Eyes
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| 11. | Dialogue
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| 12. | The Very Thought of You [Incomplete Performance]
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| 13. | Somebody Loves Me
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| 14. | The Continental [Incomplete Performance]
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| 15. | I Cover the Waterfront [Incomplete Performance]
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| 16. | Don't Blame Me
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| 17. | Dardanella
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| 18. | The Very Thought of You
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| 19. | Come Rain or Come Shine
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| 20. | Someone to Watch Over Me
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| 21. | Valse in C
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| 4. CD tartalma: |
| 1. | If I Had You
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| 2. | Night and Day [Incomplete Performance]
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| 3. | Fine and Dandy [Incomplete Performance]
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| 4. | Fine and Dandy [Incomplete Performance]
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| 5. | Fine and Dandy [Incomplete Performance]
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| 6. | Humoresque
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| 7. | Poor Butterfly
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| 8. | Willow Weep for Me
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| 9. | I Gotta Right to Sing the Blues
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| 10. | Taboo
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| 11. | Gershwin Medley: The Man I Love/Summertime/I Got Plenty O' Nuttin'/It A
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| 12. | I Know That You Know
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| 13. | Sweet Lorraine
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| 14. | Rosetta
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| 15. | A Ghost of a Chance
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| 16. | Hallelujah
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| 17. | Someone to Watch Over Me
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| 18. | Taboo
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| 5. CD tartalma: |
| 1. | Tenderly
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| 2. | The Man I Love
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| 3. | Body and Soul
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| 4. | Flying Home
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| 5. | My Heart Stood Still
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| 6. | How High the Moon
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| 7. | Come Rain or Come Shine
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| 8. | Begin the Beguine
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| 9. | Body and Soul
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| 10. | I Know That You Know
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| 11. | Honeysuckle Rose
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| 12. | Just a Sittin' and Rockin'
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| 13. | Memories of You
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| 14. | The Kerry Dance
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| 15. | Interview of Tatum by Leonard Feather
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| 16. | Taboo
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| 17. | Come Rain or Come Shine
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| 18. | Honeysuckle Rose
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| 19. | Don't Blame Me
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| 20. | Taboo
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| 21. | Gershwin Medley: The Man I Love/Summertime/I Got Plenty O' Nuttin'/It A
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| 6. CD tartalma: |
| 1. | Tenderly
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| 2. | Flying Home
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| 3. | The Man I Love
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| 4. | On the Sunny Side of the Street
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| 5. | Sweet Lorraine
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| 6. | Tea for Two
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| 7. | Tenderly
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| 8. | Out of Nowhere
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| 9. | Body and Soul
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| 10. | Sweet Lorraine
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| 11. | Tea for Two
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| 12. | Moonglow
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| 13. | Tenderly
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| 14. | I've Got the World on a String
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| 15. | September Song
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| 16. | Body and Soul
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| 17. | Where or When
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| 18. | Taboo
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| 7. CD tartalma: |
| 1. | Carvan
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| 2. | If
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| 3. | Soft Winds
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| 4. | Memories of You
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| 5. | Yesterdays
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| 6. | Someone to Watch Over Me
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| 7. | Flying Home
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| 8. | Tenderly
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| 9. | Tea for Two
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| 10. | Sweet Lorraine
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| 11. | Body and Soul
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| 12. | Sweet Lorraine
