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Kérjen
árajánlatot! |
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| 1. | Introduction [Instrumental]
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| 2. | Just as Someone
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| 3. | Ce Qu'a de Pis
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| 4. | Alles Scheint Rand
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| 5. | Imagine
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| 6. | In the End
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| 7. | Vieil Aller
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| 8. | Rien Nul
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| 9. | Tant de Temps
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| 10. | En Face
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| 11. | Chaque Jour
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| 12. | Pass
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| 13. | En Cadence
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| 14. | Something There
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| 15. | Comrade
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| 16. | Den Atem Ausgetauscht
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| 17. | A L'Abattoir
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| 18. | And What
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| 19. | D' Ou la Voix
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| 20. | Fous Qui Disiez
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| 21. | Mark, Jetzt
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| 22. | Son Ombre
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| 23. | Reve
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| 24. | Life Connects
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| 25. | Prisonniers
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| 26. | Silence
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| 27. | Viele Haben Keine Sprache
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Jazz
Michael Mantler trumpet
Jack Bruce voice
Marianne Faithfull voice
Robert Wyatt voice
Rick Fenn guitar
Danish Radio Concert Orchestra
Peter Kragerup conductor
* Andy Sundstrom - Producer
* Greg Calbi - Mastering
* Jack Bruce - Vocals
* Jeff Friedman - Orchestra, Orchestral Score
* John McGowan - Engineer
* Nick White - Photography
* Ole Hviid - Engineer
* Pat Nolan - Translation
* Paul Arnold - Engineer
* Paul McDonough - Art Direction
* Peder Kragerup - Conductor
* Philippe Soupault - Text
* Samuel Beckett - , Lyricist, Text
* Stewart Schuenemann - Photography
* Tod Papageorge - Photography
* Ulla Voigt - Photography
Many Have No Speech is a bleak song cycle of sorts, with Mantler setting the texts of Samuel Beckett, Ernst Meister, and Philippe Soupault to music in a series of 27 short (sometimes exceedingly short) pieces. These are sung by the intriguing trio of Jack Bruce, Robert Wyatt, and Marianne Faithfull, each appearing individually on a given song and backed by the Danish Radio Concert Orchestra, with some contributions from the composer on trumpet and guitarist Rick Fenn. The texts are generally dark and pessimistic, well-suited for Wyatt and Faithfull especially, with his reedy and cautious and her life-weary voices. Both the orchestral accompaniment and the guitar obbligato will be familiar to fans of Mantler's previous work, the former billowy and brooding, the latter of a piece with the tone utilized on The Hapless Child. But a sense of sameness creeps in eventually, the music being fairly undifferentiated even though attractive and the shortness of the tracks causing one to have some difficulty distinguishing one from another. In fairness, some of this may be due to certain texts being read in the original French or German, thus running together in the memory of an English-speaking listener. Worth hearing for those who have followed Mantler's fascinating career, but newcomers are better advised to begin with either his Jazz Composers Orchestra work or the more rockish milieu of The Hapless Child.
---Brian Olewnick, All Music Guide
Michael Mantler
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Aug 10, 1943 in Vienna, Austria
Genre: Jazz
Styles: Avant-Garde, Avant-Garde Jazz
Never a major trumpeter, Michael Mantler was most important as an organizer of projects and for his work behind the scenes, most notably for the WATT label. After studying at the Vienna Academy of Music and University, he emigrated to the U.S. so as to attend Berklee in 1962. Mantler, who moved to New York two years later, played trumpet for a time with Cecil Taylor and in the mid-'60s, he helped with the formation of the Jazz Composer's Guild. He co-led a big band with Carla Bley, toured Europe in 1965-1966 with the Jazz Realities group (a quintet including Bley and Steve Lacy), and formed the Jazz Composers' Orchestra Association (JCOA), a non-profit organization that performed and recorded new music. Mantler, who married Carla Bley (their daughter is keyboardist Karen Mantler), recorded with Gary Burton (A Genuine Tong Funeral) and the JCOA (most notably Communications). He was also a part of Charlie Haden's Liberation Music Orchestra. Mantler worked with Bley on her large projects, formed the New Music Distribution Service in 1972, and then the following year founded the label WATT Works with Bley. He has since recorded on an irregular basis for WATT (usually ambitious and somewhat dry works), led an occasional orchestra, and continued running the label.
---Scott Yanow, All Music Guide |
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