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4.800 Ft
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1. | Henderson Stomp
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2. | Rocky Mountain Blues
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3. | Tozo!
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4. | St. Louis Shuffle
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5. | I'm Coming Virginia
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6. | Goose Pimples
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7. | Hop Off
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8. | Sweetie Dear
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9. | I've Found a New Baby
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10. | Shag
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11. | Ja-Da
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12. | Really the Blues
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13. | When You and I Were Young, Maggie
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14. | Weary Blues
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15. | Revolutionary Blues
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16. | Comin' on with the Come On, Pt. 1
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17. | Comin' on with the Come On, Pt. 2
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18. | Royal Garden Blues
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19. | Everybody Loves My Baby
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20. | I Ain't Gonna Give Nobody None o' This Jelly Roll
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21. | If You See Me Comin'
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22. | Gettin' Together
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23. | My Man Jumped Salty on Me
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Jazz
Tommy Ladnier - Cornet, Trumpet Bobby Stark - Trumpet Buster Bailey - Clarinet, Sax (Alto), Sax (Soprano) Charlie Dixon - Banjo, Guitar Charlie Green - Trombone Cliff Jackson - Piano Coleman Hawkins - Clarinet, Sax (Baritone), Sax (Bass), Sax (Tenor) Don Redman - Clarinet, Sax (Alto) Elmer James - Bass Fats Waller - Piano Fletcher Henderson - Piano Henry Duncan - Piano Hep Cats James P. Johnson - Piano Jerome Pasquall - Clarinet, Sax (Alto) Jimmy Harrison - Trombone Joe "Fox" Smith - Cornet Joseph "Kaiser" Marshall - Drums June Cole - Bass Manzie Johnson - Drums Mezz Mezzrow - Clarinet, Sax (Tenor) Morris Morand - Drums Pops Foster - Bass Rosetta Crawford Russell Smith - Trumpet Sidney Bechet - Clarinet, Sax (Alto) Teddy Bunn - Guitar Teddy Nixon - Trombone The Dixie Stompers The New Orleans Feetwarmers Wilson Myers - Bass Zutty Singleton - Drums
New Orleans-born trumpeter Tommy Ladnier is honored here with a chronologically stacked retrospective covering the years 1926-1939. While a few examples from his earlier work (1924-1925) with Jelly Roll Morton, Lovie Austin, and Sam Wooding would have been nice, the selections on Goose Pimples were obviously intended to showcase Ladnier's mature style, from the Fletcher Henderson sides of 1926 and 1927 through the rowdy New Orleans Feetwarmers session of 1932 and various 1938 recordings by both Ladnier's own band and the one he co-led with clarinetist Mezz Mezzrow. (Too bad they didn't include Fletcher Henderson's 1926 recording of Mel Stitzel's "The Chant," a fascinating performance with lots of Ladnier.) The album closes with a fine blues performed by Rosetta Crawford & Her Hep Cats, a tight little band with Ladnier and Mezzrow in front of a rhythm section anchored by pianist James P. Johnson. An excellent compilation, packed with richly rewarding traditional jazz. --- arwulf arwulf, All Music Guide
Tommy Ladnier
Active Decades: '20s and '30s Born: May 28, 1900 in Florence, LA Died: Jun 04, 1939 in Geneva, NY Genre: Jazz Styles: Classic Jazz, Hot Jazz
An exciting trumpeter who can be seen as a bridge style-wise between King Oliver and Louis Armstrong, Tommy Ladnier played early in life in New Orleans and in 1917, moved to Chicago. He worked for a period in St. Louis with Charlie Creath and was part of the Chicago scene in the early '20s, playing with Ollie Powers (1923), Fate Marable, and King Oliver (1924-1925). He also recorded with a variety of blues singers and Lovie Austin's Blues Serenaders. In 1925, Ladnier visited Europe with Sam Wooding and then became a star soloist with Fletcher Henderson's Orchestra (1926-1927), making many excellent records. He returned to Europe with Wooding (1928-1929) and worked with Benny Peyton and Noble Sissle (1930-1931). Ladnier teamed up with Sidney Bechet on a memorable recording session as the New Orleans Feetwarmers (1932) but work was slow and the duo ran a tailor shop (1933-1934) that was more notable for its jam sessions than for its alterations. Ladnier largely dropped out of sight for a few years, leading groups in New Jersey and Connecticut, but was rediscovered in 1938. He recorded the Panassie Sessions with Bechet and his new friend, Mezz Mezzrow, but died suddenly in 1939 from a heart attack. ---Scott Yanow, All Music Guide |
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