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| 13. | Memories of You
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| 14. | Air Mail Special [Incomplete Performance]
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| 15. | Tea for Two
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| 16. | Dialogue
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| 17. | Someone to Watch Over Me
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| 18. | Sweet Lorraine
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| 19. | Fine and Dandy
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| 20. | Someone to Watch Over Me
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| 21. | This Can't Be Love
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| 22. | My Heart Stood Still
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| 8. CD tartalma: |
| 1. | Would You Like to Take a Walk
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| 2. | Soft Winds
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| 3. | Flying Home
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| 4. | I Cover the Waterfront
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| 5. | Soft Winds
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| 6. | Tenderly
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| 7. | Tea for Two
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| 8. | Wrap Your Troubles in Dreams
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| 9. | Body and Soul
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| 10. | Sweet Lorraine
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| 11. | September Song
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| 12. | My Heart Stood Still
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| 13. | Don't Blame Me
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| 14. | Willow Weep for Me
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| 15. | Flying Home
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| 16. | Moon Song
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| 17. | Just One of Those Things
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| 18. | Flying Home
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| 19. | Would You Like to Take a Walk
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| 20. | You Go to My Head
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| 9. CD tartalma: |
| 1. | Sweet Lorraine
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| 2. | I Know That You Know
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| 3. | More Than You Know
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| 4. | Tea for Two
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| 5. | St. Louis Blues
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| 6. | Goin' Home
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| 7. | Tenderly
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| 8. | You Took Advantage of Me
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| 9. | You Took Advantage of Me
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| 10. | Don't Take Your Love from Me
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| 11. | I'll See You in My Dreams
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| 12. | Someone to Watch Over Me
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| 13. | My Wonderful One/Art's Boogie
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| 14. | If You Hadn't Gone Away
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| 15. | Somebody Loves Me
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| 16. | Zigeuner
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| 17. | I'll See You Again
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| 18. | Blue Skies
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| 19. | Jitterbug Waltz
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| 20. | Let Me Call You Sweetheart
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| 21. | If You Handn't Gone Away
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| 22. | Can't We Be Friends
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| 23. | I'll See You in My Dreams
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| 24. | Ain't Misbehavin'
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| 25. | Aunt Hagar's Blues
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| 26. | What Is This Thing Called Love
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| 27. | I'm in the Mood for Love
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| 10. CD tartalma: |
| 1. | Three Little Words
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| 2. | Mean to Me
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| 3. | Ain't Misbehavin'
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| 4. | Oh! Lady Be Good
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| 5. | Body and Soul
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| 6. | Night and Day
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| 7. | Indiana
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| 8. | Moonglow
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| 9. | Three Little Words
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| 10. | The Man I Love
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| 11. | Confessin'
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| 12. | Ain't Misbehavin'
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| 13. | Star Dust
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| 14. | Embraceable You
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| 15. | Sugar Foot Stomp
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| 16. | Sweet Georgia Brown
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| 17. | Basin Street Blues
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| 18. | Esquire Blues
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| 19. | Honeysuckle Rose
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| 20. | Willow Weep for Me
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| 21. | Lover
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| 22. | Mighty Lak a Rose
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| 23. | Ja-Da
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| 11. CD tartalma: |
| 1. | March of Times, Vol X Issue 5 "Music in America" [DVD][*]
