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| 5.200 Ft
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| 1. | Lay-Up
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| 2. | I Heard It Over The Radio
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| 3. | Port-Au-Prince
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| 4. | Guinbre
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| 5. | All Choked Up
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| 6. | Las tijeras
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| 7. | Sad Morning
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| 8. | Philly's Blount
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Jazz
Recorded in New Jersey, 1999
Chris Lightcap - Bass (Upright), Mixing, Producer
Tony Malaby (ts), Bill McHenry (ts), Gerald Cleaver (d)
Chris Lightcap is a gifted bassist and composer who has worked with George Garzone, Joe Morris, Mark Turner and Sheila Jordan, among many others. For his debut recording as a leader, he assembled the formidable creative talents of Tony Malaby and Bill McHenry on tenor saxophones and Gerald Cleaver on drums. The quartet navigates its way through the leader's original compositions with a common sense of musical purpose, their individual voices combining beautifully to produce a composite sound that is at once unexpected, joyful and swinging.
* A.T. McDonald - Mastering
* Jon Rosenberg - Mixing, Recording
* Tommy Tedesco - Recording Supervision
In March, bassist Chris Lightcap released Lay-Up, his debut CD as a leader, featuring his working quartet: Bill McHenry, Tony Malaby and Gerald Cleaver. Directly after Fresh Sound released the CD, it hit number 16 on CMJ's jazz chart, rapidly climbed to number seven and amassed an impressive array of critical praise. The quartet's members are some of the finest musicians on the scene today:
Chris Lightcap has performed across the entire spectrum of the music with a host of prominent improvisers such as Regina Carter, Archie Shepp, Mark Turner, Kurt Rosenwinkle, Jeff "Tain" Watts, Cecil Taylor, George Garzone, Sheila Jordan, Ravi Coltrane, and Butch Morris. He has also appeared on over two dozen releases.
Drummer Gerald Cleaver performs regularly with Jackie Terrasson, the Charles Gayle Trio, Roscoe Mitchell's Note Factory, and Matt Shipp. His playing possesses an uncanny depth and flexibility. In addition, Cleaver and Lightcap are proving themselves to be one of New York's more dynamic and adaptable rhythm sections, as they currently play and record with over five different projects together.
With two powerful CDs as a leader under his belt ("Graphic" and "Rest Stop", both featuring guitarist Ben Monder - available on Fresh Sound), Bill McHenry is fast becoming one of New York's most sought-after saxophonists. He has recorded with the bands of Guillermo Klein, John Stetch, Ethan Iverson and Reid Anderson.
Tenor saxophonist Tony Malaby has become ubiquitous in New York's creative jazz circles. For the past two years, he has been a driving musical force within the bands of Tim Berne, Mark Dresser, Mark Helias, Marty Ehrlich, and Tom Varner. He also leads his own quartet featuring Tom Rainey, Marc Ducret and Mike Formanek.
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Bassist Chris Lightcap heads a powerful ensemble, fronted by the twin tenor saxophones of Bill McHenry and Tony Malaby. Lightcap's favored approach is to loop syncopated, funky bass ostinatos, lock in tightly with drummer Gerald Cleaver, and let the two tenors loose. "Guinbre" and "Las Tijeras" are animated by an African- or Latin-inspired feel, while the title track and "Philly's Blount" (the latter recorded live) draw the listener in with two very different kinds of funk. Cleaver tears it up with a solo toward the end of the fiercely up-tempo "Port-Au-Prince," and also drives the free-jazz madness of "All Choked Up."
On Ornette Coleman's "I Heard It Over the Radio," the only non-original of the set, the quartet skillfully elucidates Coleman's strange brand of plaintiveness. Later, the two tenors guide us through the formless, tempoless, yet invitingly tonal topography of Lightcap's "Sad Morning." Both of these relatively toned-down numbers feature placid, heartfelt solos by Lightcap.
The absence of piano or guitar and the presence of two horns gives this group a decidedly left-of-center sound that is quite reminiscent of Ornette Coleman's classic quartet. McHenry and Malaby are taking that vocabulary in a multiplicity of new directions, however, and their work on this record is representative of contemporary tenor sax at its exploratory best. Lightcap has chosen his players wisely, and his memorable compositions provide fertile soil for inspired collective improvisation.
--- David R. Adler, All Music Guide
"Brooklyn bassist Chris Lightcap has distinguished himself as a sideman with the likes of Joe Morris and others, and now is the time for him to take a leading role. Featuring seven originals and one Ornette Coleman tune, Lay-Up is, like Lightcap's playing, both melodic and adventurous with surprisingly deep grooves . . . a great debut."
--- By Tad Hendrickson, CMJ New Music Report, 3/27/00
"There's no reason to wonder about unity: This is a band, not a pick-up group. A few spins through the new Lay-Up will tell you that."
--- By Jim Macnie, The Village Voice, 3/21/00
"Though based in Spain, Fresh Sound has fast established itself as one of the most exciting labels in documenting young New Yorkers working on the cusp of the mainstream and the avant-garde. Lay-Up, the debut of bassist Chris Lightcap, features a pianoless two tenor quartet that takes full advantage of opened up spaces in floating unison statements over a deep-diving bottom and trading sharply etched solos across the middle. The tenors, rising stars both . . . split the difference between the airy-edged melodicism of Ornette Coleman (whose I Heard it Over the Radio is given a gentle, loping reading) and the driving intensilty of John Coltrane. Lightcap, known for his work with guitarist Joe Morris, writes alluringly structured songs and skillfully plays off drummer Gerald Cleaver's cutting strokes with his hard accents."
--- By Lloyd Sachs, Chicago Sun Times (3 and 1/2 stars out of 4)
"A well-rounded young bassist, Mr. Lightcap leads a two-tenor band that gets ferocious in its free-jazz with motifs style "Lay-Up" (Fresh Sound) is one of the year,s winners so far."
--- Ben Ratliff, New York Times 6/30/2000
"Bassist Chris Lightcap's hip new quartet has a two-sax frontline (Tony Malaby, Bill McHenry) that positively burns through a repertoire reminiscent of Ornette Coleman. Hear them, then go pick up their fine new CD, Lay Up."
---K. Leander Williams, Time Out New York, 3/16/2000 |
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