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4.701 Ft
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1. | Don't You Remember
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2. | Kulture of Jazz
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3. | Song of Humanity (Kanto Pri Homaro)
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4. | Fire-Sticks, Chrysanthemums and Moonlight (For Harum)
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5. | Seven Rings of Light in the Hola Trinity
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6. | Louis Armstrong Counter-Pointing
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7. | Albert Ayler in a Spiritual Light
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8. | The Kemet Omega Reigns (For Billie Holiday)
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9. | Love Surpreme (For John Coltrane)
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10. | Mississippi Delta Sunrise (For Bobbie)
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11. | Mother: Sarah Brown-Smith-Wallace (1920-22)
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12. | The Healer's Voyage on the Sacred River (For Ayl Kwel Armah)
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13. | Uprising (For Jessie and Yvonne)
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Jazz
Recorded: October 1992
Wadada Leo Smith trumpet, fluegelhorn, koto, mbira, harmonica, bamboo notch flute, percussion, vocal
* Dieter Rehm - Design * Franz Hofer - Cover Photo, Photography * Martin Wieland - Engineer * Steve Lake - Producer
The ECM folks do much better by Wadada Leo Smith than ever before with this solo recording, a true masterwork of its kind and one of the purest, most enlightening demonstrations of the connected natures of folk, blues, jazz, and creative music. That Smith is the man to do this is certainly no surprise; he laid it all down in print years before this release in his self-published books and liner notes. But the way he does it, with so much grace and style (and with the excellent production by Steve Lake), really results in a totally polished statement. It is a deep and rich recording, with Smith playing in a manner that incorporates both versatility and the genius of simplicity, sometimes all in one note. Not just for fans of "out" music, this is one to pull out when you are trying to get friends to go beyond their Phish records. --- Eugene Chadbourne, All Music Guide
Wadada Leo Smith
Active Decades: '70s, '80s, '90s and '00s Born: Dec 18, 1941 in Leland, MS Genre: Jazz Styles: Modern Creative, Avant-Garde, Modern Free, Free Jazz, Avant-Garde Jazz
A consistently adventurous trumpeter who has stuck to playing avant-garde jazz throughout his career, Leo Smith's dry, introverted style (which makes extensive use of space) is a strong contrast to the more jubilant flights of Lester Bowie. Smith originally played drums, mellophone, and French horn before settling on trumpet. He gained early experience performing in R&B groups and played in an Army band while serving in the military. By 1967, Leo Smith was a member of Chicago's AACM. He soon helped to found the Creative Construction Company, an innovative trio with violinist Leroy Jenkins and multi-instrumentalist Anthony Braxton that toured Europe in the late '60s. Smith, who was involved in making the documentary film See the Music in 1970, formed the New Dalta Ahkri in New Haven, CT, an influential if under-documented band that at times included Henry Threadgill, Anthony Davis, and Oliver Lake. Smith studied ethnomusicology in the mid-'70s at Wesleyan, played with Braxton in 1976, and recorded with Derek Bailey's Company. He has also freelanced with his own diverse groups during the past several decades. After becoming a Rastafarian in the 1980s, he changed his name to Wadada Leo Smith. He began teaching at Cal Arts in 1993. Leo Smith, who founded the Kabell label in 1971, has also recorded for Freedom, Moers, ECM, Nesssa, FMP, Black Saint, Nessa, and Sackville in settings ranging from unaccompanied solos to a big band. ---Scott Yanow, All Music Guide |
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