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| 7.185 Ft
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| 1. | Maurizius
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| 2. | Death in the Carwash
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| 3. | Often in the Open
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| 4. | Later That Evening
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Jazz
Recorded March 1982
Eberhard Weber bass
Paul McCandless soprano saxophone, oboe, English horn, bass clarinet
Bill Frisell guitar
Lyle Mays piano
Michael DiPasqua drums, percussion
* Maja Weber - Design
* Manfred Eicher - Producer
* Martin Wieland - Engineer
* Ralph Quinke - Photography
This is one of bassist Eberhard Weber's more stimulating ECM releases, due in part to his colorful sidemen: guitarist Bill Frisell, pianist Lyle Mays (in a rare vacation from Pat Metheny), Paul McCandless (switching between soprano, oboe, English horn and bass clarinet) and drummer Michael DiPasqua. The quintet plays four of Weber's originals (including the 16½-minute "Death in the Car Wash") and, although the music is sometimes introspective and full of space, Frisell largely keeps the proceedings unpredictable and adds some fire and otherworldly sounds.
---Scott Yanow, All Music Guide
Eberhard Weber
Active Decades: '70s, '80s, '90s and '00s
Born: Jan 22, 1940 in Stuttgart, Germany
Genre: Jazz
Styles: World Fusion, Chamber Jazz, Post-Bop
Though not strictly a jazz bassist and certainly one of the least flamboyant improvisers, Eberhard Weber is among Europe's finest bassists. His style doesn't embrace either a bluesy orientation or an animated, energetic approach. Weber's influences are primarily European, notably contemporary classical and new music. His technique of using contrasting ostinato patterns in different voices was taken from composer Steve Reich. He's also made innovations in bass design. Weber added an extra string to his electric bass at the top in the early '70s; this extended its range and gave it a deeper, more striking sound. He added yet another string above that in the late '70s. Weber once doubled on cello but dropped it to concentrate on acoustic and electric bass. Weber's father taught him cello at six, and he began to play bass at 16. He worked in school orchestras, dance bands, and local jazz groups. He met Wolfgang Dauner while participating in the Dusseldorf Amateur Jazz Festival in the early '60s; they worked together over the next eight years, both as a duo and in the group Et Cetera. Weber worked with Dave Pike in the early '70s, and co-led the band Spectrum with Volker Kriegel. His early-'70s album The Colours of Chloe was one of ECM's most acclaimed. He formed the group Colours in 1974 and toured America in 1976, 1978, and 1979, heading it until 1981. Weber also played from the mid-'70s to the early '80s with the United Jazz and Rock Ensemble. During the '80s, Weber worked and recorded with Jan Garbarek and also wrote film scores and gave solo concerts. He continued recording with ECM, both with his group and with other musicians such as Gary Burton. Weber has several ECM titles available on CD, including 1993's Pendulum, 2001's Endless Days, and 2007s Stages of a Long Journey.
---Ron Wynn, All Music Guide |
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