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Spirit Within CD CD, DVD, BLU-RAY lemez, ajándék tárgyak (póló, baseball sapka)

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Spirit Within
Red Rodney, Ira Sullivan
első megjelenés éve: 2008
(2008)

CD
4.201 Ft 

 

IMPORT!
Kosaramba teszem
1.  Sophisticated Yenta
2.  King Of France
3.  Spirit Within
4.  Island Song
5.  Monday's Dance
6.  Crescent City
Jazz

Red Rodney - Flugelhorn, Trumpet
Ira Sullivan - Flugelhorn, Flute (Alto), Sax (Alto), Sax (Soprano)

By the time of their fifth record, the Red Rodney-Ira Sullivan Quintet also included pianist Garry Dial, bassist Jay Anderson and drummer Steve Bagby, and it was a perfect vehicle for the co-leaders. Rodney (heard here mostly on flugelhorn) was challenged by the advanced material (four of the six numbers on this out-of-print LP are Dial originals), and underground legend Sullivan received more exposure than he had ever had in his career. On this LP, Sullivan (heard on soprano, alto flute and flugelhorn) inspired Rodney to some of his finest playing. Superior post-bop music that deserves to be reissued on CD.
---Scott Yanow, All Music Guide



Red Rodney

Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Sep 27, 1927 in Philadelphia, PA
Died: May 27, 1994 in Boynton Beach, FL
Genre: Jazz
Styles: Bop, Hard Bop

Red Rodney's comeback in the late '70s was quite inspiring and found the veteran bebop trumpeter playing even better than he had during his legendary period with Charlie Parker. He started his professional career by performing with Jerry Wald's orchestra when he was 15, and he passed through a lot of big bands, including those of Jimmy Dorsey (during which Rodney closely emulated his early idol Harry James), Elliot Lawrence, Georgie Auld, Benny Goodman, and Les Brown. He totally changed his style after hearing Dizzy Gillespie and Charlie Parker, becoming one of the brighter young voices in bebop. Rodney made strong contributions to the bands of Gene Krupa (1946), Claude Thornhill, and Woody Herman's Second Herd (1948-1949). Off and on during 1949-1951, Rodney was a regular member of the Charlie Parker Quintet, playing brilliantly at Bird's recorded Carnegie Hall concert of 1949. But drugs cut short that association, and Rodney spent most of the 1950s in and out of jail. After he kicked heroin, almost as damaging to his jazz chops was a long period playing for shows in Las Vegas. When he returned to New York in 1972, it took Rodney several years to regain his former form. However, he hooked up with multi-instrumentalist Ira Sullivan in 1980 and the musical partnership benefited both of the veterans; Sullivan's inquisitive style inspired Rodney to play post-bop music (rather than continually stick to bop) and sometimes their quintet (which also featured Garry Dial) sounded like the Ornette Coleman Quartet, amazingly. After Sullivan went back to Florida a few years later, Rodney continued leading his own quintet which in later years featured the talented young saxophonist Chris Potter. Red Rodney, who was portrayed quite sympathetically in the Clint Eastwood film Bird (during which he played his own solos), stands as proof that for the most open-minded veterans there is life beyond bop.
--- Scott Yanow, All Music Guide



Ira Sullivan

Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: May 01, 1931 in Washington, D.C.
Genre: Jazz
Styles: Bop, Hard Bop, Post-Bop

Ira Sullivan, who is equally skilled on trumpet and a variety of reeds, is one of the great talents in jazz. But due to his desire to be away from the spotlight, his contributions have often been overlooked. His father taught him the trumpet and his mother the saxophone. Sullivan was a key part of the Chicago jazz scene of the 1950s, jamming with visiting all-stars and, in 1956, spending some time with Art Blakey's Jazz Messengers. He settled in Florida in the early '60s and, although he has been active locally, he only emerges on the national jazz scene on an irregular basis. His most notable association since the '60s was with Red Rodney in a brilliant (and fortunately well-recorded) quintet that also included pianist Garry Dial. Sullivan has retained an open-minded approach to music and has never been afraid to try new things. Virtually all of his recordings offer some surprises.
---Scott Yanow, All Music Guide

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