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| You Must Believe in Spring |
| Frank Morgan |
| első megjelenés éve: 1992 |
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| (1992)
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CD |
| 4.100 Ft
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| 1. | But Beautiful
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| 2. | You've Changed
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| 3. | With Malice Toward None
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| 4. | Something Borrowed, Something Blue
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| 5. | I Should Care
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| 6. | Embraceable You
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| 7. | While the Gettin's Good Blues
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| 8. | My Heart Stood Still
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| 9. | Enigma
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| 10. | I Cover the Waterfront
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| 11. | You Must Believe in Spring
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| 12. | Come Sunday
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Jazz
Frank Morgan - Sax (Alto)
Barry Harris - Piano
Hank Jones - Piano
Kenny Barron - Piano
Sir Roland Hanna - Piano
Tommy Flanagan - Piano
* Brian Bacchus - Executive Producer
* Frank Micelotta - Photography
* Jay Newland - Engineer, Mastering
* Joe Lopes - Engineer
* John Snyder - Producer
* Jules Allen - Photography
* Magda Dajani - Hair Stylist, Make-Up
* Patrick Roques - Art Direction, Design
A '92 release by marvelous alto saxophonist Frank Morgan, whose life story and triumph over heroin addiction and imprisonment was one of the '80s' great success tales. Morgan's biting, yet sensitive and rich alto has rightly been traced to Charlie Parker, but Morgan long ago rid his style of any imitative excesses. He was excellently supported on this program of duets by an amazing lineup of rotating pianists: Kenny Barron, Tommy Flanagan, Barry Harris, Roland Hanna, and Hank Jones.
--- Ron Wynn, All Music Guide
Frank Morgan
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 23, 1933 in Minneapolis, MN
Died: Dec 14, 2007 in Minneapolis, MN
Genre: Jazz
Styles: Bop, Hard Bop
It is a real rarity for a jazz musician to have his career interrupted for a 30-year period and then be able to make a complete comeback. Frank Morgan showed a great deal of promise in his early days, but it was a long time before he could fulfill his potential. The son of guitarist Stanley Morgan (who played with the Ink Spots), he took up clarinet and alto early on. Morgan moved with his family to Los Angeles in 1947 and won a talent contest, leading to him record a solo with Freddy Martin. Morgan worked on the bop scene of early-'50s Los Angeles, recording with Teddy Charles (1953) and Kenny Clarke (1954), and leading his own album for GNP in 1955. But then 30 years of darkness intruded. A heroin addict (following in the footsteps of his idol Charlie Parker), Morgan was arrested for possession of drugs and was in and out of jails for decades. He performed locally on an occasional basis, but it was not until 1985 when he had an opportunity to lead his second date. Morgan managed to permanently kick drugs and after an initial period, during which he sounded very close to Charlie Parker, he developed his own bop-based style. Frank Morgan has recorded a string of excellent sets for Contemporary, Antilles, and Telarc, and has become an inspiring figure in the jazz world. His most recent albums include Tribute to Charlie Parker(2003), City Nights: Live at the Jazz Standard (2004), Raising the Standard (2005), and Night in the Life: Live at the Jazz Station (2007).
---Scott Yanow, All Music Guide |
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