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| 2. | Tiny's Exercise/Out Takes [DVD][*]
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| 3. | The Fabulous Dorseys /Turquoise Blues [DVD]
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| 4. | Spike Jones Show/Yesterdays
|
Jazz
10 CD box with 40 page illustrated booklet plus bonus DVD
Art Tatum - Introduction, Piano, Soloist, Spoken Word, Vocals
Anders Stefansen - Producer
Arnold Laubich - Consultant, Coordination, Liner Notes
Babe Russin - Sax (Tenor)
Bill Pemberton - Bass
Bill Povey - Sax (Alto)
Billy Exner - Drums
Bob Goodrich - Trumpet
Bob McReynolds - Trombone
Bobby Rosengarden - Drums
Charlie Barnet - Sax (Tenor)
Chocolate Williams - Bass
Clinton Nordquist - Bass
Coleman Hawkins - Sax (Tenor)
Duncan P Scheidt - Photography
Eddie Stokes - Announcer
Ernie "Bubbles" Whitman - Announcer
Everett Barksdale - Guitar
Faye Emerson - Performer
Felicity Howlett - Liner Notes
Frederic E. Weatherly - Adaptation
Hans Nielsen - Engineer
Jørgen Vad - Engineer
Jack Gilford - Voices
Jack Teagarden - Trombone, Vocals
Jerry Newman - Engineer
Jimmy Dorsey - Clarinet
Joe Mooney - Organ
Joe Shulman - Bass
Jud de Naut - Bass
Ken Whitten - Photography
Leonard Feather - Introduction
Les Jenkins - Trombone
Les Paul - Guitar
Les Paul Trio - Guest Appearance
Loren Schoenberg - Liner Notes
Louis Armstrong - Trumpet, Vocals
Mildred Bailey - Introduction
Milton Cross - Narrator
Murray Lauder - Bass
Murray McEachern - Clarinet, Trombone
Ned Ciashine - Accordion
Oscar Pettiford - Bass
Perry Como - Introduction
Philip Candreva - Trumpet
Ray Bauduc - Drums
Remo Palmieri - Guitar
Sam Stewart - Bass
Sid Catlett - Drums
Skeets Herfurt - Sax (Alto)
Slam Stewart - Bass
Specs Powell - Drums
Steve Allen - Guest Appearance, Piano
Tal Farlow - Guitar
Terry Waldo - Technical Assistance
The Mike Hennessey Chastet - Liner Notes
Tiny Grimes - Guitar
Tommy Dorsey - Trombone
Wally Wickin - Leader, Recorder
Willis Conover - Narrator
Ziggy Elman - Trumpet
This boxed set consists of 1 DVD and 10 CD's comprising 212 tracks and 12 1/2 hours of playing time. They range in date from early 1934 to mid-October 1956, only three weeks before Tatum's death. Almost all of the material here had never been previously available on CD and most tracks had never been issued in any form. CD 10, newly issued here, comprises 23 tracks, of which 21 were previously unissued. None of the tracks in this box was recorded in a studio for ultimate sale to the public. With the exception of some recordings made for the US government, they are all live performances, from a wide variety of sources, including off-the-air radio broadcasts, the audio portion of his limited TV appearances, private parties, night club perfomances, after-hours clubs, transcriptions, recordings in private homes (including his own), and tracks from pressings made gratis for the Voice of America, and for the US Armed Forces during WWII
Of all the jazz pianists in history, Art Tatum easily towers above the others. Tatum ometimes sounds like two pianists playing at once, and effortlessly makes the transition from swing to the bebop era. His brilliant technique and almost boundless imagination influenced not only other pianists but players of other instruments as well. Storyville is the oldest jazz label in Europe, and they've just about outdone themselves with this 11-disc collection. With solo and small group contexts (including Les Paul!), culled from studio sessions, radio broadcasts, and assorted live performances, TATUM ART is the grail for Tatum completists and serious devotees of the jazz keyboard pantheon.
Art Tatum
Active Decades: '20s, '30s, '40s and '50s
Born: Oct 13, 1909 in Toledo, OH
Died: Nov 05, 1956 in Los Angeles, CA
Genre: Jazz
Styles: Boogie-Woogie, Swing, Stride
Art Tatum was among the most extraordinary of all jazz musicians, a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands (his 1933 solo version of "Tiger Rag" sounds as if there were three pianists jamming together) but was harmonically 30 years ahead of his time; all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously. Able to play stride, swing, and boogie-woogie with speed and complexity that could only previously be imagined, Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh (and sometimes futuristic) ideas that put him way ahead of his contemporaries.
Born nearly blind, Tatum gained some formal piano training at the Toledo School of Music but was largely self-taught. Although influenced a bit by Fats Waller and the semi-classical pianists of the 1920s, there is really no explanation for where Tatum gained his inspiration and ideas from. He first played professionally in Toledo in the mid-'20s and had a radio show during 1929-1930. In 1932 Tatum traveled with singer Adelaide Hall to New York and made his recording debut accompanying Hall (as one of two pianists). But for those who had never heard him in person, it was his solos of 1933 (including "Tiger Rag") that announced the arrival of a truly major talent. In the 1930s, Tatum spent periods working in Cleveland, Chicago, New York, Los Angeles, and (in 1938) England. Although he led a popular trio with guitarist Tiny Grimes (later Everett Barksdale) and bassist Slam Stewart in the mid-'40s, Tatum spent most of his life as a solo pianist who could always scare the competition. Some observers criticized him for having too much technique (is such a thing possible?), working out and then keeping the same arrangements for particular songs, and for using too many notes, but those minor reservations pale when compared to Tatum's reworkings of such tunes as "Yesterdays," "Begin the Beguine," and even "Humoresque." Although he was not a composer, Tatum's rearrangements of standards made even warhorses sound like new compositions.
Art Tatum, who recorded for Decca throughout the 1930s and Capitol in the late '40s, starred at the Esquire Metropolitan Opera House concert of 1944 and appeared briefly in his only film in 1947, The Fabulous Dorseys (leading a jam session on a heated blues). He recorded extensively for Norman Granz near the end of his life in the 1950s, both solo and with all-star groups; all of the music has been reissued by Pablo on a six-CD box set. His premature death from uremia has not resulted in any loss of fame, for Art Tatum's recordings still have the ability to scare modern pianists.
---Scott Yanow, All Music Guide |
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